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DraMatiQue is an original artist/ live performer who specializes in the creation of cutting edge, hip-hip music for the masses...
| Hometown | Rancho Cordova, CA |
| Genres | Urban, Hip_Hop |
| Band Members | D. Light aka DraMatiQue |
| Achievements |
|
| Upcoming Shows | None |
| Contact Information: |
Artist / Band Member
D. Light dramati2ue@hotmail.com 4192770685 |
| # Years Experience Performing Live: | 10 |
| # Live Perfomances Past Six-months: | 3 |
| Market Draw: | West Coast: 101-150; Midwest : 101-150 |
| Venue History: | The Red Devil Lounge - San Francisco, CA Happy Badger - Toledo, Oh Remote Lounge - Manhattan, NY Club Sixx - San Francisco, CA Knitting Factory - Los Angeles, CA Mickey Finn's Pub - Toledo, OH HEADLINERS - TOLEDO, OH Frankie's Inner City - Toledo, OH |
| Opener Experience: | A+, Mc Breed, Talib Kweli, WuTang Clan , and Tha Alkaholiks; Mims |
| Similar Artists: | None |
| Performing Rights Society: | ASCAP |
| Discography: | Millionaire LP—2012; TakeOva Mixtape LP—2012; The Burn Mixtape LP—2012; Kill The Game Mixtape LP—2012; iGrind Single—2011 |
Originally introduced to the hip-hop/rap genre at a relatively young age , DraMatiQue began writing and performing songs in high school.
With a solid catalog of music continues to receive rave reviews across the nation including a feature in THE SOURCE...
With a solid catalog of music continues to receive rave reviews across the nation including a feature in THE SOURCE...
Originally introduced to the hip-hop/rap genre at a relatively young age , DraMatiQue began writing and performing songs in high school.
With a solid catalog of music continues to receive rave reviews across the nation including a feature in THE SOURCE magazine, a coveted spot in urb.com's NEXT 1000 listing, a profile as Gotv.com's HIP HOP OFFICIAL artist of the week and a radio interview on the L.A. WAKE UP SHOW ( Power 106FM ) with Sway and Tec.
DraMatiQue has also had the opportunity to open for prominent hip-hop acts such as A+, the late Mc Breed ( RIP), Talib Kweli, Mims, WuTang Clan , and Tha Alkaholiks
DraMatiQue's music infuses radio friendly mainstream oriented production with a fresh sound that undoubtedly showcases DraMatiQue's remarkable talents as an innovative hip-hop artist while simultaneously entertaining the listener.
With a solid catalog of music continues to receive rave reviews across the nation including a feature in THE SOURCE magazine, a coveted spot in urb.com's NEXT 1000 listing, a profile as Gotv.com's HIP HOP OFFICIAL artist of the week and a radio interview on the L.A. WAKE UP SHOW ( Power 106FM ) with Sway and Tec.
DraMatiQue has also had the opportunity to open for prominent hip-hop acts such as A+, the late Mc Breed ( RIP), Talib Kweli, Mims, WuTang Clan , and Tha Alkaholiks
DraMatiQue's music infuses radio friendly mainstream oriented production with a fresh sound that undoubtedly showcases DraMatiQue's remarkable talents as an innovative hip-hop artist while simultaneously entertaining the listener.
Photos
Videos
Photos
Videos
Top 10 in Hip-Hop Videos, May 2013
Top 40 in Hip-Hop Videos, April 2013
Top 40 in Rap, November 2011
Top 10 in Hip-Hop Videos, May 2013
Top 40 in Hip-Hop Videos, April 2013
Top 40 in Rap, November 2011
Kill the Game Mixtape - Here, now! by Annalise Cutajar
Hailing from the West Coast, U.S rapper DraMatiQue has had an impressive start to his fledgling career having opened for such Hip Hop idols as Mc Breed, Talib Kweli, Mims and WuTang Clan. His...
Hailing from the West Coast, U.S rapper DraMatiQue has had an impressive start to his fledgling career having opened for such Hip Hop idols as Mc Breed, Talib Kweli, Mims and WuTang Clan. His...
DraMatiQue: “Kill The Game Mixtape ” Hits The Mark by Rick Jamm ( JamSphere Magazine )
DraMatiQue began writing and performing songs during his high school period, quickly discovering his creativity and passion for music. Shortly thereafter, he released his first LP featuring...
DraMatiQue began writing and performing songs during his high school period, quickly discovering his creativity and passion for music. Shortly thereafter, he released his first LP featuring...
