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Soundcheck: When Hip-Hop Goes Pop

Mash-ups are a mainstay on the hip hop scene with rappers constantly collaborating to deliver fresh material.  Even the most vicious emcee paired up with the current R&B diva has a natural charm, and we’ve come to expect Rihanna, Beyoncé or Kelly Rowland backing up big verses from big rappers.  Now, it seems that hip hop has crossed over into the pop star realm, blurring the lines between the sugary sweet stylings of pop icons like Britney, Katy and Bieber with the hard-hitting sound of the streets.

We got our biggest dose of the crossover craze when Nicki Minaj announced she would join Britney Spears on her Femme Fatale Tour this year. In a groundbreaking move, fans of pop music’s reigning queen would be shoulder to shoulder with fans of the hottest thing to hit hip hop in years.  What resulted was one hell of a party!

Now, other singers are following suit, and pairing up with some unlikely collaborators. Justin Bieber will throw a little hip hop into the holidays when he releases Under The Mistletoe, on November 1.  The fifteen-track holiday album features a version of “The Little Drummer Boy” with none other than Busta Rhymes. We can’t imagine Rhymes’ grimy, gruff voice singing about the birth of Christ, but we’re all ears.  Other guests on the album will include Usher, Boyz II Men and Mariah Carey.

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Sound And Vision: Rihanna Promises a New Album “This Fall” — Too Soon?

As Benjamin Franklin once said (and I’m about to paraphrase dramatically), only two things in life are certain: death and taxes.

Now we can add to that party of two another certainty: a new Rihanna album before the end of every year. Since making her debut with Music of the Sun in 2005, the singer has taken only one year off, 2008, during which she dealt with the fallout from the Chris Brown mess and still remained in circulation with an expanded second edition of Good Girl Gone Bad called Good Girl Gone Bad: Reloaded.

Her fifth album, Loud, which was only released last November, is still going fairly strong on the charts. It just spun off its fourth Top 10 single, “Cheers (Drink to That),” and one suspects that Rihanna and her label, Def Jam Records, could possibly milk it for at least one more. But she’s already making plans to move on to studio album No. 6. On September 15, Rihanna tweeted to fans that it’ll be in stores “this fall.” Four days later, again via Twitter, she revealed the title of the first single, “We Found Love.” As of September 23, an album title hadn’t been announced but an official release date was: November 21.

Enough already?

I suppose this gives die-hard Rihanna fans—and lord knows there must be tons of them out there to send 10 of her singles to No. 1 in five short years—but it also threatens to render her dangerously overexposed. And considering the fact that she’s set to make her film debut next May in the board-game-turned-action-flick Battleship, might we soon be in for Rihanna overload?

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Live Wired [Review]: iHeartRadio Festival

iHeartRadio is all about well…radio, and taking it to the next level. Not only does the site allow you to live stream talk and music radio stations locally and nationally, it also enables you to create your own custom stations based on your musical tastes. This past weekend, iHeartRadio went all out to promote their new and improved Web site, along with the launch of the iHeartRadio mobile app that grants users listening access from their phones. For the launch, they put on a giant, star-studded festival in Las Vegas, which sold out about ten minutes after tickets were made available. The theme of the night was very much focused on the diversity and popularity of the festival’s artists.

For the majority of fans who weren’t able to get a ticket or make their way to Vegas, iHeartRadio streamed the entire two-night event on their Web site. Here at Live Wired, we were part of that majority, and since we’ve been talking so much about streaming festivals online, we’re here to tell you what it was like. The evening kicked off with a half-hour “pre-show” hosted by two personalities from NYC’s popular radio station z100, followed by the first performance of the night. The Black Eyed Peas, who apparently are not on their hiatus yet, took the stage first and were pretty underwhelming. Not that they’re exactly known for their live shows (See: this year’s Super Bowl performance), but the audience didn’t seem too entertained either.

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The EditoriaList: Best And Worst #1 Singles 2000-2010

This was a brutal exercise, listening to at least large chunks of every Number 1 single on the Billboard Hot 100 for the years between 2000 and 2010 (I should have stopped at 2009, but I’m a glutton for punishment). Anyway, in order to avoid repetition, if a song was a Number 1 in more than one year (carried over from a previous year), I only considered it for the first year in which it hit the top spot. I thought I might see some kind of trend in quality of pop music, but no such luck—highs and lows abound throughout.

2000

Best: “Smooth” by Santana featuring Rob Thomas. Rob Thomas tries really hard to wreck this song with his awful singing, but it’s still really catchy. Sorry Rob, but I’ve come from the future to tell you that you’ll have more success offending listeners with your solo record.

Worst: The epic and universal terribleness of “Arms Wide Open” by Creed beats out such dreck as “Everything You Want” by Vertical Horizon and a song called “I Knew I Loved You” by a band that wrote the name “Savage Garden” on a piece of paper, looked at it and said, “Yes. Let’s name our band that. That’s not totally stupid at all.”

Dishonorable mention: “Independent Women Part 1” by Destiny’s Child, for opening the song with a shout out to Charlie’s Angels, the movie in which it is featured, and for kicking off the verse with the lyric, “Question: Tell me what you think about me.” Yeah, that’s not a question, that’s a command. What do I think about you? I think that you’re too pushy and have a tenuous grasp on parts of speech.

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Soundcheck Album Preview: Will J.Cole Take Over With ‘Cole World’?

Jermaine Lamarr Cole, better known as J.Cole, has been hip hop’s best kept secret for years.  Ever since Jay-Z signed him to RocNation, we’ve been waiting to hear what all the hype was about.  After his debut album was pushed back…and back last Spring, our interest in the newbie only intensified. After a jam-packed summer of touring and teasing, the wait is finally over.

Cole will release his debut album, Cole World: The Sideline Story on September 27 on the heels of a massive build up.  In the months leading up to his debut release, Cole treated fans to new music through his “Any Given Sunday” campaign, delivering singles each week since July 13. While he had initially planned on dropping a mixtape prior to his major release, he changed his mind, deciding to stream music on his Web site and Ustream instead.

He told media in July, “The music I was gonna put on the mixtape I’mma just slowly drop it. I’ll just drop it out online and they’ll find it. You know, my fans will find it how they will. I’m confident. I don’t wanna run and drop a mixtape. I don’t want people to get confused with that. I don’t want them to love it, because they’ll love it. If I put out a mixtape they’re gonna love it cause I don’t know how to put out a bad mixtape. That’s the problem.”

Cole wasn’t being cocky.  His mixtapes are what gained the attention of Jay-Z back in 2007—The Come Up mixtape earned him a spot on The Blueprint 3 in 2009. After his secondmixtape, The Warm Up hit the streets that year, Jay signed him as the first artist at his RocNation imprint. Since then, Hov has kept his protégé on his toes, making him wait til the eleventh hour to lend a verse to “Mr. Nice Watch”.

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