OurStage

 

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OurStage is a brand new way to discover and enjoy the best new artists and the best new music — as determined by You.
 
 
about rachel's blog
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First post: Apr 21 at 6:16 PM EDT
Most recent: Aug 15 at 9:33 AM EDT
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Albums to Check Out: 001

Deerhunter – Microcastle

This album isn’t technically supposed to be out until October but whatever. I’ve have this bad boy for about two months and let me tell you – amazing. I’ve always liked Deerhunter (maybe not so much the loud, screaming phase) and I really dug Cryptograms, so when I heard they were coming out with a new album, I was excited. Microcastle sees Deerhunter toned down and more focused on melody than on making loud sounds. It’s beautiful and weird and a little creepy. And that’s how I like Deerhunter.

Track: “Little Kids” – Deerhunter Why: Deerhunter has grown out of songs about things dying and on to songs about just growing up. They have the fine talent of being able to say a lot with just their music. Think of this as an ode to being a happy kid and having to give it up later.

Atlas Sound – Let The Blind Lead Those Who Can See But Cannot Feel

Speaking of Deerhunter! Bradford Cox (lead singer of Deerhunter) came out with this little solo project. After hearing this, the change in Deerhunter’s music makes a lot more sense. It’s like Deerhunter in their MORE spaced out moments. If that is even possible. It’s shoegazer meets psychodelic indie rock with a whole shitload of drugs thrown in. Turn on and tune out indeed.

Track: “Recent Bedroom” – Atlas Sound Why: Only Bradford Cox could stretch three lines out into an almost 4 minute piece of blissed out post-rock.

Uzi & Ari – It Is Freezing Out

I have been ranting and raving about Uzi & Ari for over a year now and I still contend that they have one of the most underrated indie rock albums of 2006. Thankfully the Salt Lake City band is coming out with a new CD called Headworms and if the first track off it (“Wolf Eggs”) is any indication, we can expect more girl/boy harmonies over dreamy synth pop. Watch out, Postal Service.

Track: “Tiny House” – Uzi & Ari Why: Postal Service wishes they could write this well. Ben Shepard is never whiny (Ben Gibbard, come on) and the acoustic guitar over the minimal electronic beats makes you want to sit in a sunny park and just chill.

Bon Iver – For Emma, Forever Ago

I don’t like buying into hype, especially when it comes to indie singer-songwriters whose songs make me want to fall into a coma. However, I must admit I was wrong about Bon Iver. (But am I the only one who thinks Justin Vernon sounds like the lead singer from TV on the Radio?) For all my misgivings, Bon Iver delivered one of the most sparse and beautiful albums of the year.

Track: “The Wolves (Act I and II)” – Bon Iver Why: Ridiculously beautiful cresendo at the end of the song. Don’t tell me you didn’t want to sing along to that.

Hrsta – Ghosts Will Come And Kiss Our Eyes

Where was I when this came out? How did I live without this? I think we can all agree that I like music that’s the aural companion to dropping acid. Just saying. So while Godspeed You Black Emperor is dormant, Hrsta has picked up the eerie post-rock torch. It’s like GYBE meets Sonic Youth meets Folk Implosion on the song “Jenny’s Theme.” If you like creaky music for dark nights and ghostly vocals softly singing about things that’ll give you nightmares, then I strongly suggest Hrsta.

Track: “Entre La Mer et l’Eau Douce” – Hrsta Why: Think of a black mass with the Devil himself playing the organ.

Ra Ra Riot – The Rhumb Line

I’ve been a huge supporter of Ra Ra Riot since they played one of their first big shows in Boston with Stellastarr and Illinois. After working with them through BU Central, I got to know them as people and of all the indie bands that I have met, I think they have what it takes to make it big. Their first full length album comes over a year after the death of their drummer and best friend John Pike. His absence is clearly felt but the band pays tribute to him in songs like “St. Peter’s Day Festival” (which he wrote) and “Winter ‘05.” Many of the songs on the album were on their self-titled EP but with additions of “Oh La” and others, this album is tightly constructed and a great debut for a phenomenal band.

Track: “Run My Mouth” – Ra Ra Riot Why: Alexandra and Rebecca on strings rule this song. And of course there is Wesley who can sing “What is it that gets you through another day when I’m not there” with honesty and real feeling.

Surviving A Zombie Attack

When the zombie apocalypse comes, I want to be that badass who lives underground and always starts their stories with, “Before, when my dreams weren’t haunted by the screams of the dying….” Cool? Yeah. I know. My future self is pretty great. But that’s not my point. I really mean that when it comes down to it, I will survive the zombie hoards.

