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EditoriaList: 10 Best And Worst Super Bowl Halftime Performances

The Super Bowl Halftime Show has become an overblown spectacle of such proportions and delusionary grasping at the straws of musical-artistic relevancy that it quite simply may never be good again. Yet there have been some standout performances – mostly those that concentrate on actually performing. There were some very dark years here and there that were not very focused on the artists and their music as much as the pageantry (I’m looking at you Disney), and I didn’t even count those. There were also a lot of ‘meh’ moments that are not really worth getting into.

Worst

2000: PHIL COLLINS, CHRISTINA AGUILERA, ENRIQUE IGLESIAS, TONI BRAXTON

I don’t remember this and I’m not going to watch it, but it’s awful. It’s literally the worst thing I’ve never seen.

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Sound and Vision: Usher Vs. Justin Bieber Vs. Chris Brown– Will the Next King of Pop Please Stand Up?

For ages in pop, it’s been all about the women: Adele and Katy Perry this, Rihanna and Lady Gaga that, with Britney, Beyoncé, Ke$ha, and—lately—Carly Rae Jepsen each demanding her own spotlight.

But this summer, as pop’s three hottest males—Usher, Chris Brown, and Justin Bieber–release new albums, the guys will be giving the ladies their stiffest competition in years. Are any of them most likely to succeed Michael Jackson as the new King of Pop, this season or in seasons to come? Read on….

The Princes-in-Waiting

Usher Vocally, Usher is without a doubt the most-talented man in pop, and he already has a hit list that’s long enough to guarantee his place in music history. Commercially speaking, though, he seems to be settling into middle age, a comfortable place where he’s still good for the occasional big hit single (2010′s No. 1 “OMG” and his recent David Guetta collaboration “Without You”).

But he’s hardly a chart shoo-in anymore. “Climax,” the first single from his new album Looking 4 Myself, which was released on June 12, peaked at No. 17 on Billboard’s Hot 100, 16 notches lower than “Yeah!,” the premiere single from 2004′s Burn that spent 12 weeks on top. Meanwhile, after one day in stores, Looking 4 Myself was projected to sell only up to 130,000 copies in its first week, some 200,000 less than 2010′s Raymond v. Raymond. Continue reading ‘Sound and Vision: Usher Vs. Justin Bieber Vs. Chris Brown– Will the Next King of Pop Please Stand Up?’

The EditoriaList: Top Ten Musical Crimes Perpetrated By Great Artists

“Top 5 musical crimes perpetrated by Stevie Wonder in the ’80s and ’90s. Go.

Sub-question: Is it in fact unfair to criticize a formerly great artist for his latter day sins… is it better to burn out or fade awaaay?”

– Barry, High Fidelity (2000)

I wish they’d actually discussed this in the film, especially the latter bit. For my part, I say great artists have proven that, somewhere inside, they know better, and so should be held accountable for their sins.

Stevie makes this list, but not for “I Just Called To Say I Love You.” Not even for “The Woman In Red…”

10. “Freeway of Love” – Aretha Franklin

The Queen of Soul abdicated her throne when, in 1985, she recorded this mechanized, synth-driven offense.

Continue reading ‘The EditoriaList: Top Ten Musical Crimes Perpetrated By Great Artists’

Vocal Points: Battle of the Sexes

We all have preferences when it comes to music, and genre is just one of many factors that determine what’s on our individual lists of music favorites. When it comes to the voices of our preferred musical acts, we know the type of singers who possess the power to send chills down our spines, and we know who doesn’t do it for us. But what role does gender have in all this? Many of us have already made a subconscious decision as to whether we prefer male or female voices, but how much weight does that hold?

Both women and men have the ability to produce incredible sound, and Mariah Carey, female powerhouse with a killer range, is a great example of all the great things the female voice is capable of. She is able to hit almost unimaginable high notes, but is also has a full, warm sounding lower-range. And while the female voice is sometimes disliked for its upper-range, Carey successfully proves that reaching incredible vocal heights does not have to sound shrill or painful. On the flip side, the male voice is typically lower and richer—many say it is easier to casually listen to the male voice. A great male singer is Josh Groban, whose vocal training has crafted him a powerful instrument with an incredible sound. His voice is so versatile and easy to listen to, and yet is capable of conveying so much emotion through his music.

 

 

 

 

 

 

Continue reading ‘Vocal Points: Battle of the Sexes’

GuacaMusic: Luci

What do you get when you add pop, R&B, funk and a touch of Latin?

