OurStage

 
 
 
 
about Justine Wilde's blog
Total posts: 9
First post: Aug 12 at 11:58 PM EDT
Most recent: Nov 15 at 8:35 PM EST
Total comments: 7
Most recent: Nov 18 at 5:17 PM EST

Justine Wilde's blog

TILT_INSTALLMENT #9: SHORT STORY: TO THE LEFT OF THE BIG GAPING HOLE

2_picture101-34-17_139x142

Ranked at #87 of 281 on www.triggerstreet.com

http://posting.triggerstreet.com/gyrobase/Submission?oid=oid%3A1176876

Genre: Drama / Fantasy

Synopsis: When a despondent woman makes her first ever diary entry, THE MONSTER appears, and all things forever change…

TO THE LEFT OF THE BIG GAPING HOLE

Cassie’s room is square with sky blue walls, and a white ceiling. The curtains and shades, black. The freshly varnished, parquet floor sparkles beneath the beam of a lamp.

On a wall near a window hangs a solitary, small painting of cotton-candy-blue clouds that seem to kiss a mountaintop; at the foot of the mountain, stands a lone tree. In the foreground is a green field whose tiny yellow flowers sway in a soft breeze.

Cassie sits at a desk, reaches inside a drawer, and pulls out a cellophane-wrapped book with the word, “Diary” embossed in faux gold on its cover. She peels off the wrapping in a slow, deliberate manner. Eyes the cover, opens the book, and begins to write.

Entry: March 12, 2007:

I must admit I’ve always thought diaries to be silly things, even as a child. Once, when we were about eight, Jilly thought I’d read hers, though I hadn’t, and she locked me out of her room for three solid days.

Yet, here I am with you as my confidant.

As a first-timer, you’ll have to be patient with me, but I do think in the end, you will be pleased. Your pages will no longer all be blank, as I will fill you with news of my life, and therefore, at least you will have a purpose.

Lately the shades have been down… I pulled them down three days ago.

Lately, I like it like this. “Push, push, in the bush”!1 Engulfed by the dim of my start-up-bunny, that just won’t start no matter what battery I inject. No matter how much acid residue I spew.

Here, and there, I peer out, trying to remember when “out” was okay, but it’s beyond my recall now: the onslaught did me in.

I thought the worst was 2004. That’s when I found sweet, Methadone Danny’s works inside a pipe under the bathroom sink. When he got home, I shoved them in his face. He said, “They must’ve belonged to the last tenant.”

“Yeah, right,” I screamed. “The last tenant just happened to be a fucking junkie, too! How could you do this to us?”

He just stared at me, but I could tell he was holding back that sly smile I once adored.

All that bullshit he gave me, in ‘03, about how he hated himself after he dropped Emma on her head when she was just two.

“I had an epiphany,” he said. “Fuck, I could’ve killed her. I went to this clinic. Got on the program. They got me straight. And now my dose is halved… “

I said, “It’s not heroin, though, right?”

“No, it’s like a prescription, a drink, and they do urine tests every day, so everything’s monitored, and…”

Danny hung his head.

“What, what’s the matter?”

He wouldn’t look me in the eye. “I’m a junkie. You shouldn’t be with me. I could’ve killed my kid. I’m a low-life!”

“That was five years ago, Danny. You’re not that person anymore, you’re on the program now, and you’re not gonna go back to it ever, right?”

He wrapped his arms around me so tight, I almost couldn’t breath.

“Answer me, you fuck!” I screamed again, as I threw the hypo at him. “How long Danny, two months, six, from the very start? It’s my bathroom too! You knew I’d find it, didn’t you?”

“They must’ve belonged to the last tenant,” he repeated casually, as he walked toward the door.

He looked back. He didn’t have to do that, but he wanted me to see the smile after all, and I did.

I watched the door close behind him, then magic markered the new, kitchen floor cherry red with the inscription, “Die, fucking junkie liar!” Packed my things and left.

I came back the next day to get some old photos I’d forgotten, and “Te-ree” was sleeping on the sheets I paid for.

Two months later, he sent me a letter: “I am totally sober now, I don’t do drugs (no pot, no drinking, no narcotics of any type). I am in N.A., and one of the steps is quote, ‘We make a list of all persons we have harmed, and become willing to make amends to them all.’

I have apologized to my family, and some friends that I knew during my drug days. I have new friends that are drug and alcohol free.

