Video Playback Error

The Adobe Flash Player is required to watch videos on this page

Tag: "Lollapalooza"

home buzz rock pop urban country

Perry Farrell Working On Jane’s Addiction “Immersive Theater” Experience

In a recent interview with Prefix, Perry Farrell of seminal ’90s alt-rockers Jane’s Addiction announced that he is currently developing a Jane’s Addiction play. No, make that a musical. No, wait. It’s actually an “immersive theater” project. We give up. Well, whatever the category of Farrell’s ambitious new undertaking, it will definitely combine the music of Jane’s Addiction with a larger-than-life sense of theatrics. According to Farrell, “It’s not going to be in a theater. I’m going to create an environment and the music will be within that environment, and Jane’s Addiction will be within that environment.” Though recent plays like Sleep No More have offered audiences the chance to become part of the productions themselves, a major band has yet to jump on the burgeoning artform of interactive theater. Will we get a chance to pump iron with Dave Navarro?  To apply eyeliner with Farrell? We can only hope not.

If you love Jane’s Addiction, check out OurStage act Boys.

More like this:

SoundTrax: Festival Frenzy

This week’s SoundTrax is hereby dedicated to all the awesome music festivals this summer. Whether you’ve been to every festival this year, or if you’ve missed them all completely, we’re offering a recap of this season’s standouts and giving you a taste of what’s still to come. Enjoy some of your favorite music from Bonnaroo, Lollapalooza, Firefly, Kahbang, and many more.

 

Bad Rabbits get things going with their indie pop number, “Neverland,” followed by tracks from Late Cambrian, Passion Pit, and The Dirty Guv’nahs. Later we hear “Be Mine” from The Alabama Shakes, “Lights Please” from J Cole, and “The Zephyr Song” by The Red Hot Chili Peppers. Also in the mix are The Gaslight Anthem, Young The Giant, and many, many more. Enjoy the festivities!

More like this:

Lollapalooza Line-Up Leaked

UPDATE: The lineup leaked below has been confirmed, including the previously questionable inclusion of Black Sabbath. Lollapalooza founder Perry Farrell told Rolling Stone, ”They mean so much to me, and they mean so much to music in general, that I kind of feel like I’m dreaming to know that Black Sabbath is actually gonna perform at Lollapalooza.”
———————-

The holiday weekend brought more than just Easter eggs for music festival fans. That’s because the entire 2012 Lollapalooza line-up has been leaked online, in the form of this picture:

Headliners for this year’s festival reportedly include the Black Keys, Black Sabbath, Red Hot Chili Peppers. Other big acts are Florence + The Machine, Sigur Ros, The Shins ans M83. And it seems that this list, unlike the other one that was released in February, is apparently legit. So what do you think of this year’s festival line-up?

Live Wired: Why We Love Live Music So Much

Every week at Live Wired, we talk about different live performances, from national acts to OurStage artists, and attempt to explore what made each show unique and memorable. Despite what changes in the world of music, artists keep touring the country and the world, and we keep buying tickets to go see them. We can sit and review numbers and earnings from concerts or discuss how important touring is to an artist’s career, but that would be no fun. Instead, we want to get to the heart of the matter; why do we love live music so much? Why do we spend the money, take road-trips, wait in line for hours and sing until we lose our voices? These are the questions we asked all different kinds of people in the past few weeks; young and old, music lovers and casual listeners, all with very different tastes. Here’s what we came up with as we take a stab at figuring out the wonder that is live music.

Sense of Community & Good Atmosphere

When asking people about their best concert memories, the majority of the answers we received centered around the crowd itself and the overall feel of the show. Whether it’s a giant annual festival like Lollapalooza, or a band like Steel Train playing a small show, the people surrounding you are important. A combination of genuine respect for the artist and also for your fellow concert-goers can really make an event that much better; when you’re all focused on the music, it’s the only thing that matters. We heard lots of people tell us that going to a concert makes them feel like a part of a giant family. It’s an incredible thing, being surrounded by strangers who can turn into friends for one night just because you all are passionate about the same thing.