The answer is simple: You get amazing music. Just ask Luci, a talented artist from Peru that has been writing exciting Latin songs for years. Lately, her song “Live It Up” has been getting rave reviews from OurStage fans, who seem to love her mix of Latin flavors and the excitement of her voice

Play Luci’s song “Live It Up” and you’ll understand why this spicy combination of traditional salsa and lively, modern sounds is rapidly raising through the top charts on OurStage’s Latin Channel.

Luci’s singular style is due, in large part, to her bicultural upbringing. Although she was born in Lima, Peru, she spent a large part of her childhood living in the US. She argues that her style comes from a sea of influences varying from Celia Cruz and Christina Aguilera, to Aerosmith and Stevie Wonder.

After years of prepping herself to make it big in the music scene, Luci released her debut EP in May of last year, getting very positive comments from critics and fans. She is continually writing fresh, new music and remains ambitious about her passion for producing, dancing and dressmaking for her shows.

Besides “Live It Up”, other great songs by Luci include “Save the World“, “Entertainer” and “Chocamos“. Don’t miss Luci’s Latin flavors on OurStage. You’ll fall in love with her sabor. ¡Provecho!

Step Aside, Sandler, George Michael Is The Wedding Singer

Have you been living under a rock for the past six months? If so, you may have missed the news that Prince William and Kate Middleton are getting married this weekend. And like us, you probably wondered why everyone spells her name “Kate” when her full name is Catherine. Why? Is that a British thing? But we digress. The point is, in an effort to share in the couple’s joy, George Michael recorded a cover of Stevie Wonder’s “You and I” as a gift to them. (You can download the track on his Web site.)

We know what you’re thinking—nothing says true love like “engaging in a lewd act” in a public toilet. But George Michael’s heart is certainly in the right place, and his gift got us thinking about other singers we’d love to have performing at our wedding.*

*We are in no way serious about having any of these artists perform at our wedding.

Rick Astley

The key to having Rick Astley as your wedding singer would be keeping it an absolute secret. Seriously, don’t tell a soul. Because what could be better than Rick Rolling your guests? Imagine the looks on their faces. Plus, that has to be one of the easiest dances to learn. Of course, you could always just get Rick to write your vows. “Never gonna give you up, never gonna let you down…”

Ozzy Osbourne

Okay, so the Prince of Darkness might seem like a strange fit for your reception. But say what you will about Ozzy, but the guy has been married to Sharon since 1982. We think he might know a thing or two about marriage. And don’t you want your wedding to be memorable? Between public intoxication at the Alamo and snorting a line of fire ants (was that rumor ever confirmed?), we’re pretty sure Ozzy brings the party.

William Shatner

If you haven’t heard Shatner’s cover of “Common People” by Pulp, click here. Done? Welcome back. You now understand why your wedding will be incomplete without the Shat. Did you hear the emotion in his voice? Those passionate vocals? Where on earth did he learn to sing like that? Every other band should have just stopped trying to make music after his 2004 album Has-Been, because there’s no way to improve on it. When Shatner talk-sings “Ideal Woman” during your reception, your guests will struggle to hold back tears. It’ll be a truly beautiful moment.

The Dan Band (from Old School and The Hangover)

This one is a total no-brainer, because who hasn’t dreamed of being serenaded by R&B covers of filthy songs like 50 Cent’s “Lollipop”? We have just a few ideas for totally inappropriate raps turned creepy slow jams this guy could perform at our wedding: Snoop‘s “Gangsta Luv,” Ying Yang Twins‘ “Wait (The Whisper Song)” or 2 Live Crew‘s “Me So Horny.” And of course, we welcome your suggestions.

Adam Sandler

Despite the title of this post, we’re still a total sucker for Adam Sandler as the goofy, overlooked wedding singer. Sure, he might steal your bride, but only if you’re a cheating asshole.  And just look at how he works that powder blue suit. We’d even let him belt out “Love Stinks” if he wanted to. Maybe he’d bring Billy Idol to the wedding with him? …A girl can dream.

Editor’s note: Despite recording a song for the couple, George Michael has made it clear he will not be attending the royal nuptials, tweeting: the couple should be “surrounded by people they love, not dodgy ex-con pop stars.” We’re sure there’s a distant cousin or two in there that will be disappointed to hear the news.

