This week marks year number three for the Portland, Oregon music and arts festival, Siren Nation. Featuring music, film, crafts, panels and workshops, Siren Nation honors the women in Portland’s vital arts scene. I spoke with Siren Nation founder Natalia Kay about the joys and challenges of putting on a successful festival in these tough financial times.
CD: How did you come up with the idea for Siren Nation?
NK: It came out of conversations I had with a friend who I was producing events with. I was very inspired by Ladyfest and the Michigan Womyn’s Festival. Portland deserved and needed an event of that magnitude to honor the amazing array of talented women artists in the area. We knew we could put together a national-caliber festival just with local bands and thought it spoke volumes about the quality and quantity of great women artists in the area. We also figured that there would be an audience here, and hoped that people would travel to Portland to experience the magic of a women’s music festival. Additionally, we were continually disappointed to see that women were underrepresented in local and regional music festivals, so there clearly was a need to shine the spotlight on women.
CD: What is important in doing an event that speaks specifically to women?
NK: People often question the validity or need for having a space that focuses solely on the work of women. In some people’s minds women are hugely successful in the arts and having women-centered events is kind of antiquated. However, the music industry is hugely controlled by men and women are still incredibly underrepresented, not as musicians, but as the best-paid musicians with the best opportunities. I look at festival line-ups in Portland, the region and nationally and am constantly disappointed to see that women are not given equal air time in the larger venues. It is incredibly frustrating because women are not less talented than men but they are judged by a different standard. If they don’t look a certain way they are not considered marketable. Women are making great strides in the arts but there are still gross inequalities as far as gender goes, not just in music but visual arts, film, etc. We like having a space where women decide what is important (our board is 100% women) and women’s talent is front and center. Continue reading ‘FINE TUNINGS: SONG OF THE SIREN’
Since we are now in the midst of the 2010 Olympics, I thought this would be the perfect time to interview an artist who deserves a gold medal for cross-country touring. Meet Malcolm Rollick, who recently completed an 8-month tour — on a bicycle — which took her from her home in Portland, Oregon to Portland, Maine.