I am so sorry for the things I did to you. I was a selfish, drugged up bastard who only thought of myself. I was a liar, and a cheater of your heart. I took your love and turned it into hatred. I know that you wanted to be happy, and I was not. I was always angry. I made your life a living hell!!

But now, I am a positive, happy-go-lucky guy. I have undergone hypnosis to release my guilt and negative ways. My friends and family cannot believe the changes I have made since I have quit doing drugs.

Though, I would like to be your friend again, and make music with you like we used to, I don’t think that you ever want to talk to me again. And believe me, I understand that completely.

I hope that things with you are good. I hope you are happy and have found someone to share your life with. I hope your mom is doing well.

If you feel that you can write me back, that would be great, and I would very happy. If you want, you can call me, at my sister’s house.

I am going to be in NYC for about another 3-4 months. Then, I am moving to California to be with my good friend Allen, who was the most important person during my recovery.

So, if you can find it in your heart, and want to see for yourself that I am a completely different person, then all you need to do is write me, or call me.

P.S. If you don’t contact me, I will never write you again. I will respect your privacy. That’s a promise I will keep for the rest of the days that I am alive.

I am so sorry for what happened between us. Danny.”

A month after that letter: an overdose of crystal meth, outta luck in the E.R., his heart flat-lined for good.

I found out when his mother saw me in the street, a week after he died and stopped me.

She said, “Dev’s dead. His lips were blue on the table.”

I never knew why she called him “Dev.” I asked Danny more than a few times. He’d always say, “I don’t know. She likes to, I guess.”

Funny thing is, the last song we cut was called, “Spat Back From the Grave.” It’s not actually funny. Maybe it is. I can’t tell anymore.

It got worse in 2-thou-5. Mom had a heart attack. She called me while it was happening. She was so very calm.

“I’m on my way,” I said.

“No,” she said, “I called Jena, she called Matt, and he called his supervisor at EMS. The ambulance will be here any second. Meet me at Lutheran emergency.”

“No, I’ll be there in—“

She said, “Don’t argue with me. See you at Lutheran.”

They put mommy on “Sister Morphine” before the open-heart, triple bypass, and she was flyin’ through the stratosphere.

I was terrified she’d fly higher, and be gone. All I could think was, “She’s gonna die. I know, she’s gonna die.”

Afterwards she blamed me for it all. But it wasn’t my fault.

Arteries.

Blood pressure.

Insane temper.

That’s what did it.

She still says, “When I’m dead, you’ll feel the guilt!” I already do, though, I don’t know for what. It’s like a stain she dyed me with when I was born.

2006: The call came a month after. From his mother. “Chumly” was dead at forty-four. Congenital. Heart. Defect. Like his father.

He always said, “I’ll never live to know our kids.” Of course, we never had any.

Why did she call me a month later? For what?

The papers had already printed the story about a small-town-boy who went to the big city, loved a young rocker chick for near a decade then, tore out her heart, came back, and started up a band called, “Just Above Ground.” Ironic ain’t it?

The funeral had already been. In the dead of a Nova Scotia winter. Buried next to brother, Kris, killed in crash at seventeen, who himself was buried next to daddy, James. All words had been spoken without me. Why did I need to know? Why? Fuck, why?

She said, “I thought you had a right, but don’t call here no more!”

I said, “But I didn’t call.”

She slammed the phone in my ear. Gee, thanks for the update

. Just when I thought it couldn’t get any… March, 2007: an Aide, at the Home, mistook Grandma’s age for eighty-seven, and she snapped back, “Listen, if you’re gonna count my years, add ‘em right. May I be eighty-six before I turn eighty-seven, dearie?”

I brought her magazines and candy. She shook her head. Said, “No! Go! Just go!” then, threatened to have me thrown out if I didn’t promptly do as told.

“I’ll just stay for—” She buzzed the Aide.

I left. All I did was bring her magazines and candy …

Three days later … The Home called, told mom to ring the hospital, wouldn’t say any more. A “kindly” doc, at the hosp said, “Yep, I see it right here, at, uh, 5:03 am, she died of a stroke. He was conveniently ‘paged.’ Said, “Sorry, gotta go” and hung up.

So, there went Danny, “Chumly,” Grandma, and almost mom, too.

I told myself, if one more thing happens, I shall be done with crying, and when I am done with crying, I shall be done too with all things.

I made a “plan” just in case: a plan stashed inside a vial, which I hid in my dresser drawer. Hoped I’d never see it again. Hope there’d be no cause to use them.

