Interscope Records has released a new trailer teasing the releases that still await in 2013 and trust us, you need to see it.
Eminem, Dr. Dre, and No Doubt are just a few of the notable faces seen in the latest advertisement from interscope. The ad teases a number of announced releases without expressly saying ‘coming this year,’ so we are assuming the message being conveyed is one of what lies ahead. You can view the clip below.
So which Interscope release are you looking forward to the most? Comment below and let us know.
This past Friday, No Doubtreleased a music video for their newest single “Looking Hot” off their latest album Push And Shove, but it was immediately removed after being criticized for offending the Native American community.
According to Billboard, the video features Gwen Stefani in a “Halloween-ready Native American costume, while bassist Tony Kanal is [a] tribesman who helps the singer escape from her cowboy captors, played by Adrian Young and Tom Dumont.” Due to a large negative response from YouTube users, the band decided to pull the video, releasing an apology on their website. Whether or not a remake is in store has yet to be determined.
If you like No Doubt, then you might also like OurStage’s own The Worsties.
We love passing new music videos around the OurStage office, and now we’re going to be sharing our finds with you. Here’s this week’s freshest new clips!
No Doubt – “Push And Shove”
Gwen and ND are back, and the title track of Push And Shove proves that they haven’t lost their spark. In this clip, the band roam the streets and host tour-bus singalongs of their own song. It’s easy to tell that the band is simply happy to be together again.
Craig Owens – “No More San Francisco”
If you’ve been following Chiodos/Cinematic Sunrise/Isles & Glaciers/D.R.U.G.S. and/or Craig Owens’ solo career for the past few years, then this video is for you. Though Owens is known for his electric stage presence, he shows his softer side on “No More San Francisco,” baring his soul with an empty room and an acoustic guitar. Continue reading ‘“Watch This!” Wednesday: No Doubt, Craig Owens, And Green Day’
The ’90s are about to face a crucial test, one that might determine if the Clintonian era even has a shot at matching the staying power of the Reagan ’80s, a decade that continues to resonate more than 20 years after it ended. Welcome back, ’90s stars Soundgarden, SWV, Garbage, Brandy, Matchbox Twenty, Green Day, the Wallflowers, Blur, Aaliyah (via creepy interloper Drake) and No Doubt.
A decade is a long time in life, and an eternity in pop music, especially when you’ve spent one in a state of virtual inactivity, as did No Doubt, the band that will release its comeback album, Push and Shove, on September 25 (the same day Green Day returns with Uno!, the first of a trilogy of albums that the rock trio will release in the coming months). When No Doubt put out its last studio album, Rock Steady, in December of 2001, George W. Bush was less than one year into his first term as President of the United States, Friends was the No. 1 show on TV, and dated acts like Shaggy, Crazy Town and Ja Rule were scoring No. 1 singles on Billboard’s Hot 100.
The world, still reeling from September 11 exactly three months earlier, had yet to hear of Barack Obama, Taylor Swift and Lady Gaga, YouTube, Twitter and Facebook, iPads, iPhones and American Idol. Britney Spears was the biggest female pop star on the planet, and she was in love with Justin Timberlake, best known as heartthrob No. 1 in ’N Sync, the world’s biggest boy band. In this post-millennial world, Rock Steady went double-platinum in the U.S. and produced three hit singles, including the Top 5 hits “Hey Baby” and “Underneath It All.” Continue reading ‘Sound And Vision: No Doubt Rides Again–But Can Gwen Stefani & Co. Rise Again?’
Take a look back at the original Warped Tour lineup from 1995 and you’ll see bands like No Doubt, Sublime, and Supernova. With the festival’s rapid expansion and desire to include more diverse artists, today’s lineup is a far cry from the original punk-centric focus of the tour. Luckily, Ballyhoo! frontman Howi Spangler has a plan to bring back the nostalgic sounds of ’90s ska punk with the band’s new material. The Aberdeen, Md. four-piece just recently completed the entire run of the Vans Warped Tour and are already back on tour until the end of September.
We had the chance to chat with Howi about life on Warped Tour, sharing the stage with reggae legends, and what the band hopes to accomplish with their next record.
OS: You’ve had a busy summer already! Tell us about the performances you’ve done so far.
HS: It has been busy! We started the [Warped ]Tour in Salt Lake City, and we’re doing the whole thing. Every day’s been awesome, the kids have been really great. We’re getting a lot of new listeners that come up every day, so that’s awesome. We have a guy in a sombrero that’s out there selling CDs in the morning to the line, turning new heads. We hooked up this thing called the “Ghetto Blaster,” it’s basically our handtruck and we have a speaker, a generator and a mixer, and our set time on it, and it just blasts our songs. So he takes that out in the morning and it just puts it right in their face, like, “This is Ballyhoo! Listen up!”
