A lot of musicians produce their own music, but there is a smaller field of those who can produce other artists AND are successful at it. Here’s a list of nine artists better known (in most cases) for their own musical efforts but who have significant bodies of work as producers. This is not to say that they are the “best” or that they are listed in order of greatness. The list is ordered according to a mixed assessment of the worthiness of the things they’ve produced and the amount of producing they’ve done.
9. Phil Collins
Phil Collins, who has had massive success as a solo artist and as a member of Genesis, produced hits for Frida (ex-ABBA), Howard Jones and Philip Bailey, among others. He then presided over the loosest use of the term “comeback,” when he helped Eric Clapton score big with Behind the Sun (1985) and August (1986). Weeeeeeeak.

Sweet jacket, Slowhand.
8. Jack White
Seems like Jack White has put touring on the back burner in favor of his newfound music mogul-dom. Before he really ramped up work on his Third Man Records label, store, mobile unit and future empire, White branched out from The White Stripes to produce 2001’s Lack of Communication by The Von Bondies (whose lead singer would later be punched many times in the face by White) and Loretta Lynn’s 2004 LP Van Lear Rose. He has produced most of his own studio projects, including The White Stripes, The Raconteurs, The Dead Weather and “Another Way To Die,” the theme to the Bond film Quantum of Solace, with Alicia Keys. White produces sessions for his own Third Man Records and has worked with Wanda Jackson, now ex-wife Karen Elson, The Black Belles and of course, Stephen Colbert.
Continue reading ‘The EditoriaList: Top Nine Rock Stars Turned Producer’
Look, this is 2011 after all—you’d think it would be safe to assume that every ’80s band with an inclination to reunite would have done so by now. After all, over the last year we’ve had brand new albums from such happily reconvened ’80s icons as Duran Duran, Devo, OMD and Modern English, to name just a few, and that’s not even counting the number of New Wave era bands currently out there on the oldies trail (Missing Persons, anyone?). For the most part, the major acts of the ’80s who remain dormant are either dead, alienated from each other or simply dead-set against revisiting old glories. But then along come The Cars to throw a monkey wrench into our carefully crafted presumptions.
Last July, seemingly out of nowhere, Cars aficionados visiting the band’s Facebook fan page suddenly had their hopes raised for the first time, by a 