Continue reading ‘Live Wired: Why We Love Live Music So Much’

Sound And Vision: United They Stand (And Sell Out) — Superstars On Tour Together

It official: U2 is the biggest music act on the planet! The band might not go multi-platinum like it used to, and there’s been no blockbuster single since George Bush the elder was in office, but Bono and the boys just bagged some brand-new bragging rights. In early April, the group’s 360° world tour surpassed the Rolling Stones‘ 2005-2007 A Bigger Bang tour to become the biggest money-making road trip of all time. By the time the Live Nation-backed trek—which U2 launched in 2009 to support the No Line on the Horizon album—concludes in July, it will have pulled in a projected $700 million in ticket sales.
Of course, U2 didn’t do it alone. If a GRAMMY were awarded for Best Supporting Act, Muse— who opened for many of U2′s 360° dates, including the ones in Brazil that broke the Stones’ record— would have an excellent shot. (Jay-Z did the honors in Australia and New Zealand, while the Black Eyed Peas chipped in on some US and Canada dates.) Here’s a platinum-level UK band whose slow and steady trajectory in the US has been thrust further upward by key slots on the soundtracks to the Twilight films and frontman Matthew Bellamy’s romance with Kate Hudson, with whom he’s expecting a baby. Muse could sell out big venues on its own (and did, even before U2, Hudson or Twilight entered the picture), but with the group playing warm-up act for U2, it seems almost inevitable that major records would be broken.
Two superstar acts for the price of one ticket: It’s a brilliant idea that’s spreading fast. With the international economy in shambles, and so much competition on the road, the biggest stars need to offer fans more than just the greatest show on earth to guarantee blockbuster box-office business. That’s where A-list opening acts come in. U2 could sell out stadiums and arenas solo, but why not hedge its bets by bringing in big-name support to pull some of the weight?
In previous decades, most big stars wouldn’t have been caught dead with an opening act that could possibly upstage them. They usually hit the road with bubbling-under, up-and-comers, safeguarding their own star billing while, by default, helping the upstarts bring their music to the masses. But with ticket sales skyrocketing closer to four-digit figures (U2′s $250 top-tier ticket price is practically a bargain), sometimes you need more than a name and a collection of hits to lure fans. Simply put, on their own, few superstars have the drawing power of Charlie Sheen anymore. It takes two (bankable draws) to make a gig go right.
These days the relationship between headliners and opening acts (or co-headliners) is far more symbiotic. Rod Stewart and Stevie Nicks co-headlined—and sold out—the thirteen-city Heart & Soul North American tour in March and April, though she who goes on first (sorry, Stevie) is technically the opening act. Eighties teen queens Debbie Gibson and Tiffany just announced their own co-headlining summer tour (at press time, there wasn’t any word on who’d be opening), and Sade will bring fellow platinum-level GRAMMY winner John Legend along for the ride when her world tour arrives in North America on June 16 in Baltimore, Maryland. Though there is some fan overlap in all three cases, Nicks and Legend will be contributing to the financial potential of their tickets in a much larger way than your traditional opening act.
Meanwhile in the world of pop, Britney Spears and Nicki Minaj just signed a pact for Minaj to open dates on Spears’s upcoming Femme Fatale North American tour, which also launches on June 16, but in Sacramento, California. The unlikely alliance between a superstar and an up-and-comer who, at the moment, is probably just as hot, will benefit the headliner as much as the opening act. It will expose Minaj to pop fans who might otherwise know her only from her cameos on other people’s records, and it will give Spears a little bit of something that has eluded her for her entire career: street cred. It’s probably an even more winning combination than Spears and Enrique Iglesias, who had been in talks to open the tour before Minaj got onboard.
Over in the UK, Take That snagged Pet Shop Boys as the opening act on the Progress Live 2011 Tour, set to hit the road in May, despite the fact that the two acts ruled in different decades. (Fun fact: Newly returned Take That member Robbie Williams and PSB collaborated on “She’s Madonna” and “We’re the Pet Shop Boys,” two tracks from the former’s 2006 Rudebox album, and Pet Shop Boy Neil Tennant sang on Williams’ early solo hit “No Regrets.”) Once again, though, the effect will be reciprocal. Pet Shop Boys will attract gays and the ’80s-obsessed, while Take That will pull in gays and children of the ’90s.
Combine and conquer! It’s a concept that for years has worked for annual multi-artist tours like Ozzfest and Lollapalooza, yearly one-off festivals like Coachella and Glastonbury that touch down in the US and UK as well as the ones that regularly land in places like Argentina and Australia, and double-bills featuring reuinted ’80s icons. Fans will hand over the cash if you give them hours of entertainment featuring a smorgasbord of talent. This, however, might be the first time we’ve seen so many superstar acts settling for the opening slot, and it’s likely just the beginning. Can Ke$ha as the appetizer for Spears’s main course in Europe and beyond be far behind?

