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Mello Mello
It’s not your imagination that things are definitely getting cooler these days in red-hot Phoenix. That exciting new neo-soul vibe you hear chilling out the desert is coming straight from the hearts of Vocalist Rich Reddy and Emcee Xtravagentways, whose love for everyone from Marvin Gaye to Outkast inspired their irresistible easy grooving duo Mello Mello.

Creating a unique sound they say you can be “grown and sexy to, or young, hip and still maturing” to enjoy, the duo on their debut album tells An Abstract Love Story destined to touch hearts and minds everywhere. They were each experiencing their own up and down issues with romantic relationships while they were writing and recording the album; this leads to some deep, refreshing honesty that everyone can relate to as they sing and rap along with the fresh beats and melodies. Fifteen of the sixteen tracks on An Abstract Love Story (which features 13 songs and three interludes) we're produced by Raycean, one of the city’s hottest R&B/Hip-Hop producers whose sound blends the shape of J-Dilla and the energy of The RZA.

Before Xtravagentways met Reddy, when the two were working in telemarketing for MCI in 2003, he was performing and recording with the popular five man local hip-hop group Phat Richard. A “military brat” born in Georgia, he moved to Arizona as a teenager and got his first turntable and mic while growing up in Sierra Vista. Xtravagentways was a big fan of D’Angelo, Erykah Badu and Musiq Soulchild and was looking to move in a more mellow direction, away from “the sky is falling” vibe of his band.

Reddy, a Long Beach, California native who grew up singing in church and moved to Phoenix in his teens, had been singing in a group called Blaq Kaddy when he and Xtravagant hooked up. The singer and his musical partner Bobkatt did some early recordings using Xtravagentways' Yamaha RS7000 drum machine; while nothing came of those sessions commercially, it was clear from the start that Reddy and Xtravagentways had an exciting musical chemistry and a mutual love for neo-soul that would grow into something bigger and more Mello Mello than they could have imagined.

“An Abstract Love Story completely reflects who we are simply by blending Xtravagant’s hip-hop with my R&B background,” says Reddy, who does all the vocal melodies and harmonies while his partner does the rapping. “We’re both very smooth, laid back individuals, grownups who have been through a lot relationship wise and have strong stories to tell.”

Xtravagentways adds, “What’s most comfortable and natural for us is describing how we feel towards a woman. With me, it’s about communicating in a different way and expressing myself without getting too mushy. We like to get inside a person’s mind and get them to see where we’re coming from. The way I deliver my rap parts is designed to make people think. On the surface, it seems easy to follow, but then it goes deeper. The cool thing about Mello Mello is that both musically and lyrically, we’re not limiting ourselves to one audience. Grown folks and kids alike can find joy in the conversation we’re having with them.”

Though Mello Mello is releasing An Abstract Love Story as a whole project—and to really go deep into the experience of their musical narrative, it must be listened to in its entirety—an obvious first single would be “I Just Wanna Love U,” which has a sexy, subliminal groove under the duo’s desire to do whatever it takes to make a woman know how they feel. They’re likewise direct and romantic on “Dedicate the Night,” the slow grooving ballad that came together the fastest of any on the collection. “Movin’ On,” which reminds the duo of “the evening sunset on a nice summer day, when you’re ready to go out and hit the clubs,” takes a different approach, with Xtravagantways doing more straight spoken word than rap. The dreamy “Angel,” “Come Home” and “Foxy L’il Thang” are pure spotlights for Reddy’s extraordinary vocal talents. The two-minute interlude “Bah-Dah-Dah” explores more exotic and improvisational territory with its jazzy feel with a touch of Miami meringue/salsa.

 
 
 
 

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7 comments

  • Posted by Juss on Jul 3 at 6:55 AM EDT
    Sup, It's me JUSS... Thanks for stoppin' by! Hope er'thing is well.
  • Posted by Tamed Animals on Jun 28 at 4:53 PM EDT
    Hey I'm doing pretty well in experimental this month (12th) and I need to move into the top 10, could you vote for me?
    Thanks!
    T.A.
  • Posted by Franky Fade on Jun 28 at 1:04 AM EDT
    By The Way - "Move On" is SMOOTh I love it
  • Posted by Franky Fade on Jun 28 at 1:03 AM EDT
    Peace MelloMello hope all is well. Thanks for stoppin through..good weekend also

    Franky Fade
  • Posted by Cathie Fredrickson on Jun 27 at 8:29 PM EDT
    Stopping back to show you love back, now that your comments are up I can state how incredible I think your lyrics are in your songs, harmonies are beautiful as well, lov'en your smooth vocals.
    Love your video, one of the best I've seen!!!!!!!! LOL, Cathie
  • Posted by Garshar on Jun 26 at 11:11 AM EDT
    Hey, guys. Just showing some love. Keep doing ya thang. Hit me up when you get tha chance. Much peace and blessings to u. Songbird
  • Posted by TASHEBA on Jun 15 at 7:47 PM EDT
    JUST STOPPIN BY 2 SAY HELLO
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Flag this! How do I Judge

So I’m judging for the finals and I’m confused, please help me out. I’m judging R&B/Soul but there’s rap songs that I’m listening to, what’s going on with that? Shouldn’t that song be flagged? That’s like us Putting our ballet “Movin’ On” in a Rap or Hip Hop category, right? Or am I not looking at things in the proper perspective. I know we all work hard with our music (going to the studio, engineers, getting it mixed and mastered) but if there is a Rap song that makes the finals over ANY R&B/Soul song, isn’t shouldn’t that be against the rules or maybe they should look into that. I just got an email from a friend of mine Daniel Palmer about a change that was made so maybe I’...

 
 

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I Just Wanna Love U
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