Kill the Game Mixtape - Here, now! by Annalise Cutajar
Hailing from the West Coast, U.S rapper DraMatiQue has had an impressive start to his fledgling career having opened for such Hip Hop idols as Mc Breed, Talib Kweli, Mims and WuTang Clan. His latest release Kill the Game Mixtape undoubtedly cements this artist as a star-in-the-making and one to watch out for! Mixed and Hosted by NYC DJ Omega Red, Kill the Game Mixtape, is an eclectic blend of fresh new sounds and mainstream radio-friendly production. Listen carefully and you can even hear the iconic laugh track from Michael Jackson’s “Thriller”, as well as an unmistakable Fatman Scoop yell thrown in for good measure. This release encapsulates what DraMatiQue is all about, artful, innovative, and punchy Hip Hop, delivered with world-class quality. Kill the Game Mixtape features many blockbuster tracks and one that really stands out is Afterlife featuring Ghost Clique and produced by Kajmir Royale. The production is truly epic with grand scale synths that really ensure the track pops from start to finish. Knock, Knock sees DraMatiQue collaborating with Young Jess & Official in a cruising track that almost throws back to such Hip Hop classics as Missy Elliot’s “Get UR Freak On” and Nelly’s “Air Force Ones”; it has a bouncing beat and smooth paced tempo that will leave you wanting to head-bop along. Knock, Knock has this rapper telling the world what anyone listening would already know, ‘Pay attention because DraMatiQue is here!’ MurderGram ( I Be Killin’ Em ) has a similar message but differs greatly with a distinctive and infectious riff, looped over a vibrant mix that pulls you in, hook, line and sinker. DraMatiQue slows down the pace in I Need Luv, in a more meaningful number that explores a desire to find that someone special; it’s a classic track for the ladies that evolves later on into Say Sumethin’ Dirty ft. Hersh. The latter is introduced with a popping vocal hook that leads into DraMatiQue breaking it down with his unique rhymes; it’s a funky-fresh, dance-inducing track that is seriously worthy of being a club staple. Having dropped only recently, Kill the Game Mixtape is already setting forums alight with commentators buzzing praise such as “Pure Fire” and “the production here was sick”; it’s no secret that DraMatiQue could one day soon be putting some mainstream rap stars to shame. All in all, Kill the Game Mixtape is definitely a spectacular release that lovers of Hip Hop will want to listen to. What DraMatiQue, his crack team of producers and collaborators have created is a cutting edge record that promises great things to come from this rising star of Hip Hop!
Hailing from the West Coast, U.S rapper DraMatiQue has had an impressive start to his fledgling career having opened for such Hip Hop idols as Mc Breed, Talib Kweli, Mims and WuTang Clan. His latest release Kill the Game Mixtape undoubtedly cements this artist as a star-in-the-making and one to watch out for! Mixed and Hosted by NYC DJ Omega Red, Kill the Game Mixtape, is an eclectic blend of fresh new sounds and mainstream radio-friendly production. Listen carefully and you can even hear the iconic laugh track from Michael Jackson’s “Thriller”, as well as an unmistakable Fatman Scoop yell thrown in for good measure. This release encapsulates what DraMatiQue is all about, artful, innovative, and punchy Hip Hop, delivered with world-class quality. Kill the Game Mixtape features many blockbuster tracks and one that really stands out is Afterlife featuring Ghost Clique and produced by Kajmir Royale. The production is truly epic with grand scale synths that really ensure the track pops from start to finish. Knock, Knock sees DraMatiQue collaborating with Young Jess & Official in a cruising track that almost throws back to such Hip Hop classics as Missy Elliot’s “Get UR Freak On” and Nelly’s “Air Force Ones”; it has a bouncing beat and smooth paced tempo that will leave you wanting to head-bop along. Knock, Knock has this rapper telling the world what anyone listening would already know, ‘Pay attention because DraMatiQue is here!’ MurderGram ( I Be Killin’ Em ) has a similar message but differs greatly with a distinctive and infectious riff, looped over a vibrant mix that pulls you in, hook, line and sinker. DraMatiQue slows down the pace in I Need Luv, in a more meaningful number that explores a desire to find that someone special; it’s a classic track for the ladies that evolves later on into Say Sumethin’ Dirty ft. Hersh. The latter is introduced with a popping vocal hook that leads into DraMatiQue breaking it down with his unique rhymes; it’s a funky-fresh, dance-inducing track that is seriously worthy of being a club staple. Having dropped only recently, Kill the Game Mixtape is already setting forums alight with commentators buzzing praise such as “Pure Fire” and “the production here was sick”; it’s no secret that DraMatiQue could one day soon be putting some mainstream rap stars to shame. All in all, Kill the Game Mixtape is definitely a spectacular release that lovers of Hip Hop will want to listen to. What DraMatiQue, his crack team of producers and collaborators have created is a cutting edge record that promises great things to come from this rising star of Hip Hop!
DraMatiQue: “Kill The Game Mixtape ” Hits The Mark by Rick Jamm ( JamSphere Magazine )