OS: What has been your favorite stop/state on Warped so far?
HS: Chicago was awesome, Chicago was really good. That’s the first one that comes to mind. We had a really great crowd. San Francisco was amazing as well, we had a really good time there. We had five or six hundred people out there. Boston was really great today, too!
OS: What other bands have you most enjoyed seeing at Warped Tour?
HS: Motionless in White, those guys are sick. Just heavy screaming, heavy guitars, they paint themselves black and white…the crowd was nuts, it was really cool to see that. New Found Glory’s killing it, Yellowcard’s killing it every day. Tonight Alive, We Are The In Crowd, A Loss For Words…there’s just so many good bands.
Carly Rae Jepsen is in luck. It looks like she won’t have to ensure the continuation of her celebrity run after “Call Me Maybe” falls from its current summit by relying on the hoopla generated by her own Nipplegate—nude photos that ended up being someone else’s.
Thanks to a call from Adam Young, the one-man band behind Owl City, Jepsen is about to relight the fire under her rising star the old-fashioned way: with a new hit. “Good Time,” her duet with Owl City, just debuted at No. 18 on Billboard’s Hot 100, which means that her breakout No. 1 single won’t forever be alone on her hit list.
It’s pop symbiosis at its most effective: He saves her from that pop purgatory known as one-hit wonderdom, where he had been languishing since 2009, when the Owl City single “Fireflies” hit No. 1 on the Hot 100, and she helps get him out of it. Sure Katy Perry could have accomplished the same thing in the middle of a dead sleep, but that hardly would have been a meeting of near-equals.
It wouldn’t be fair to say that the 33-year-old Florida native Diplo, real name Thomas Westley Pentz, has defined the cultural zeitgeist. Which is too bad, because what a fun zeitgeist it would be if he did. A butt-shaking, lame-shaming, all-inclusive zeitgeist. But it’s looking like Diplo’s contributions to the world of music might reach a qualitative and quantitative peak in 2012.
Diplo is our generation’s closest parallel to David Bowie. Both took disparate sounds and styles and made them their own. Both Bowie and Pentz exist with one foot planted in the commercial world and the other in a more experimental realm. Bowie had a bit of an advantage in his day though as it was far easier to be a total freak and still sell records. Both are also pretty skinny. And both are shameless self-promoters, performers that are completely in control of their image and branding. If this sounds like hero worship, it’s because it is.
Diplo has had a busy year so far and it doesn’t look like his schedule is going to be clearing up any time soon. He’s probably the hardest working man in show business at the moment. There’s Diplo the CEO/master chief of Mad Decent—an imprint with an active artist roster including the likes of Rusko, Riff Raff SODMG, and Zeds Dead, and the label responsible for introducing disparate dance genres like baile funk and moombahaton to North American audiences. Then there’s Diplo the producer. Pentz first hit big in 2007 with “Paper Planes”, the single that propelled Sri Lankan rapper (and former love interest) M.I.A. into the national spotlight. Diplo hit the ground running with that release and hasn’t slowed down since.
But has Diplo peaked? For an artist so thoroughly ingratiated with the underground its impressive how deeply he’s infiltrated the mainstream. While there is no limit anymore to how popular a producer can become at this point—Skrillex popularized a hairstyle and Calvin Harris parlayed modest clout in the UK into stateside (charting Top 40 hits with Rihanna and Ne-Yo)—no one else can boast equal amounts of love from the underground and from the corporate world. Except for Deadmau5, and he can be a bit cranky.
Maintaining credibility is one thing. But, more importantly, how can Thomas Wesley Pentz possibly keep up this pace? ? It’s a mystery. Maybe he has a twin brother who he sends to events in his place. Or maybe its because Diplo is one of the most down-to-earth figures in EDM, hip-hop, or pop. He’ll work with ANYBODY, doesn’t matter if you’re a legacy artist or a young bisexual teen from Harlem who can’t stop swearing. Not only that but Diplo’s sound, a synthesis of cultures and touchstones across hemispheres is uniquely his own and defiantly populist at the same time. The New York Times wasn’t far off when they called him a translator and an intermediary. But that implies more delivery then generation. Diplo is re-contextualizing and composing mini banger masterpieces. Who knew that a lanky, gawky, country bumpkin from Florida would become one of the most vital and engaging voices in music today?
It’s hard to talk about legacies in real time, especially in the digital age we live in. The flurry of activity that people find themselves in every day can leave you rattled and addled. But if Diplo manages to maintain the batting average in the last six months of 2012 that he was able to in the first six months, then he’ll establish a nice place in music industry for himself. Ironic how his percolating, stuttering beats might cement him a place in history. Until then, you can check out the slightly NSFW video for “Express Yourself” below. And put your back into it.