But then it happened…

Jet, my Zoo-Blue, who made me laugh, really laugh, for the first time since I was ten. Belly laugh all the way to pain laugh until I’d punch him, and he’d make me laugh some more.

If I could still cry, I would…over him.

That night, as he hung his head out the window, and I stood for the last time on the porch stair, I begged him, “Please, let me come up.”

He said, ” I can’t. Can’t let you see me this way.”

I said, “But I’m already seeing you.”

He started to cry. Said, “Goodbye.” Closed the window.

I banged and banged on the door.

The police came. They told me I’d better leave, and I did.

I called. No answer. No answer. No answer.

I came back. Rang the bell. No answer. No answer. No answer. No answer.

Not one drop of alcohol in his body. Not one drug.

Nope, he drove off that bridge out of sheer vengeance against his life and left me behind to figure it all out on my own.

This is the aftermath of it all: sick with experience. Gutted. Drowning in the gargantuan void…

Out of happiness pills.

The edifice, wrecked.

Only the door left standing, with a sign that reads: “STOCK EXHAUSTED. PERMANENTLY CLOSED. RESURRECT ON YOUR OWN.”

I’m barricaded in now against daylight and pirates: built a fortress from mud and the weeds of dreams, against exposure, and live here, in the dark of this cave.

Yet, down, way down, further still, lurk the cruelest of hours. The one’s that will back my time into its final corner, and command it, “Halt.” These hours are coming for me… I know.

Across the street, beneath the tracks of a railing “L”: a 24-hour Laundromat. Its strobing, neon sign pulses and sears through the blackness of my shades, and my heart.

It’s 4:30 am, and he won’t stop…

He won’t shut up!

He is drunk, and happy, and sings gregariously of THE MONSTER: the one that swims toward me, the one that soon will come for me. Consume me…

He sings in Japanese, and I don’t understand Japanese. I don’t understand Japanese, but I know his song is about me, for me. I don’t understand Japanese, but I know it is.

He is relentless. The drums of my ears are gashed open. My brain is on fire-pilot.

There he goes again, laughing … laughing … laughing, like a nasty child. I hate him!

What must it be like to be drunk on laughter, and happiness, infused with wine, and thin air?

What must it feel like inside a body that waits not for and fears not THE MONSTER?

I want, oh, how I want… But not … one … tear.

He sings, and he sings, and he sings, and he laughs, and he laughs, on … and on … and—

Silence.

He is gone. Vanished into happiness, wine, and thin air.

THE MONSTER is here with me now. Shrouded in the placenta of the great abyss. He drips on my floor. Gestures me closer.

“I have to pack to some things,” I say.

He shakes his head, “No.”

“Madam, Princesses must be obedient;

For a medicine now becomes expedient. ” 2

“I need some thing from my drawer.”

He shakes his head, “Yes,” and smiles. It is a strangely comforting smile.

He goes to my dresser drawer. Takes out my plan stashed inside a vial, and hands it to me. I follow it, though it is a hard plan to swallow:

“Of five ingredients—a diapente,

Said the governante, fading lente…” 3

“I am ready now,” I whisper.

He extends his hand.

I take a last look at the cave that is my room. It is blurry and spinning.

I grab hold of THE MONSTER’S hand.

The railing “L” shrieks in the distance. It is still dark outside and darker still where THE MONSTER leads me.

I think a final thought of my life: forgive me, mama. You are all I shall miss, but I am long overdue … somewhere … TO THE LEFT OF THE BIG GAPING HOLE.

The lamp flickers.

Blackness.


Citations:

1. Musique. “In The Bush.” 1978.
2. Sitwell, Edith. The Collected Poems Of. Duckworth. London. 1930.
3. Ibid.


Whole Lotta Love,

~ Justine ~

Rock-dark

"IF I LIVE 'TILL MONDAY” LYRICS









IF I LIVE ‘TILL MONDAY

I MAY DIE ON SUNDAY
QUITE POSSIBLY TRUE
BUT IF I LIVE ‘TILL MONDAY
I’M HEADING FOR YOU

IF I LIVE ‘TILL MONDAY
GONNA DANCE UPON THE GRAVES OF
EVERYONE I’VE BEEN BEFORE
MUST’VE BEEN 20 OR MORE
IF I LIVE ‘TILL MONDAY I’M COMING FOR YOU
IF I LIVE ‘TILL MONDAY, YOU’LL WISH IT’S NOT TRUE