I have been formulating a zombie escape plan that works in any situation and I guarantee that barring batshit crazy survivors or any mishaps that may render me incapable of running, it’ll work like gangbusters. Here it goes…

1. In every zombie movie, you need to have your faithful go-to person. Mine is Courtney. She’s fierce and she’ll probably feed you to the zombies if you look at her the wrong way. Or dare say anything bad about Ryan Gosling. Your go-to person has to be down for anything, even if it is a crazy ass idea like turning a mall transport into a moving tank that will plow through a mass of the undead. The go-to person also provides witty banter and the occasional pun-laden joke after a very intense moment.

2. Map out your local stores. Let’s talk for a second. It’s not stealing if everyone is dead or dead and cravin’ your brains. Clearly no one is coming to save you so you need to make out like it was the ‘92 LA riot. But before you get to looting, you need to come up with a strategic plan. If the internet is down, grab the Yellow Pages. If there are no Yellow Pages, then get a sales circular from the last newspaper. If that fails, then you have to venture out during the day to find stores.

3. No one is anti-gun in the Zombie Apocalypse. I might be all for gun control but in the event that I am going to see my innards become out-ards in a zombie all-you-can-eat buffet, I’ll LEARN to like guns really quickly. And besides, you can hone your skills with zombie target practice.

4. If you can, get out of the cities. If you can’t, learn to be sneaky and find shelter in a defensible and convenient place. It’s time for some math! A lot of people live in the cities. But a lot of people live in the suburbs. But there is a high population density in the cities, meaning generally more people in a smaller space. Add in the zombie factor and you have some Raccoon City shit. Cities, while there are more places to hide are proven to speed up your demise. Because if you can hide, so can zombies. However, if you have to be in the city, then you want to be in a place that is easy to defend and easier to get in and out of in case of a breach. Said place must have lookout spots, special exits, and of course all facilities needed for living. That shit better be Fort Knox.

5. Don’t hesitate, decapitate. There’s always a character in a zombie movie who feels like they need to double check to make sure someone isn’t a zombie for real. If they shuffle, groan, and generally are bad tempered, it’s a zombie. Yes, we all occasionally make mistakes but surely they should know better than to be creeping around during such tense times. They’ll be remembered fondly…but not for making you dispatch of them accidentally. Oh and if something looks dead, don’t touch it. Just remove the head and be on your way.

Things That Are Overrated

M.I.A.
Peaches
Justice
MGMT
Crystal Castles (their CD is okay but not good enough to merit all that hype)
Santogold
Girl Talk (and I LIKE GT but this is getting absurd)

Can I just talk briefly about MGMT? Because they suck. They suck and I feel like I am in some alternate reality where everyone loves them and think I am just being difficult because I don’t. No, I hate them because they have songs that sound like Flight of the Conchords. But they aren’t joking. I’ll admit, “Time to Pretend” is a really catchy song with some witty lyrics but that’s it. The charm ends there.
“Electric Feel”? Seriously? There is only one good version of that song and it’s (shockingly) remixed by Justice. It’s like what happens when two crappy things unite, they make something that’s a million times better than what any of the groups can do alone. Sad. Someone tell all the above artists to get together. Maybe they can make a decent album.
Maybe I just don’t get “IT” but if “IT” is cool then I sure as hell don’t want to be a part of that. I’d rather be uncool with my fine sense of music in tact rather than jump on some BS.

If you agree, go to: www.hipsterrunoff.com

Bangers Vs. Disco

There’s a war being waged on the dancefloor and it’s between the electro banger spinners and those trying to bring back disco. You know who I blame? Justice.

It’s not that I dislike Justice, I just think that they are overrated for what they are. Their album Cross is mediocre at best, populated by songs that when left in the hands of competent DJs are amazing but are flat and repetitive on their own. Take “Stress” for instance. Kind of pretty boring in structure but the sound is very interesting. Now, listen to “Stress (Auto Remix).” Badass? VERY. Nice menacing strings that build to one of the most hard beats these ears have ever heard. Legit, this song could tear up any club.

And this is kind of the issue at hand. The electro world is splintering into even more factions. There’s chick rap (Yelle, Uffie, Peaches, MIA), there’s bangers, there’s disco, and there’s downtempo and accessible electro. Not that there’s any issue to that, lord knows how many variations of rock we have. The issue is that groups are battling over the resurgence of disco beats in the clubs.