Q&A With Foxy Shazam

You can try, but you probably can’t put an accurate label on Foxy Shazam. Their eccentric and eclectic mix of punk, soul and straight up rock ‘n’ roll has earned the band critical praise and performances at Lollapollooza, the Rock and Roll Hall of Fame and Reading & Leeds. Following a summer tour with Hole and the release of their smash self-titled album, the band recently finished a two-month cross-country stint with Free Energy and is preparing for another huge year in 2011.

One might expect that outrageously energetic 24-year-old frontman Eric Nally lives an equally wild life. On the contrary—offstage, he is a soft-spoken, friendly father of two. We had the pleasure of speaking with Eric about touring memories, writing with Meat Loaf, modern day rock stars and what it’s like to lead a double life.

OS: You’ve just finished your fall tour with Free Energy. How were the shows and what were some of your favorite moments from the tour?

EN: We went to the UK for a week in between this tour and that was awesome. I loved that because we sold out London for the first time. It was big for me because we’re from Cincinnati, Ohio and it’s just really far from home. To sell a place out so far away is an awesome feeling; to bring your music to a different country and do that. I liked playing Montreal because Hollerado, the band that’s opening on this tour, is from there. All their crowd was out and it was just really fun.

OS: Foxy Shazam is well known for its incredible, off-the-wall performances. What inspires the band to become so theatrical on stage?

EN: I usually tell people, “that’s just the way we were born!” It’s just natural to us. We  don’t have to do any preparation or any pre-show rituals to summon these things on stage, they just come out naturally. It’s just the way we came out of our moms, I guess. When I’m on stage, I’m an entertainer…when I’m off stage, I’m a spectator. So I just kind of sit back and watch and soak everything in. When I go on stage, I let it all out.

OS: You’ve stated that Foxy Shazam are “not concerned with what category it falls into.” Do you often find that people are trying to fit you into a genre or compare you to other bands because they’re not sure where to place you?

EN: Yeah, that happens all the time. Anybody I ever meet that’s an artist…everybody wants to be themselves. But really, in the way that everything works now, it’s just what people have to do. I accept that. Everything needs to be compared to something else just so you can wrap your head around it easier, I guess. Either way, I don’t mind it, but people do try to compare or group us into a category. Every time it’s different, so it’s cool.

OS: You’ve said that you would never want to make the same record again and the evolution of the band’s music has certainly reflected that. How do you see Foxy Shazam’s music evolving in the future?

EN: I don’t know…every record we make kind of stands for where I am at that moment. I’d have to kind of be in the moment to understand, but that’s exciting for me. I really like not knowing. It’s kind of cool to not think about it and not prepare.

OS: In the song “Wannabe Angel” from your self-titled record, you sing, “For you I wear this mask, at home I take it off.” Is it difficult to transition between your life as a rock star and your life as a dad and husband?

EN: Yes, that’s exactly what I was trying to say with that. I feel like I’m a completely different person when I’m on stage. It’s kind of like a Dr. Jekyll and Mr. Hyde type thing and that’s awesome to me. It’s like how actors do…entertainers, really. It’s just who I am. Being a dad compared to being a professional touring musician…it’s just the complete opposite end of the spectrum. I feel so different when I’m not on stage.

OS: Earlier this year, you helped write some songs for Meat Loaf’s album Hang Cool Teddy Bear. What was your role in the writing process? Would you be interested in writing for other artists again?

EN: Absolutely! I love being associated with people that have rich history in music and Meat Loaf is obviously one of those people. I just co-wrote two songs with Justin Hawkins who used to be in The Darkness—he’s one of my best friends now. It was just awesome. We went there together and we wrote together and sat with Meat Loaf. It was great, I made a lot of good friends through that whole experience.  A lot of the other writers that were there were a lot older and have done stuff like that before. That was something that I couldn’t believe I was experiencing so early in my career.

OS: Are there any artists in particular that you’d like to write for?

EN: I would love to, whether it’s writing or whatever, work with Cee-Lo Green sometime. I think he has the best voice in music right now. I think it’s just awesome, it hits me in the right spot. It’s the perfect voice for me. I’d love to work with him someday.

OS: Foxy Shazam was one of the first bands featured on ChatRoulette for album promotion, but you aren’t a huge proponent of bands using social media. Can you share your thoughts on that?