IF I LIVE ‘TILL MONDAY
IF I LIVE ‘TILL MONDAY
IF I LIVE ‘TILL MONDAY
IF I LIVE ‘TILL MONDAY
I’M COMING FOR YOU

I MAY DIE ON SUNDAY
I KNOW YOU HOPE IT’S TRUE
BUT IF I LIVE ‘TILL MONDAY
I’M HEADING FOR YOU

GONNA WIPE THAT SMILE
FROM YOUR FACE
CLEANSE THE RACE OF YOUR DISGRACE
LEAN NO SIGN LEAVE NO TRACE
OF ALL THAT YOU EVER BEEN
ALL THAT YOU HAVE SEEN MY FRIEND
MY FRIEND

I LOVE YOU, MY FRIEND
I LOVE YOU, MY FRIEND
I LOVE YOU, MY FRIEND

CHORUS

OH, I LOVE YOU SO
BUT YOU DO NOT KNOW
HELL, I SWEAR YOU WILL
IF I LIVE UNTILMONDAY

SWEET MONDAY
LOVELY MONDAY
LOVELY MONDAY
SWEET MONDAY
LOVELY MONDAY
LOVELY MONDAY
SWEET
SWEET MONDAY

BRIDGE

I CAN SEE US IN VISIONS
WADING THOUGH THE MILES
PUTTIN’ ON THE RITZ
AND PUTTIN’ ON THE TEARS
AND THE SMILES

GAVE YOU ALL I WAS
STILL YOU WANTED MORE
IF I LIVE ‘TILL MONDAY
COMIN’ BACK TO GIVE YOU
EVERYTHING
EVERYTHING
EVERYTHING
YOU NEVER DREAMED BEFORE
EVERYTHING
YOU NEVER DREAMED BEFORE
NEVER DREAMED BEFORE

CHORUS (PART DEUX)

OH, I LOVE YOU SO
STILL YOU DO NOT KNOW
HELL, I SWEAR YOU WILL
IF I LIVE UNTILMONDAY

LOVELY MONDAY
SWEET MONDAY
LOVELY MONDAY
SWEET MONDAY
SWEET
SWEET MONDAY
SWEET
MONDAY

VERSE

I MAY DIE ON SUNDAY
I KNOW YOU HOPE IT’S TRUE
‘CAUSE IF I LIVE ‘TILL MONDAY
I’M HEADING FOR YOU

GONNA WIPE THAT SMILE
FROM YOUR FACE
CLEANSE THE RACE OF YOUR DISGRACE
LEAN NO SIGN LEAVE NO TRACE
OF ALL THAT YOU EVER BEEN
ALL THAT YOU HAVE SEEN MY FRIEND
MY FRIEND

I LOVE YOU, MY FRIEND
I LOVE YOU, MY FRIEND
I LOVE YOU, MY FRIEND

I MAY DIE ON SUNDAY
ANOTHER FACT IS TRUE
IF I LIVE ‘TILL MONDAY
I’M HEADING FOR YOU

IF I LIVE ‘TILL MONDAY
IF I LIVE ‘TILL MONDAY
IF I LIVE ‘TILL MONDAY
IF I LIVE ‘TILL MONDAY
I’M HEADING
I’M GUNNING
I’M COMING
I’M COMING
JUST FOR YOU

IF I LIVE ‘TILL MONDAY
YOU’LL WISH IT’S NOT TRUE
YOU’LL WISH IT’S NOT TRUE
YOU’LL WISH IT’S NOT TRUE

YOU’LL WISH IT’S NOT TRUE


Whole Lotta Love,

~ Justine ~

Rock-dark

"PAINT IT BLACK"_THRILLER FEATURE FILM SPEC SCRIPT_FADE IN...

Nzxsttqmogor-500x400

PAINT IT BLACK

by

Justine Wilde

WGAw Registered: Justine Wilde
© Justine Wilde, 2008

Artwork: “Black Magic”
Rene Magritte



FADE IN:

INT. LAYLA’S APARTMENTBATHROOMNIGHT

Candlelit. Undersized. Claustrophobic. Paint-chipped walls and decaying wooden floors. A desolate space.

LAYLA BLACK, 28, long, dark hair, soaks in a tub. Face in shadow, head hung low.

The DIN of New York City’s Lower East Side filters in through a small window. She raises her head.

A COCKROACH squirms through a crack in the shower wall. A MAMMOTH, BLACK TONGUE darts from it, slithers toward her.

She gasps. Recoils.

The tongue slithers closer.

Layla jars awake from the dream: bug-eyed. Breathing heavily. Face beaded with sweat. Hair matted. Soaking in the tub.