Get Lyrical: Q&A With Daphne Willis

Daphne Willis is one busy girl—she’s been tearing up the Best Of charts here on OurStage all while working on her brand new album Because I Can. We think you’ll like Willis’ charming songwriting style, so we sat down with the Nashville-based singer-songwriter to talk about her writing, her first single “I Will Be Waiting,” and her unlikely love for Eminem.

OS: What’s your writing process usually like?

DW: I have different processes depending on if I’m writing by myself or co-writing, which I’ve been getting into a little bit more over the past year, professionally. Usually I’ll get a chord progression and then just write melodies over the progression—this is when I’m writing by myself—and then kind of work things out. When I write by myself I have to be alone, and, I don’t know, in a mood, or something. I don’t know what you call that… a creative mood. And when I write with other people, it depends on who I’m writing with. Some people like to do a title and will come up with a concept or a title and then write the song around that. Some people want to write to an emotion, or write a story, or whatever. You kind of map it out at the beginning—it’s going to be slow, or fast, or what have you.

OS: Do you prefer co-writing or writing alone?

DW: I think they each serve their own purpose. I think for me, the solo writes are definitely more of a therapeutic thing, where it’s more of a release for me on an emotional level or some subconscious level. Usually when I’m writing by myself it’s because I need to, and when I write with other people it’s because I want to and because I have fun writing. When it’s more of a group, collaborative effort it’s so much fun, and you get to kind of rub off on each other and learn other peoples’ styles and get in other peoples’ heads, which is just really fun.

OS: How did you decide on “I Will Be Waiting” as the first single?

DW: Well actually the next single is going to be “Do What You Want,” I think we’re switching the radio. But “I Will Be Waiting” was definitely a strong song for me because I’m always traveling and I always relate to people who are always having that longing feeling or they’re missing something. At the time we wrote it I was in a relationship and definitely felt that longing when you’re on the road, away from your loved ones … So we kind of just wanted to capture that emotion, and it just seemed like the right fit at the time when we were picking it. I’ve kind of shifted a little bit overall, and I think “Do What You Want” is going to be a great addition to our efforts and our campaigning, getting me out there this year. Both of the songs are great. And they’re both co-writes, so I had a lot of fun making them.

OS: It’s hard to tell if it’s a happy or a sad song—did you do that on purpose?

DW: Definitely. I think that the song is supposed to be bittersweet, because you have somebody that you miss, but you have somebody that you miss, you know what I mean? You’re gonna have to go through that emotion, but at least you have that emotion to go through, and you’re going through it with somebody else. I always try and stay on the positive side of things, and even negative emotions can be turned upside down and looked at in a different light. You appreciate what you have.

OS: So since you have been co writing a lot recently, are there any songwriters who you dream about collaborating with?

DW: You know, I would probably, like I could die immediately afterwards, if I wrote with Stevie Wonder. I could just die afterwards and be like, “All right, that’s it! I did what I came to do.” [Laughs] No not really, but you know what I mean. I would love to work with Stevie Wonder. I would love to work with… Gosh, there’s a lot of people. Ben Harper would definitely be one of them, from a lyrical standpoint I think he’s just a genius. And you know, we were listening to Eminem earlier today, or last night, I think it was. And we were saying how lyrically, he’s just a genius. And the phonetical way that he phrases his lyrics and how he accents and stresses which syllables in which sentences is just… he’s a monster. So I would also actually love to work with him, ironically.

OS: What are your favorite things to write about? Do you often write about love?

DW: I actually try to not write about love as much, because I feel like although love is one of the most powerful emotions, certainly, I think it’s a little bit overwritten. I like to—when I do writing sessions—challenge people to write a song that is not a love song. Write about something that is maybe inspirational or as emotionally big, but not love. People fascinate me, things like what motivates people, what stresses people out. When I listen to music I like to feel inspired in a positive way, or somehow empowered, and feel like I can go out and do things. I’ve been trying to write more stuff like that, that’s really uplifting and encouraging and just positive. That’s definitely the direction of this record and definitely the direction of the songs I’ve been writing since we recorded this record, too.

Check out Willis’ new album Because I Can to hear “I Will Be Waiting” for yourself!