EN: I feel like the rock star is kind of a dying breed, we’re becoming extinct. You don’t seem them very much anymore. I think one of the most important things about what that persona was, was that you didn’t know them. It was almost like a mythical creature. People would gather backstage for hours just to catch a glimpse…and you don’t get that anymore. People know everything that everybody does because of Twitter and Facebook and they’re updating constantly. Everybody’s so human now, I guess, which is fine. That’s how it’s always been, everybody’s just a person. But I think there was this certain mysteriousness about the artist and that’s not really around anymore. So I kind of try to keep that going. I think it’s important to have people make their own stories about you rather than know the hard facts because chances are the hard facts are extremely boring (laughs).

OS: Foxy Shazam has recently announced some big touring plans for 2011. Can you tell us about the tours and festivals you’ll be playing next year?

EN: In January, we have a tour with Circa Survive. That will be awesome because I’ve heard their new record is great. I haven’t heard it but I’m really anxious to! I’ve heard a lot about that band and I know a lot of people who know them and they say they’re great guys and that’s really important to me, to share a tour with people that are nice. I’m really excited about that one, I think it will be awesome. Then we go to Australia [for the Soundwave Festival] in February and I’m really looking forward to it. I just love taking my music to different countries. I’ve never been to Australia, so it will be awesome. We have a bunch of days off in between the shows there so I’m going to do a lot of sight-seeing.

Check out this live video of Foxy Shazam performing “The Rocketeer” and don’t miss them on their upcoming tour dates, listed below!


Dec 16 Detroit, MI – Shelter
Dec 17 DeKalb, IL – House Cafe w/Victorian Halls & ‘Richardson’ Richardson
Dec 18 Minneapolis, MN – Popsickle Festival w/Motion City Soundtrack, Minus The Bear & more!
Dec 19 Kalamazoo, MI – The Strutt w/Their Teeth Will Be of Lions
Jan 14 Richmond, VA – The National w/Circa Survive and Anberlin
Jan 15 Charlotte, NC – Amos Southend w/Circa Survive and Anberlin
Jan 16 Ashville, NC – Orange Peel w/Circa Survive and Anberlin
Jan 18 St. Louis, MO – Pop’s w/Circa Survive and Anberlin
Jan 19 Omaha, NE – The Slowdown w/Circa Survive and Anberlin
Jan 20 Des Moines, IA – People’s Court w/Circa Survive and Anberlin
Jan 21 Grand Rapids, MO – Orbit Room w/Circa Survive and Anberlin
Jan 22 Columbus, OH – Newport Music Hall w/Circa Survive and Anberlin
Jan 24 Cincinnati, OH – Bogarts w/Circa Survive and Anberlin
Jan 26 Baltimore, MD – Rams Head Live w/Circa Survive and Anberlin
Jan 28 Rochester, NY – Water Street Music Hall w/Circa Survive and Anberlin
Jan 29 Albany, NY – Northern Lights w/Circa Survive and Anberlin
Jan 30 Allentown, PA – Crocodile Rock w/Circa Survive and Anberlin

Feb 26 Brisbane, AU – Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
Feb 27 Sydney, AU- Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
March 4 Melbourne, AU – Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
March 5 Adelaide, AU- Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
March 7 Perth, AU – Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!

B.o.B.’s Big Year

Born Bobby Ray Simmons Jr., B.o.B. is the latest young rapper taking the pop world by storm.  You could say the rock-loving rapper is on a roll of sorts and showing no signs of slowing down. His singles turned to summer anthems overnight and earned him five VMA nominations, as well as nods for BET and Teen Choice Awards. B.o.B. performed to packed crowds from the main stage at Coachella and Lollapalooza, and caught the attention of more than just hip hop fans.