A candle flickers. Outside the window: a MAN YELLSA WOMAN CRIESGARBAGE CANS CRASH

Layla startles, jolts forward, bangs her arm hard into the shower knob. The shower turns on, and a gush of steamy water drenches her. She gasps. Turns it off.

The argument outside the window swells. She raises her hands to her ears. A tattoo on the inside of her left wrist is discernable but unclear.

A COCKROACH squirms though the shower wall crack.

With a swift, die-motherfucker-palm-whack, she squashes it to pulp, then smears its bloody remains across the tub’s exterior.

Revulsion in her eyes, a DISTORTED MALE VOICE BOOMS in her head, “Wherever you go! I swear I will!”

LAYLA
I wont let you. You can’t stop me…

Layla slides down, disappears beneath the bath water.

SPEAKING UNCLEARLY

Dhkfdeepgwxn-500x400

Roses are yellow

Violets are swollen

Arsnic is honey

The far winds are blowin’

Zeus is a lamb

E.I.Q.’s underrated

Danger’s a ranger

Who should not be baited

Roses are frozen

Lillies are growin’

Disease in the breeze

The totem is loaded

SMACK

Blight spew head blink scene drown hack

Tight do dread sink mean town lack

Sight clue led brink spleen down crack

Bite cue sped ink clown been slack

Spite due dead stink unclean

SPLAT

Violets are swollen

Roses are yellow

Nine below zero

Skies hardly mellow

The joint is a curl

In the middle of a forehead

So fast to be slow

While all the seas parted

Zeus is a lamb

The laugher’s a screamer

Olympus is burnin’

No deus ex machina

SMACK

Bite cue sped ink clown been slack

Spite due dead stink unclean…

SPLAT

DOIN’ TIME FROM THE CORE TO THE GRINDROCK THE STAGEROCK IT WILDE!

Whole Lotta Love,

~ Justine ~

Rock-dark

I SAW WITH MY OWN MIND THE COLORS OF THE UNIVERSE; I HELD IT IN MY PALM...

ROCK THE STAGE; ROCK THE GLOBE; ROCK IT WILDE!!!

Whole Lotta Love,

~ Justine ~

Rock-dark

DOIN’ TIME…FROM THE CORE TO THE GRIND!

A REVERBERATING UBER CONGRATS TO ALL THE FINALISTS!!!

ROCK THE CHANNELS; ROCK THE STAGE; ROCK THE GLOBE; ROCK IT WILDE!!!

Whole Lotta Love,

~ Justine ~

Rock-dark

MUSIC: “The Ambiguous World of the Undetermined.”

“Crying Spider”(Odilon Redon) Recently, I engaged in a fascinating discussion with maestro Robert Tiernan [FKN luv ya, Bobby!]: all of his work, including his “SIT-JO” collab,”Monkeys Fly,” with OS member M.A.D. is amazing! Much of our e-conversation revolved around music but also surrealist masters, Salvador Dali and Max Ernst. Because of our mutual affinity for Dali and Ernst, I introduced Bobby to another of my faves, Odilon Redon, a darkly atomospheric Symbolist painter (1840-1916) who was “at the front of the Société des Artistes Indépendents…the first to really pose a challenge to the Impressionists as an alternative venue for progressive art.”Source The artwork for my song, “No Rocket Science” is a graphically morphed incarnation of Redon’s

“Spirit of the Forest.”

(“Spirit of the Forest,” and many other masterpieces by Redon, is no longer subject to copyright in the US / various other countries and is now categorized as within the “Public Domain.”)

Like the “father of surrealism,” Bosch (“The Garden of Earthly Delights”), Redon supremely influenced the the surrealist mindset / revolution, and perhaps, even music genres such as Psychedelia, Punk, and Metal, with his penchant for the fantastical, the world of dreams and the subconscious, as well as the decadent.

Redon was a genius not only in the execution of his art but too in how he conceived of what is art and what should be it’s aim, if it’s aim is genuine. A beloved child of the muses, Redon declared, “I await joyous surprises while working… My drawings inspire and are not to be defined. They determine nothing. They place us, as does music, in the ambiguous world of the undetermined. They are a kind of metaphor. I am certain about what I will never do – but not about what my art will render.” Source

The above quotes by Redon eloquently summarizes his immense intuition as to the greatest goal that art may accomplish, and I think are of superlative importance to us all, as makers but also, as consumers of art…

Can any deny a desire to transcend the finitude of existence, to land in a dominion that defies language, subliminally jousts consciousness flat on its ass, and symbolically breaks the chains of this mortal coil by allowing the unconscious to wander free in the forest of the ‘undetermined’?