DraMatiQue began writing and performing songs during his high school period, quickly discovering his creativity and passion for music. Shortly thereafter, he released his first LP featuring BenFlowz. The album received rave reviews across the USA; including a feature in the indie hip hop section of “THE SOURCE” magazine as well as other music publications. The positive feedback from the album has also earned DraMatiQue recognition as GoTv networks.com’s HIP HOP OFFICIAL ARTIST OF THE WEEK as well as promotional appearances on various radio stations including the L.A. WAKE UP SHOW hosted by Sway and Tec on Power 106 FM. He has also opened for acts such as A+, Mc Breed, Talib Kweli, WuTang Clan, Mims, and Tha Alkaholiks. The debut mixtape from West Coast rap artist DraMatiQue ( drah*mad*dick ),”Kill The Game Mixtape” is hosted by DJ Omega Red and boasts features from A$e Card, Haze, Corey Drums, Official, Petey Popoff, Young C.E.O.z., and others, along with stellar production from Beats Planet, Kajmir Royale and Stompboxx Music. If you are looking for something that sounds better than the commercial radio hip hop stuff, you need to get this. It has a classic 90′s vibe but is modern and unique. The album flows track into track, nonstop. “Kill The Game Mixtape” deals out some creative and mind-blowing motifs, as DraMatiQue brings some cool story lines without compromising lyrics and without forcing himself on the beats. The lyrics, beats, and flow combine to make great music. You can tell he and the producers had fun making this album, as its overflowing with effects, samples and all the bells and whistles possible. DraMatiQue’s debut effort materializes just at the right time to give West Coast rap some renewed notability. You can tell so much work has gone into this album. Every song on this is close to perfection, the lyrics, the vocals, and the production, while a stellar job was done with the mixing; the sound is loud, full, and enjoyable, and the featured artists and guests fit perfectly. DraMatiQue’s narrative is incredibly detailed, yet easily comprehensible. Thanks to this album’s sheer density, there is something new to discover on every listen. The album is one that can’t truly be appreciated without listening completely, as you need to hear and fully understand the whole project. Disjointedly picking and choosing standout tracks would be wrong, but there are some pretty catchy works that would triumph as remixed single releases, like: “Neva Let Go ft. The Fray ( prod. by Kajmir Royale ),” “AfterLife ft. Ghost Clique Haze ( prod. by Kajmir Royale ),” “PaperChasin’ ft. Young C.E.O.z ( prod. by Stompboxx Music ),” “LemonFace ft. Corey Drums Petey Popoff ( prod. by Stompboxx Music ),” “Swaggeriffic ( prod. by Kajmir Royale ),” “Insanity ft. Dido ( prod. by Kajmir Royale)” and “Say Sumethin Dirty ft. Hersh ( prod. by Beats Planet ).” However there are a total of 16 swashbuckling tracks to wallow in. On his debut mixtape, DraMatiQue shows that he’s an up-and-coming West Coast rap artist, whose aim is broad, and who knows how to hit the marks. I suggest you pick up your own copy of “Kill The Game Mixtape” today! Rating: 5.0/5 stars
DraMatiQue began writing and performing songs during his high school period, quickly discovering his creativity and passion for music. Shortly thereafter, he released his first LP featuring BenFlowz. The album received rave reviews across the USA; including a feature in the indie hip hop section of “THE SOURCE” magazine as well as other music publications. The positive feedback from the album has also earned DraMatiQue recognition as GoTv networks.com’s HIP HOP OFFICIAL ARTIST OF THE WEEK as well as promotional appearances on various radio stations including the L.A. WAKE UP SHOW hosted by Sway and Tec on Power 106 FM. He has also opened for acts such as A+, Mc Breed, Talib Kweli, WuTang Clan, Mims, and Tha Alkaholiks. The debut mixtape from West Coast rap artist DraMatiQue ( drah*mad*dick ),”Kill The Game Mixtape” is hosted by DJ Omega Red and boasts features from A$e Card, Haze, Corey Drums, Official, Petey Popoff, Young C.E.O.z., and others, along with stellar production from Beats Planet, Kajmir Royale and Stompboxx Music. If you are looking for something that sounds better than the commercial radio hip hop stuff, you need to get this. It has a classic 90′s vibe but is modern and unique. The album flows track into track, nonstop. “Kill The Game Mixtape” deals out some creative and mind-blowing motifs, as DraMatiQue brings some cool story lines without compromising lyrics and without forcing himself on the beats. The lyrics, beats, and flow combine to make great music. You can tell he and the producers had fun making this album, as its overflowing with effects, samples and all the bells and whistles possible. DraMatiQue’s debut effort materializes just at the right time to give West Coast rap some renewed notability. You can tell so much work has gone into this album. Every song on this is close to perfection, the lyrics, the vocals, and the production, while a stellar job was done with the mixing; the sound is loud, full, and enjoyable, and the featured artists and guests fit perfectly. DraMatiQue’s narrative is incredibly detailed, yet easily comprehensible. Thanks to this album’s sheer density, there is something new to discover on every listen. The album is one that can’t truly be appreciated without listening completely, as you need to hear and fully understand the whole project. Disjointedly picking and choosing standout tracks would be wrong, but there are some pretty catchy works that would triumph as remixed single releases, like: “Neva Let Go ft. The Fray ( prod. by Kajmir Royale ),” “AfterLife ft. Ghost Clique Haze ( prod. by Kajmir Royale ),” “PaperChasin’ ft. Young C.E.O.z ( prod. by Stompboxx Music ),” “LemonFace ft. Corey Drums Petey Popoff ( prod. by Stompboxx Music ),” “Swaggeriffic ( prod. by Kajmir Royale ),” “Insanity ft. Dido ( prod. by Kajmir Royale)” and “Say Sumethin Dirty ft. Hersh ( prod. by Beats Planet ).” However there are a total of 16 swashbuckling tracks to wallow in. On his debut mixtape, DraMatiQue shows that he’s an up-and-coming West Coast rap artist, whose aim is broad, and who knows how to hit the marks. I suggest you pick up your own copy of “Kill The Game Mixtape” today! Rating: 5.0/5 stars
(MIXTAPE REVIEW) DRAMATIQUE – KILL THE GAME by A. Ladson ( Digi Indie Magazine )