Photo by Wuz Good Courtesy of Atlantic Records

He just watched his third consecutive single, “Magic,” soar to the top ten charts and score him an Adidas commercial featuring the song.  B.o.B. received his first BMI Urban Music Award in September, where President and CEO, Del Bryant, called him “the future of music.” The Southern sensation opened the show to an industry-packed crowd with his hits, “Nothin’ On You” and “Airplanes,” accompanied by nothing but his guitar.  A couple days later, he took the stage alongside Paramore front-woman, Hayley Williams for a show-stopping performance of “Airplanes” at the 2010 MTV Video Music Awards.  His debut album, B.o.B. presents: The Adventures of Bobby Ray was released earlier this year by TI’s Atlantic imprint, Grand Hustle Records and features cameos by an eclectic bunch including Eminem, Janelle Monae, Lupe Fiasco, and Weezer front-man, Rivers Cuomo.  The album shot to Number 1 on the Billboard Top 200 in its first week, making B.o.B the thirteenth male solo artist to achieve such success with a debut release.  His unique, clever delivery coupled with his unusual affection for instruments and artistry makes him a welcomed rarity to the sometimes stagnant style of pop-rap.  This fall, B.o.B. will hit the road with Paramore when he joins them for their UK tour before gearing up for his own cross-country caravan, The Shootin’ For The Stars Tour.

By Cortney Wills

Cortney Wills is a pop culture journalist born and raised in Los Angeles, California. She has lived in LA, Chicago and NYC and enjoys all things entertainment.

Discourse & Dischord

The Good

Weezer chooses photo of Hurley as cover art for Hurley

In the ultimate show of fandom, Weezer has selected a photo of a smiling Jorge Garcia, who played the character of Hurley on Lost, as the album art for the band’s upcoming album, also titled Hurley. (Confused yet?) Garcia is rightfully stoked about getting the cover. “This is really close to the top, for sure.” One thing Garcia is less thrilled about is his ponytail in the shot, which looks like it’s “starting to come loose or something.” Look, Hurley, count your blessings. Some people can’t even grow ponytails (looking at you, John Locke).

Britney Spears to appear on Glee

Yup, it’s really happening. Ms. Spears is not only getting a whole episode dedicated to her music, she’s also getting an acting part. Squeal! Jazz hands! Theater kids!

The Bad

Idol winner Fantasia ODs

After scandal erupted over her affair with a married man and an alleged sex tape, American Idol winner Fantasia Barrino overdosed on aspirin and sleeping pills and was rushed to the hospital in Charlotte, NC. The singer was released two days later with no life-threatening injuries. Besides the shame, embarrassment and guilt, she’s fine now. Which leads us to the question—Has there ever been a happy ending involving a sex tape? (On second thought, don’t answer that.)

The Ugly

Bieber gets water-bottled

During a concert in Sacramento, California, an overly excited fan (or that fan’s jealy boyfriend) threw a water bottle at Justin Bieber that hit him right in the face. Luckily it was captured on video. Two questions: 1) Why are we just seeing this now and 2) Wouldn’t it be cool if someone made the footage into a sweet remix? Oh wait, they did. Check it out below.

Miscellany

Kanye West back to following nobody on Twitter
Erykah Badu goes blonde, gets ‘hawk
Lady Gaga stage dives into crowd at Lollapalooza
Julian Casablancas wants to write theme song for NY Mets
Arcade Fire debuts at Number 1 on Billboard
M.I.A. debuts extremely SFW video for “XXXO”
Broken Social Scene endorses fan slap video for “All to All”
Soundgarden release comeback single “Black Rain”
Alanis Morissette is pregnant

Festivus: Mile High

Whether we like it or not, we’ve reached August and this year’s festival season is nearing the finish line. We’ve had some good times, like Jay Z tearing it up at Bonnaroo and chatting up HANSON at Bamboozle. No need to get sentimental too soon, though. Festival season still has a few tricks up its sleeve. This weekend marks the start of the Mile High Music Festival, a 2 day fest held in Commerce City, Colorado at Dick’s Sporting Goods Park. The festival announced earlier this year that instead of its usual mid-July slot, the fest would be pushed back to August 14th and 15th.

When you look at all the factors of a successful festival, moving Mile High was a smart move. The promotors at AEG referenced the hot weather of July as a reason for the reschedule. They also expressed a desire to postpone until after last weekend’s Lollapalooza in hopes of scoring some of the acts. Another interesting dynamic, the FMQB annual Triple A Conference takes place in Boulder August 11th-14th, so its possible some of the Mile High acts would play to the 2010 music summit, killing 2 birds with one stone.

Since AEG was also working with Rothbury, the cancellation of that festival opened up the talent pool for Mile High. Indeed, many big acts have packed themselves into the 2 day lineup. Both single and 2-day passes are still available, so check out Mile High’s Web site for more info.

 


Exclusive Interviews
Featured Artists
OurStage Updates
News
Features
Reviews and Playlists
Editors Pick

 

 




 

iAnEAqqqq