All of art, music especially, is sublimely capable of such a feat. Music grants each unique subjectivity entrance to a province of ‘unknowing’ and thereby, paradoxically the ability to discover a deeper meaning in what it hears and experiences than would it had preconceptions cluttered it’s psyche upon listening. Yet, to transcend the finite one must necessarily listen to music with more than ears… One surely must listen on a level that defies description; a level that may only be experienced yet not verbalized: “While I recognize the necessity for a basis of observed reality… true art lies in a reality that is felt.” (Odilon Redon) Source

Music is the common chord that has stretched through the eons, and maintains the inherent power to allow us to transcend the finite; again and again to unite the ‘self’ with the ‘self’; to unite the ‘self’ with “Being and Nothingness” (Jean-Paul Sartre), and finally, to unite the ‘self’ with all of ‘being’: music is a transporter bridge that leads to the free, “ambiguous world of the undetermined.”

Here’s a few more samples of Redon’s work:

For a more extensive tour inside the wondrous mind of Odilon Redon, visit:

Museum of Modern Art

Bonne chance sur votre voyage à ce royaume mes camarades! May the music of the spheres penetrate you sweetly, beyond your wildest imaginings and the music of your contemporaries catapult you ever closer to discovering their and your depths as well as the greatest serenity possible.

Whole Lotta Love,

~ Justine ~ Rock-dark

HIDES IN THE CENTER

HIDES IN THE CENTER by Odinalla.

I’ve got this brilliantly crafted song / video faved, but its worthy of its own showcase: WATCH IT NOW!

And don’t forget to comment on Joey’s page, and let him know your deepest thoughts about this oh-so-trippy masterpiece!!

Comment at: http://www.ourstage.com/fanclub/odinalla

Rock It Wilde, Baby… Rock It Wilde!

Whole Lotta Love,

~ Justine ~

Rock-dark

TILT

Welcome to the

First Installment of

TILT

Which is this blog’s moniker…

And in no time flat

You’ll understand why!

Let us begin ceremoniously with a —

Morbid Birthday Song…

Shall, we?

Okay, here we go…

The Barbarian Birthday Dirge

It’s your Birthday! Happy Birthday!

Grief and sorrow fill the air

People dying everywhere

Happy Birthday!

It’s your Birthday! Happy Birthday!

May the cities in your wake

Burn like candles on your cake

Happy Birthday!

It’s your Birthday! Happy Birthday!

Indigestion’s what you get

From the enemies you ‘et

Happy Birthday!

It’s your Birthday! Happy Birthday!

This one lesson you must learn

First you pillage, then you burn

Happy Birthday!

It’s your Birthday! Happy Birthday!

Birthdays come but once a year


Marking time as Death draws near


Happy Birthday!

It’s your Birthday! Happy Birthday!

They stole your sword, your gold, your house

Took your sheep but not your spouse

Happy Birthday!

It’s your Birthday! Happy Birthday!

Your servants steal, your (love’s) untrue

Your children plot to murder you

Happy Birthday!

It’s your Birthday! Happy Birthday!

So another year has past,

Don’t look back, they’re gaining fast

Happy Birthday!

It’s your Birthday! Happy Birthday!

Now you’ve reached the age you are

Your demise cannot be far

Happy Birthday!

It’s your Birthday! Happy Birthday!

We’ve brought linen, white as cloud

Now we’ll sit and sew your shroud

Happy Birthday!

It’s your Birthday! Happy Birthday!

It’s your birthday; never fear

You’ll be dead this time next year

Happy Birthday!

Happy Birthday!

Happy Birthday!

“The (Viking / Barbarian / Mongol / Society for Creative Anachronism / Fandom) Birthday Dirge” (whose origins are cloaked in mystery—oooooooh ) is sung to the first refrain of “The Volga Boatmen,” composed by Ilya Yefimovich Repin (1844-1930), Russian painter and composer, born in Chuguyev, considered the outstanding realist of his generation.” http://www.punkwalrus.com/cybertusk/viking_birthday_dirge.html

Here’s a link to The Volga Boatmen

Have fun singing along!

Oh, one more thing, lest I be an impolite, bad girly, whether it is or isn’t:

Happy Birthday!

Rock It Wilde, Baby… Rock It Wilde!

Whole Lotta Love,

~ Justine ~

Rock-dark