DraMatiQue’s “Kill The Game” kicks off with a DJ Omega Red introduction over Dr. Dre‘s “Kush” followed up by the mixtape‘s first song “A Star Is Born“. This track sets the tone for the album with braggadocios lyrics about DraMatiQue’s mic skills, letting the world know he is here for his spot. “Life Is Like A Dream” rolls in with mellow production and a smooth chorus. It’s almost a totally different vibe from the preceding track until the lyrics kick in and DraMatiQue picks up where he left off on his road to success. “Dime A Dozen” stands out as soon as it drops. This radio ready track lets it be known that DraMatique and his guest features, A$e Card & Lucrative won’t settle for less when it comes to women. On “Kill The Game” the title track of the mixtape, he returns to state his intended dominance of the game over an dreamy, unorthodox instrumental by DreamScheme Productions. “I’m That Guy” is a club ready knocker produced by Kajmir Royale. The feel of the track is very current and would fit in easily with today’s brand of hip-hop. Jumping from the club to introspective is “Neva Let Go” featuring a sample of The Fray’s “Never Say Never”. This track, which was also produced by Kajmir Royale, reflects on people DraMatiQue has lost in his personal life, including his mother to cancer, his older brother and his father. The song is a very genuine expression of his emotions and is a stand out track. “Knock Knock” takes the mood back to the streets over heavy drums by Stompboxx Music. This track is one of the more aggressive cuts on the mixtape giving something back to the streets with hard hitting features from Young Jess & Official. On “AfterLife” DraMatiQue delivers a bouncy flow over another Kajmir instrumental with features from Ghost Clique & Haze. “AfterLife” is a good concept track flipping a lot of lyrics based off horror film characters and death. “PaperChasin” featuring Young CEOz rides in with a pimped out beat by Stompboxx Music, reminiscent of a UGK style track. This song gets you moving instantly. Definitely something to bump while cruising down a long road. “When I Move” is hot. Plain and simple. The beat features an ethnic voice sample and instruments and has DraMatiQue spitting hard, laying down bars to show he is lyrically capable of holding his own against other emcees. “I Need Luv” produced by U-Neek Beats remakes LL Cool J’s track of the same name. Over 808′s, shakers and snaps, it doesn’t sound like your typical love song but lyrically he expresses his need for love for a mystery woman, who by the sound of the beat, might be waiting for him at the club. “LemonFace” is tough and kicks in the door with hard drums provided by Stompboxx Music asking mean muggers “what they looking at”. The chorus features a vocal sample, rolling bass and strings that make this song really stand out. “Swaggeriffic” brings back the radio friendly sound DraMatiQue has done a good job of blending in among the more aggressive and introspective cuts. Its a smooth but braggadocios track about his lyrical skills and material gains. “Insanity” features a sample of Dido on the chorus and is a reflective track about the life he has lived and how some of his experiences have brought him to the edge of sanity itself, a stand out track. “Say Sumethin’ Dirty” is a well done commercial cut for the ladies. Produced by Beats Planet featuring Hersh on the chorus, this track is ready for play in the clubs. “Murdergram (I Be Killin Em), the last song of the mixtape, has DraMatiQue ending off strong with a lyrical bombardment over Fabolous‘ “I Be Killin Em” letting listeners know whether he is in his home of the west coast, the east, down south or midwest, he is here to Kill The Game. Overall, the album features some great production by Kajmir Royale, Stompboxx Music, Soul Theory, Black Light Music, ID Labs, U-Neek Beats, DreamScheme and Beats Planet. DraMatiQue and his featured artists lyrically deliver with Kill The Game. A bit of a roller coaster at times with the transitions between the emotion of the tracks and a scratch happy DJ, the mixtape still delivers with quality production and lyrics. You can tell DraMatiQue is true to his desire to make good hip-hop music through his efforts and this mixtape is a clear example of hard work paying off. 7.5/10
DraMatiQue’s “Kill The Game” kicks off with a DJ Omega Red introduction over Dr. Dre‘s “Kush” followed up by the mixtape‘s first song “A Star Is Born“. This track sets the tone for the album with braggadocios lyrics about DraMatiQue’s mic skills, letting the world know he is here for his spot. “Life Is Like A Dream” rolls in with mellow production and a smooth chorus. It’s almost a totally different vibe from the preceding track until the lyrics kick in and DraMatiQue picks up where he left off on his road to success. “Dime A Dozen” stands out as soon as it drops. This radio ready track lets it be known that DraMatique and his guest features, A$e Card & Lucrative won’t settle for less when it comes to women. On “Kill The Game” the title track of the mixtape, he returns to state his intended dominance of the game over an dreamy, unorthodox instrumental by DreamScheme Productions. “I’m That Guy” is a club ready knocker produced by Kajmir Royale. The feel of the track is very current and would fit in easily with today’s brand of hip-hop. Jumping from the club to introspective is “Neva Let Go” featuring a sample of The Fray’s “Never Say Never”. This track, which was also produced by Kajmir Royale, reflects on people DraMatiQue has lost in his personal life, including his mother to cancer, his older brother and his father. The song is a very genuine expression of his emotions and is a stand out track. “Knock Knock” takes the mood back to the streets over heavy drums by Stompboxx Music. This track is one of the more aggressive cuts on the mixtape giving something back to the streets with hard hitting features from Young Jess & Official. On “AfterLife” DraMatiQue delivers a bouncy flow over another Kajmir instrumental with features from Ghost Clique & Haze. “AfterLife” is a good concept track flipping a lot of lyrics based off horror film characters and death. “PaperChasin” featuring Young CEOz rides in with a pimped out beat by Stompboxx Music, reminiscent of a UGK style track. This song gets you moving instantly. Definitely something to bump while cruising down a long road. “When I Move” is hot. Plain and simple. The beat features an ethnic voice sample and instruments and has DraMatiQue spitting hard, laying down bars to show he is lyrically capable of holding his own against other emcees. “I Need Luv” produced by U-Neek Beats remakes LL Cool J’s track of the same name. Over 808′s, shakers and snaps, it doesn’t sound like your typical love song but lyrically he expresses his need for love for a mystery woman, who by the sound