Personally, I dislike the new electro-disco. It’s too safe, too cute, and not nearly as raw as club music needs to be. Disco certainly has taken off in Europe but I’d be a little disappointed to see bangers take a backseat to disco here in the States. Bangers are club mainstays, sort of an offshoot of the harder trance music of the late 90s/early 2000s (Ricky Fobis’ “No Regular”). Bangers are dirty, loud, and are the badass floor stomping anthems that the electro scene is known for. The heavy bass, insane break beats, and the distorted effects of MSTRKRFT’s “Bounce” are so much better than the sweetness and light of, let’s say, Justice’s “D.A.N.C.E.” But tell that to the millions of bandwagoners who jumped on that song as soon as the video came out. Thanks again, MTV! Where would we be without you telling us what’s cool?

2008-2009 = The Comeback of Disco? I hope not.

Mixtape: Imitation Is Flattery

Side A: 1. “D.A.N.C.E. (Justice Cover)” – Get Cape. Wear Cape. Fly. 2. “Boy from School (Hot Chip Cover)” – Maritime 3. “Ready for the Floor (Hot Chip Cover)” – Duffy 4. “Foundations (Kate Nash Cover)” – Banjo Or Freakout 5. “Well Well Well (John Lennon Cover)” – Cold War Kids 6. “Toxic (Britney Spears Cover)” – Portland Cello Project 7. “Gimme More (Britney Spears Cover)” – Sia 8. “Crown of Love (Arcade Fire Cover)” – This Is Ivy League 9. “No Cars Go (Arcade Fire Cover)” – Final Fantasy 10. “Mexico (Cake Cover)” – Kim Richey

Side B: 1. “Into Dust (Mazzy Star Cover)” – Ashtar Command 2. “Hyperballad (Bjork Cover)” – Big Heavy Stuff 3. “Nights in White Satin (The Moody Blues Cover)” – Midnight Movies 4. “The Pioneers (Bloc Party Cover)” – Mystery Jets 5. “Say It Right (Nelly Furtado Cover)” – Bloc Party 6. “Popular (Nada Surf Cover)” – Scary Mansion 7. “Playground Love (Air Cover)” – Phoenix 8. “Go (Daniel Johnston Cover)” – Sparklehorse & The Flaming Lips 9. “What You Want (My Bloody Valentine Cover)” – readymade 10. “Iron Man (Black Sabbath Cover)” – The Cardigans

So You Wanna Throw An Indie Dance Party

Side A: 1. “Homecoming (Gentlemen Drivers Rave Remix)” by The Teenagers 2. “Bounce (OH SNAP!! Bootleg Vocal Remix)” by MSTRKRFT 3. “Black History Month (Josh Homme Remix)” by Death From Above 1979 4. “Whoo! Alright-Yeah…Uh Huh” by The Rapture 5. “You’re Out” by Dead Disco 6. “Monster Hospital (MSTRKRFT Remix)” by Metric 7. “Let’s Make Love and Listen to Death From Above” by CSS 8. “Timebomb” by Beck 9. “Junior Kickstart” by The Go! Team 10. “Fucking in the Bushes” by Oasis 11. “Hands Around My Throat” by Death In Vegas 12. “Hold My Hand” by UNKLE 13. “Wolf Like Me” by TV on the Radio 14. “Run” by Gnarles Barkley 15. “Bombs Over Baghdad” by Outkast 16. “Romantic Rights (Dahlback Remix)” by Death From Above 1979

Side B: 17. “We Want Your Soul” by Adam Freeland 18. “The Sound” by The Rapture 19. “Staring At The Sun (In Digital Time Remix)” by TV on the Radio 20. “Don’t Save Us From The Flames” by M83 21. “Dance to the Underground (DFA Version)” by Radio 4 22. “Power Is On” by The Go! Team 23. “Licky (Herve Remix Edit)” by Larry Tee feat. Princess Superstar 24. “Never Be Alone” by Justice vs. Simian 25. “No Love Lost” by LCD Soundsystem 26. “House of Jealous Lovers” by The Rapture 27.”Grip Like A Vice (Mojib Remix)” by The Go! Team 28.”The Prayer (Does It Offend You, Yeah? Remix)” by Bloc Party 29.”Satisfaction (Club Mix)” by Benny Benassi 30.”She’s Hearing Voices (Erol Alkan’s Calling Your Dub)” by Bloc Party 31. “Right Here, Right Now” by Fatboy Slim