Latest release Anima 91 available for free download at GeoffreyArmes.com
Geoffrey has honed a musical approach that walks a knife-edge between the singer-songwriter and ambient club or world fusion approach to music making. Improvising is an important process in Geoffrey's intuitive composing style.
The UK born multi-instrumentalist (guitars, keys, percussion), composer and singer- songwriter has built a career for himself in New York City on the back of six CD releases, a steady stream of work with Theatre and Modern Dance Companies, and a reputation as a stellar solo performer.
Early influences included Gordon Lightfoot, Celtic harpist Allan Stivell, Ravi Shankar, and Umm Kulthum. Living in multiracial Brixton as a child, with reggae on the streets, pop and art music at home, gave him a deep appreciation of the breadth of the art. He played bass in an improvising jazz/punk band whose members' credentials included the Soft Machine and Third Ear, jammed with Reebop Kwaku Baah, studied Electronic music and harmony at London's Goldsmiths College in New Cross, and assisted in building Falconer's first studio, alongside the Eurythmics.
In Holland, later Berlin, he composed and performed under the auspices of The British Council, created sound-montages for the expressionist painter Ter-Hell, wrote music for the local Contemporary Dance community, performed with 'Jazz Noise' collectives with unlikely names such as Purity of Essence, and took part in Performance Art events in NeuKolln and Ernst-Reuter Platz.
A partnership with American singer Lisa Lowell eventually brought him to New York City for the first time, performing at rock clubs such as CBGB, the Bitter End, classical venues like the Juilliard Theatre and the Merce Cunningham Westbeth studio, and site specific events such as Ruby Shang's Cooper Union Event.
Interwoven with this aesthetic journey is the arc of Geoffrey's spiritual life; how he arrives is as important as where. Without being precious he tries to do things the right way. What use is the note if it is laden with wrong action in its making?
Geoffrey has honed a musical approach that walks a knife-edge between the singer-songwriter and ambient club or world fusion approach to music making. Improvising is an important process in Geoffrey's intuitive composing style.
The UK born multi-instrumentalist (guitars, keys, percussion), composer and singer- songwriter has built a career for himself in New York City on the back of six CD releases, a steady stream of work with Theatre and Modern Dance Companies, and a reputation as a stellar solo performer.
Early influences included Gordon Lightfoot, Celtic harpist Allan Stivell, Ravi Shankar, and Umm Kulthum. Living in multiracial Brixton as a child, with reggae on the streets, pop and art music at home, gave him a deep appreciation of the breadth of the art. He played bass in an improvising jazz/punk band whose members' credentials included the Soft Machine and Third Ear, jammed with Reebop Kwaku Baah, studied Electronic music and harmony at London's Goldsmiths College in New Cross, and assisted in building Falconer's first studio, alongside the Eurythmics.
In Holland, later Berlin, he composed and performed under the auspices of The British Council, created sound-montages for the expressionist painter Ter-Hell, wrote music for the local Contemporary Dance community, performed with 'Jazz Noise' collectives with unlikely names such as Purity of Essence, and took part in Performance Art events in NeuKolln and Ernst-Reuter Platz.
A partnership with American singer Lisa Lowell eventually brought him to New York City for the first time, performing at rock clubs such as CBGB, the Bitter End, classical venues like the Juilliard Theatre and the Merce Cunningham Westbeth studio, and site specific events such as Ruby Shang's Cooper Union Event.
Interwoven with this aesthetic journey is the arc of Geoffrey's spiritual life; how he arrives is as important as where. Without being precious he tries to do things the right way. What use is the note if it is laden with wrong action in its making?
A few days from the other site
Quickly · 1 hour ago
working now, on Dance Works, seeking to preserve the improvisational aspects of how I play live for this stuff, yet layer, orchestrate, arrange… consequentially takes are going down fast,and I mix standing up (well, there in instruments in front of the console too), all the while moving, walking, pacing, dancing even, find groups and stems, get them talking to each other, do the frequencies, get them out of each others way, move on…
get some rehearsal for next Tuesday between takes.
Ok, go on, grab a sample here
I’ll leave it up for a few days only. The rest will remain at Some Good Sounds or somewhat at MySpace and one of these is where you should be going now.
~~~~~~
Gritty · 24 ...
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Posted by Cathie Fredrickson on Jun 17, 2008 at 12:58 PM EDTHi Geoffrey, as I listen here, its like I'm in a wonderful movie with unknown vistas on the next horizon. Your dance of Noor is so very interesting with your music!!!!!!!! Bravo!!!!!!!! always, Cat
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