of the beat, might be waiting for him at the club. “LemonFace” is tough and kicks in the door with hard drums provided by Stompboxx Music asking mean muggers “what they looking at”. The chorus features a vocal sample, rolling bass and strings that make this song really stand out. “Swaggeriffic” brings back the radio friendly sound DraMatiQue has done a good job of blending in among the more aggressive and introspective cuts. Its a smooth but braggadocios track about his lyrical skills and material gains. “Insanity” features a sample of Dido on the chorus and is a reflective track about the life he has lived and how some of his experiences have brought him to the edge of sanity itself, a stand out track. “Say Sumethin’ Dirty” is a well done commercial cut for the ladies. Produced by Beats Planet featuring Hersh on the chorus, this track is ready for play in the clubs. “Murdergram (I Be Killin Em), the last song of the mixtape, has DraMatiQue ending off strong with a lyrical bombardment over Fabolous‘ “I Be Killin Em” letting listeners know whether he is in his home of the west coast, the east, down south or midwest, he is here to Kill The Game. Overall, the album features some great production by Kajmir Royale, Stompboxx Music, Soul Theory, Black Light Music, ID Labs, U-Neek Beats, DreamScheme and Beats Planet. DraMatiQue and his featured artists lyrically deliver with Kill The Game. A bit of a roller coaster at times with the transitions between the emotion of the tracks and a scratch happy DJ, the mixtape still delivers with quality production and lyrics. You can tell DraMatiQue is true to his desire to make good hip-hop music through his efforts and this mixtape is a clear example of hard work paying off. 7.5/10
DraMatiQue - Kill The Game Mixtape Review by GyZ ( Noise Shaft )
The mixtape weighs in as a legitimate sub-woofer assault, praising and resonating a particularly tasty interest in bloated, fuzzy jazz backdrops and dainty synthpop fascinations. The length is considerable, yet strategically optimized, striking up the fine and hilarious anti-balance between compositions that openly submit to the relentless chasing of ulta-lush and reverberating sounds. This is not gangtser rap, at least not the kind that invites you to re-stock on your supply of 12 gauge buckshots. It instead is the mixtape that openly seeks to reflect on the things and sentiments that CONNECT you with the entity called your neighbor. Is he a mortal threat? Might "he" be a SHE and a HOT at that?? That would be puzzling. An interesting Extra of the overall flow is the favorite and clever editing practices of your host DraMatiQue, who offers the assembled mixtape in the form of an over-the-top radio edit as if the disc jockey would have a seizure as result of sentient buckets of cocaine running rampant in the studio, and this comic book appeal doubtless conveys an over the top GTA IV appeal to the overall experience. The inclusion of certain classic sound effects - like the Thriller laugh from Jacko's Thriller - is a nice addition to a tasty, exceptionally musical fabric of a more restrained but quite emotional character. A lush, sexy hip hop mixtape. Recommended. Check out the "Kill The Game" mixtape here : http://www.datpiff.com/DraMatiQue-Kill-The-Game-Mixtape.429536.html
The mixtape weighs in as a legitimate sub-woofer assault, praising and resonating a particularly tasty interest in bloated, fuzzy jazz backdrops and dainty synthpop fascinations. The length is considerable, yet strategically optimized, striking up the fine and hilarious anti-balance between compositions that openly submit to the relentless chasing of ulta-lush and reverberating sounds. This is not gangtser rap, at least not the kind that invites you to re-stock on your supply of 12 gauge buckshots. It instead is the mixtape that openly seeks to reflect on the things and sentiments that CONNECT you with the entity called your neighbor. Is he a mortal threat? Might "he" be a SHE and a HOT at that?? That would be puzzling. An interesting Extra of the overall flow is the favorite and clever editing practices of your host DraMatiQue, who offers the assembled mixtape in the form of an over-the-top radio edit as if the disc jockey would have a seizure as result of sentient buckets of cocaine running rampant in the studio, and this comic book appeal doubtless conveys an over the top GTA IV appeal to the overall experience. The inclusion of certain classic sound effects - like the Thriller laugh from Jacko's Thriller - is a nice addition to a tasty, exceptionally musical fabric of a more restrained but quite emotional character. A lush, sexy hip hop mixtape. Recommended. Check out the "Kill The Game" mixtape here : http://www.datpiff.com/DraMatiQue-Kill-The-Game-Mixtape.429536.html
DraMatiQue – West Coast Rapper Ready To Take Over by Indie Band Guru
We all know that getting to open for a major star in your genre can be a huge boost to your career. The key is to use that moment in front of another artist’s fanbase to make an impression and turn them on to your music. One person that has had this opportunity and may be on the verge of breaking out himself is DraMatiQue. The talented west coast rapper began writing rhymes and performing back in his high school days. Along the way DraMatiQue (pronounced like the word "dramatic”) has opened for the likes of The Wu Tang Clan, Tha Alkaholiks, Talib Kweli, A+, and Mims. He has built a nice following and has received some great reviews from top authorities in the hip hop scene such as Urb.com and The Source magazine. His style fits right along with the radio friendly mainstream but offers a fresh twist to show off his entertaining talents. Late last year DraMatiQue unleashed his first solo industry project, the Kill The Game Mixtape. Working with well-known NYC DJ Omega Red has given the record some instant credit and explores the flair of DraMatiQue’s flow. The production is solid and ready for any mainstream radio show. His metronome style on the heart wrenching track ‘Neva Let Go’ feels truly genuine. The use of a melancholy sample by The Fray shows that he is not afraid to wear his heart on his sleeve. On ‘Afterlife’ he shows off a speedy pop flow that isn’t done successfully too often. The lyrics drift out and the listener is forced to focus so as not to miss a rhyme. My favorite track has to be DraMatiQue’s take on the LL Cool J hit ‘I Need Luv’. He definitely puts his own spin on the old school love anthem declaring it his own. Throughout the 16 song mixtape there are plenty of other solid rap songs such as ‘Dime A Dozen’ and ‘Swaggeriffic’. Go get a listen for yourself at: http://www.datpiff.com/DraMatiQue-Kill-The-Game-Mixtape.429536.html Or find out more at: https://www.facebook.com/dramati2ue