Sound And Vision: Building the Perfect Valentine’s Day Soundtrack – 14 Great Love Songs

Love is in the air. I’m not just talking about that warm and tingly feeling that fills up the senses every year on February 14—if you’re lucky enough to have your own funny Valentine. I’m also referring to the great 1977 Top 10 hit by John Paul Young, an immortal love song in a decade that was full of them. It’s rhythm and romance at its catchy best.
In honor of V-Day, here are fourteen other great songs in the key of love. I’ve limited the romantic playing field to pop, rock and R&B singles from the last 50 or so years, leaving album tracks, country, jazz, the great American songbook, Beethoven, Liszt and Chopin for another list (maybe next year’s). My favorites are always changing—by the week, by the day, by the hour. But if you’re looking to set the perfect romantic mood on Valentine’s Day, just let the music, this music, play.
“I’m Still in Love With You” Al Green. The greatest love of all is an everlasting one, and few singer-songwriters have nailed the subject as frequently and brilliantly as Green. This single, which went to No. 2 on Billboard’s Hot 100 in 1972, is as timeless and immortal as the love it celebrates.
“The Air That I Breathe” The Hollies. “Sometimes, all I need is the air that I breathe, and to love you.” Now that’s crazy in love.
“Poetry Man” Phoebe Snow. It’s hard to fathom that Snow, who also wrote this song, was only 23 years old when the song was a hit in 1975. Imagine any of today’s twentysomething pop stars crafting anything so hauntingly gorgeous and grown up.
“The Man With the Child In His Eyes” Kate Bush. A girl and her piano. Like the most effective love songs, there’s an overwhelming aura of melancholy in both the production and 20-year-old Bush’s vocals, which are at once delicate and sturdy. After the operatic weirdness of her 1978 debut hit, “Wuthering Heights,” Bush floated back to earth in the most stunning way.
“Close the Door” Teddy Pendergrass. Sometimes it’s all about sex. Incredibly, this 1978 single was the only solo Top 40 hit of the late Pendergrass’s long career.
“Send One Your Love” Stevie Wonder. Although this one has been more or less overlooked since it was a No. 4 hit in 1979, it’s nearly as magical as “Knocks Me Off My Feet,” an album track from three years earlier. A tip to all hopeless romantics: If you just called to say, “I love you,” and you must do it with a Wonder song, make it one of the two.
“I Love You” Climax Blues Band. Everyone says, “I love you,” but singer Derek Holt didn’t until four minutes into the song—and then it was over. By saving the best for last on its 1980 single, which only went to No. 12 but was one of the biggest hits of the year, Climax Blues Band created a masterpiece of anticipation and romantic build up that goes out in a blaze of glory.
“More Love” Kim Carnes. The irony! A songwriter as gifted as Carnes found her greatest success drastically reworking other people’s music. Jackie DeShannon’s “Bette Davis Eyes” may be the reinvention for which she’s best remembered, but this cover of a Smokey Robinson oldie, which preceded the aforementioned hit into the Top 10 in 1980, is the one that gets under my skin and stays there.
“Love of a Lifetime” Firehouse. The ultimate hair-metal power ballad, from 1991, a few years after the genre peaked.
“Heartbreaker” Dionne Warwick. Love is a beautiful thing indeed, sometimes even when it’s in ruins. Of all the great love-song singles that the Bee Gees wrote for themselves (“How Deep Is Your Love,” “Too Much Heaven”) and others (Samantha Sang’s “Emotion,” Barbra Streisand’s “Woman in Love,” Kenny Rogers and Dolly Parton’s “Islands in the Stream”), this one, in which sweet Dionne hints at possible stalker tendencies (“This world may end— not you and I”), is the one I always go back to.
“Harvest Moon” Neil Young. When I dream about love, this 1992 Neil Young masterpiece always seems to be playing in the background.
“Kiss Me” Sixpence None the Richer. Michelle Williams’s film career wasn’t the only great thing to come out of Dawson’s Creek. After the TV teen drama used “Kiss Me” on its soundtrack in 1999, it reached runner-up status on the Hot 100. More than any other song in the history of romance, this one makes me want to run out and fall in love.
“Can’t Get You Out of My Head” Kylie Minogue. Sometimes the glow of love burns so much brighter with a fierce electro beat.
“You’re Beautiful” James Blunt. When it comes to love songs, they generally don’t make them like they used to, but every now and then, modern love spawns an aural masterpiece.
Five Honorable mentions: “Angel” Anita Baker, ”So Alive” Love and Rockets, ”Love Is All Around” Wet Wet Wet, ”Maps” The Yeah Yeah Yeahs, and ”1 Thing” Amerie
What love songs will be on your playlist this Valentine’s Day?

 


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