We all know that getting to open for a major star in your genre can be a huge boost to your career. The key is to use that moment in front of another artist’s fanbase to make an impression and turn them on to your music. One person that has had this opportunity and may be on the verge of breaking out himself is DraMatiQue. The talented west coast rapper began writing rhymes and performing back in his high school days. Along the way DraMatiQue (pronounced like the word "dramatic”) has opened for the likes of The Wu Tang Clan, Tha Alkaholiks, Talib Kweli, A+, and Mims. He has built a nice following and has received some great reviews from top authorities in the hip hop scene such as Urb.com and The Source magazine. His style fits right along with the radio friendly mainstream but offers a fresh twist to show off his entertaining talents. Late last year DraMatiQue unleashed his first solo industry project, the Kill The Game Mixtape. Working with well-known NYC DJ Omega Red has given the record some instant credit and explores the flair of DraMatiQue’s flow. The production is solid and ready for any mainstream radio show. His metronome style on the heart wrenching track ‘Neva Let Go’ feels truly genuine. The use of a melancholy sample by The Fray shows that he is not afraid to wear his heart on his sleeve. On ‘Afterlife’ he shows off a speedy pop flow that isn’t done successfully too often. The lyrics drift out and the listener is forced to focus so as not to miss a rhyme. My favorite track has to be DraMatiQue’s take on the LL Cool J hit ‘I Need Luv’. He definitely puts his own spin on the old school love anthem declaring it his own. Throughout the 16 song mixtape there are plenty of other solid rap songs such as ‘Dime A Dozen’ and ‘Swaggeriffic’. Go get a listen for yourself at: http://www.datpiff.com/DraMatiQue-Kill-The-Game-Mixtape.429536.html Or find out more at: https://www.facebook.com/dramati2ue
" Kill The Game Mixtape " Review by by Jakob22 ( Death Chamberz Music )
Better than average Mixtape Very Impressive Beat Selection Solid Delivery and Lyrics throughout I’m not very impressed by the cover art. It looks quite amatueristic Gave me a 90’s underground horrocore type feel While the mixtape itself is a mainstream commercial attempt with beats rhymes and flow. Could have more variety of how the DJ brings in the drops Really good mixtape feel with the scratching the pull ups Intro - Ok beat but for no rapping it was alot Star is Born - Good beat nice flow This beat bangs Life is Like a Dream - Singing Chorus is really Rhymes are ok pretty good Dime A Dozen - Beat Bangs Flow is Smooth rides the beat nice Good Singing Nice Chorus Dude on 3rd verse have great flow Kill The Game - Ok Not loving the beat ok flow need more energy on the delivery I’m that Guy - Ok Beat kind of used sound though not the most original Flow seems forced on the beat one of the least favorite Neva Let Go - Remind of good west coast vibe simple flow but rides nice but would sound good in the car Knock Knock - Ok chorus alright beat overall pretty good song flow is meh…. Afterlife - Really good beat a little reggae dance vibe Great Chorus Most Marketable song Paperchasin - Very T. I inspired flow is ok nothing original but ok song 2nd verse simple rhyming but really smooth on the flow When I Move - Really liked the beat Felt the flow was really basic and dated didn’t really leave up to beat I Need Luv - I don’t think the beat sets the right vibe but pretty good redo of the track good flow Lemonface – Nice head nodder beat drums sweat Good solid flow some clever lyrics good track Swaggeriffic - This had potential but might be a year or to late Rhyme goes well with the interesting beat nice adlibs done well Really enjoy track Insanity – Not loving the track beat is meh… flow is basic Good chorus helps carry the song Say Something Dirty - Ok girl track Nice beat Good Chorus flow rides the beat has potential Murder Gram - Vocals need to be louder ok flow some clever punches Outro Strength in the production all the beats are pretty hot all through they are generally well picked Delivery is pretty consistent and rides the beat pretty well regardless the tempo Weakness is the lack of originality Nothing new is being covered in general. It’s a CD that is good to listen but is forgettable after listening It seems a good rapper who studies the game and created what is already out there. Outro is loud without not much there. For it to be long and not clear Definatly worth having in the collection overall pretty strong for a mixtape Mix could be better have lyrics cleaner the vocals are not really bumping and the mix holds it back Overall rank 7.5-8 out of 10
Better than average Mixtape Very Impressive Beat Selection Solid Delivery and Lyrics throughout I’m not very impressed by the cover art. It looks quite amatueristic Gave me a 90’s underground horrocore type feel While the mixtape itself is a mainstream commercial attempt with beats rhymes and flow. Could have more variety of how the DJ brings in the drops Really good mixtape feel with the scratching the pull ups Intro - Ok beat but for no rapping it was alot Star is Born - Good beat nice flow This beat bangs Life is Like a Dream - Singing Chorus is really Rhymes are ok pretty good Dime A Dozen - Beat Bangs Flow is Smooth rides the beat nice Good Singing Nice Chorus Dude on 3rd verse have great flow Kill The Game - Ok Not loving the beat ok flow need more energy on the delivery I’m that Guy - Ok Beat kind of used sound though not the most original Flow seems forced on the beat one of the least favorite Neva Let Go - Remind of good west coast vibe simple flow but rides nice but would sound good in the car Knock Knock - Ok chorus alright beat overall pretty good song flow is meh…. Afterlife - Really good beat a little reggae dance vibe Great Chorus Most Marketable song Paperchasin - Very T. I inspired flow is ok nothing original but ok song 2nd verse simple rhyming but really smooth on the flow When I Move - Really liked the beat Felt the flow was really basic and dated didn’t really leave up to beat I Need Luv - I don’t think the beat sets the right vibe but pretty good redo of the track good flow Lemonface – Nice head nodder beat drums sweat Good solid flow some clever lyrics good track Swaggeriffic - This had potential but might be a year or to late Rhyme goes well with the interesting beat nice adlibs done well Really enjoy track Insanity – Not loving the track beat is meh… flow is basic Good chorus helps carry the song Say Something Dirty - Ok girl track Nice beat Good Chorus flow rides the beat has potential Murder Gram - Vocals need to be louder ok flow some clever punches Outro Strength in the production all the beats are pretty hot all through they are generally well picked Delivery is pretty consistent and rides the beat pretty well regardless the tempo Weakness is the lack of originality Nothing new is being covered in general. It’s a CD that is good to listen but is forgettable after listening It seems a good rapper who studies the game and created what is already out there. Outro is loud without not much there. For it to be long and not clear Definatly worth having in the collection overall pretty strong for a mixtape Mix could be better have lyrics cleaner the vocals are not really bumping and the mix holds it back Overall rank 7.5-8 out of 10
" iGrind " Review by by MonsterProducktions.com
Artist info: Artist name “DraMatiQue” (Pronounced like the word dramatic.) Track genre: Hip Hop / Rap Was a video/video link submitted? (What is the link?) No video. Did the video respond with the song? N/A Video vs. Song: (do I perfect hearing the song with or with out the video?) N/A Track info: Grimey, street anthem, this is the first single off DraMatiQue’s upcoming new album “Millionare”. This single will be digitally released October 25th via Empimre Distribution/Engroove (a division of Universal Records). The album is scheduled for release in December of 2011. Who was the producer? Saiint Scarbzz Recordz First thoughts in the first 30secs: (first impressions mean a lot…) Hard hitting drums with nice panning vocals. Really smooth flow with aggressive feelings in vocal structure. “iGrind” had your traditional chorus intro, but really nice drop off into 1st verse. Beat vs. Lyrics: (Did the beat win or did the artist beat the beat up?) Close battle between the beat vs. artist. I really appreciated the combo package. “DraMatiQue” definitely had his dukes up when with record button was pushed. The hook means a lot ... here's what we thought: Vocals were in sync with dark mellow strings floating in background. Thumbs up: DraMatiQue had displayed very nice punch lines. Good emotions and penmanship. Thumbs down: I was kind of let down on the chorus. No way saying it was a bad one, but just thought the verses outdid the chorus. It felt like something was left out to me. Final thoughts: My final thoughts on “iGrind” is exceptional. I always love original works and this was one of them tracks. As soon as I hit play I heard the producer had something up his sleeve. When the beat dropped into the 1st verse my ear perked up and was ready to listen to what DraMatiQue had to say. The verses were delightful and were more then enough to keep the track playing. The engineer made it hot with his mixing techniques. When listening to the track, the 3mins and 11 seconds pass by really quickly due to being lost in the mix of “niceness”. Overall score: (1 - 5) 4
Artist info: Artist name “DraMatiQue” (Pronounced like the word dramatic.) Track genre: Hip Hop / Rap Was a video/video link submitted? (What is the link?) No video. Did the video respond with the song? N/A Video vs. Song: (do I perfect hearing the song with or with out the video?) N/A Track info: Grimey, street anthem, this is the first single off DraMatiQue’s upcoming new album “Millionare”. This single will be digitally released October 25th via Empimre Distribution/Engroove (a division of Universal Records). The album is scheduled for release in December of 2011. Who was the producer? Saiint Scarbzz Recordz First thoughts in the first 30secs: (first impressions mean a lot…) Hard hitting drums with nice panning vocals. Really smooth flow with aggressive feelings in vocal structure. “iGrind” had your traditional chorus intro, but really nice drop off into 1st verse. Beat vs. Lyrics: (Did the beat win or did the artist beat the beat up?) Close battle between the beat vs. artist. I really appreciated the combo package. “DraMatiQue” definitely had his dukes up when with record button was pushed. The hook means a lot ... here's what we thought: Vocals were in sync with dark mellow strings floating in background. Thumbs up: DraMatiQue had displayed very nice punch lines. Good emotions and penmanship. Thumbs down: I was kind of let down on the chorus. No way saying it was a bad one, but just thought the verses outdid the chorus. It felt like something was left out to me. Final thoughts: My final thoughts on “iGrind” is exceptional. I always love original works and this was one of them tracks. As soon as I hit play I heard the producer had something up his sleeve. When the beat dropped into the 1st verse my ear perked up and was ready to listen to what DraMatiQue had to say. The verses were delightful and were more then enough to keep the track playing. The engineer made it hot with his mixing techniques. When listening to the track, the 3mins and 11 seconds pass by really quickly due to being lost in the mix of “niceness”. Overall score: (1 - 5) 4
" FlowMatiQue: Rise of tha True MCs " Review by by Jonathan Phillips ( Bassline Magazine)
The Toledo, Ohio and Bay Area-based duo DraMatiQue and BenFlowz has all their bases covered like Dusty Baker taking over the Reds. They are a classic rap group that trade lyrics back and forth and deliver the vocals with intensity and purpose. When you hear the urgency in their voices, it makes you want to move your head in the all important nodding motion. This is the approval that every rapper loves to see when their track is played. Their flow and beats are solid using sounds and samples that bring back memories of early Tribe Called Quest. It's obvious they studied the blueprint of building a rap song. And these veterans of the hip-hop game know what they are doing with the mic and the studio. The Bay Area-inspired female vocalist gives DraMatiQue and BenFlowz an R'NB back drop, as well as radio appeal that could give the radio listener a chance to experience what “real” hip hop feels like. The track, "Price is Right" is a throwback sample style using the theme popular TV game show of the same name. That sample will cost ya! On the flipside, DraMatiQue and BenFlowz incorporate theatrics and long intros that take away from the listening experience. It tends to let your mind wander back to the task at hand, then press the pause button. Intros were fun and funny in the 90s and early 2000s, however, in this new information age, people tend to give you less time to entertain them. One well planned intro goes along way. Less intros keep people focused on the music and give them a reason to press rewind. The Midwest is one of the deepest pools of talent for hip-hop in the country. DJs, rap crews, break-ance crews and graffiti artists are touring all over the world making music and money in all styles of hip-hop expression. From a list that includes MOOD, Blueprint, Hi-Tek, Piakhan, Spitball, S.A. SMASH, Bone Thugs and Harmony, Top Authority, Prohet, GLUE, etc. DraMatiQue and BenFlowz are on the brink of being the next Midwest powerhouse. DraMatiQue and BenFlowz live performances are high energy. They have paid dues and have opened for some of the best in the rap game. This is a definite must buy, or should I say download.
The Toledo, Ohio and Bay Area-based duo DraMatiQue and BenFlowz has all their bases covered like Dusty Baker taking over the Reds. They are a classic rap group that trade lyrics back and forth and deliver the vocals with intensity and purpose. When you hear the urgency in their voices, it makes you want to move your head in the all important nodding motion. This is the approval that every rapper loves to see when their track is played. Their flow and beats are solid using sounds and samples that bring back memories of early Tribe Called Quest. It's obvious they studied the blueprint of building a rap song. And these veterans of the hip-hop game know what they are doing with the mic and the studio. The Bay Area-inspired female vocalist gives DraMatiQue and BenFlowz an R'NB back drop, as well as radio appeal that could give the radio listener a chance to experience what “real” hip hop feels like. The track, "Price is Right" is a throwback sample style using the theme popular TV game show of the same name. That sample will cost ya! On the flipside, DraMatiQue and BenFlowz incorporate theatrics and long intros that take away from the listening experience. It tends to let your mind wander back to the task at hand, then press the pause button. Intros were fun and funny in the 90s and early 2000s, however, in this new information age, people tend to give you less time to entertain them. One well planned intro goes along way. Less intros keep people focused on the music and give them a reason to press rewind. The Midwest is one of the deepest pools of talent for hip-hop in the country. DJs, rap crews, break-ance crews and graffiti artists are touring all over the world making music and money in all styles of hip-hop expression. From a list that includes MOOD, Blueprint, Hi-Tek, Piakhan, Spitball, S.A. SMASH, Bone Thugs and Harmony, Top Authority, Prohet, GLUE, etc. DraMatiQue and BenFlowz are on the brink of being the next Midwest powerhouse. DraMatiQue and BenFlowz live performances are high energy. They have paid dues and have opened for some of the best in the rap game. This is a definite must buy, or should I say download.
" DraMatiQue - Kill The Game Mixtape " Review by by Breeze ( Hip-Hop Mixtape.org )
I’ve had a while to listen to this mixtape from DraMatiQue. The most obvious thing that stands out is the way he presents his lyrics, he has a smooth voice and a calm, yet confident style of rapping that really make these tracks nice to listen to. Another strong point that stood out is how his lyrics flow together to stay on topic, with a solid style of storytelling that unfortunately, has become difficult to find these days. I really like how he is able to keep the listener engaged, but without overpowering the song with sheer aggression. The beat selection is fairly consistent, but each instrumental is a good fit for the lyrics and flow of each track. Overall, we’d recommend this mixtape. It’s written, performed, and mixed well to result with an overall solid product. Check this one out! Download Kill The Game Mixtape at http://www.blogger.com/profile/06734958867470544916 Follow DraMatiQue!!!@dramati2ue @DJOMEGARENDY
I’ve had a while to listen to this mixtape from DraMatiQue. The most obvious thing that stands out is the way he presents his lyrics, he has a smooth voice and a calm, yet confident style of rapping that really make these tracks nice to listen to. Another strong point that stood out is how his lyrics flow together to stay on topic, with a solid style of storytelling that unfortunately, has become difficult to find these days. I really like how he is able to keep the listener engaged, but without overpowering the song with sheer aggression. The beat selection is fairly consistent, but each instrumental is a good fit for the lyrics and flow of each track. Overall, we’d recommend this mixtape. It’s written, performed, and mixed well to result with an overall solid product. Check this one out! Download Kill The Game Mixtape at http://www.blogger.com/profile/06734958867470544916 Follow DraMatiQue!!!@dramati2ue @DJOMEGARENDY
Technical Requirements
Microphone, Studio, deejay
Stage Plot Image
Technical Requirements
Microphone, Studio, deejay
Stage Plot Image
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