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Sound & Vision: Can Muse Become the Biggest Band in the World?

Move over, Coldplay. And tell U2 the news. Muse is gunning for the latter bands’ longtime job, the one for which the former might be considered naturally next in line: biggest rock band on the planet.

Bono, for one, may have seen this coming. When Muse opened for U2 on U.S. dates of the iconic Irish band’s 360° Tour in September and October of 2009, U2 frontman Bono touted the young English trio as one to watch — and listen to — the next biggest thing. Muse deserved the distinction: What other rock & roll band can claim responsibility for inspiring the Twilight saga?

“And, finally, thank you to the talented musicians who inspire me, particularly the band Muse — there are emotions, scenes, and plot threads in this novel that were born from Muse songs and would not exist without their genius.

— Twilight author Stephenie Meyer

But being the muse of a best-selling author and earning plum spots on the soundtracks to the blockbuster films based on her blockbuster book series do not ruling rock Gods make. Muse, though, is about to give it a shot with their upcoming sixth album, The 2nd Law (due October 2), which is receiving perhaps the biggest pre-release marketing push since Lady Gaga’s Born This Way. Continue reading ‘Sound & Vision: Can Muse Become the Biggest Band in the World?’

Sound And Vision: Pop Stars In Love — When Dating (and Marrying) Well Is The Best Career Move

Sometimes it’s not what song you sing but to whom you sing it. And if Selena Gomez‘s new hit, “Love You Like a Love Song,” is art imitating her love life, she couldn’t have picked a better object for her affection than boyfriend Justin Bieber. Though the romance occasionally has been hazardous to her health–death threats from too-ardent Bieber fans and a recent mystery illness (she blamed exhaustion, the rumor mill churned out one about a Bieber bun in her oven)–it’s also worked wonders for her career.

A quick recap of the life and times of the rising star: A few years ago, Gomez was just another Disney Channel starlet trying to make good on the pop charts. By this time last year, she was running neck-and-neck with Demi Lovato in a tween-and-teen-pop world ruled by Miley Cyrus. For anyone older than thirteen or fourteen, she was the one who wasn’t dumped by a Jonas Brother.

But love changes everything. Though she’s probably still best known as the girl who won Bieber’s heart, Gomez is now solidly in the running for teen queen. Thanks to her Bieber connection, she’s become a tabloid and celebrity magazine favorite and, with near-perfect timing, she’s at last a true pop star. In the July 23 issue of Billboard magazine, her aforementioned latest single jumped from No. 66 to No. 35 on the Hot 100, and it’s shaping up to be her biggest hit yet. Could nineteen-year-old Gomez have done it without Bieber, seventeen? Possibly. But he’s guilty by association of helping to pave her way to possible multi-platinum status.

Gomez isn’t the only singer reaping the benefits of high-profile love with a younger teen. Australian pop star Delta Goodrem, twenty-six, was virtually unknown in the United States until she began dating Jonas brother Nick, eighteen, in May. Though it’s too soon to tell what effect it will have on her commercial potential in the US, there’s no doubt that millions of Jonas fans who’d never heard of Goodrem back when she was engaged to Brian McFadden, the former member of the UK boyband Westlife who’s now a judge on Australia’s Got Talent (they announced their split on April 1), now know her name and her face.

Muse’s Matthew Bellamy was hardly unknown in the States when he began dating Hollywood star Kate Hudson, previously wed to Chris Robinson of the Black Crowes. But he’ll no doubt have more to celebrate than fatherhood (to Bingham, his and fiancee Hudson’s son, who was born July 9) by the time Muse releases its next album. Bellamy’s increased visibility, courtesy of his significant other, could finally propel his band, which has yet to score a platinum album in the US and has had only one Top 40 single (“Uprising,” No. 37 in 2009), into Coldplay territory.

Ah, Coldplay. Chris Martin needed Gwyneth Paltrow as much as Keith Urban needed Nicole Kidman, or Jay-Z and Beyonce needed each other (professionally, that is), but there’s something about the meeting of two mega-superstars that almost always ends up boosting their careers to even more stratospheric highs (see Brad Pitt and Angelina Jolie, Brad Pitt and Jennifer Aniston, and Brad Pitt and, well, Gwyneth Paltrow). That’s what happened with Tim McGraw and Faith Hill, who were both major hitmakers in their own right when they got hitched 1996. Since then, the supercouple have ascended to superstar status in tandem.

Blake Shelton and Miranda Lambert, who began dating in 2006 and married in May, are currently following their lead. She spent the last year winning pretty much every country music award in the business for her third studio album, Revolution. Meanwhile, he landed a new gig as a judge on The Voice, NBC’s new hit star search; his first platinum single, “Honey Bee,” became a No. 1 country and Top 20 pop hit; and his new album, Red River Blue, just became his first to top the Billboard 200 album chart.

Sure they were both doing just fine on their own, but like all successful couples, on and off the clock, they’re even stronger together. May they all continue to prosper on the charts and love happily ever after.

Sound And Vision: United They Stand (And Sell Out) — Superstars On Tour Together

It official: U2 is the biggest music act on the planet! The band might not go multi-platinum like it used to, and there’s been no blockbuster single since George Bush the elder was in office, but Bono and the boys just bagged some brand-new bragging rights. In early April, the group’s 360° world tour surpassed the Rolling Stones‘ 2005-2007 A Bigger Bang tour to become the biggest money-making road trip of all time. By the time the Live Nation-backed trek—which U2 launched in 2009 to support the No Line on the Horizon album—concludes in July, it will have pulled in a projected $700 million in ticket sales.
Of course, U2 didn’t do it alone. If a GRAMMY were awarded for Best Supporting Act, Muse— who opened for many of U2′s 360° dates, including the ones in Brazil that broke the Stones’ record— would have an excellent shot. (Jay-Z did the honors in Australia and New Zealand, while the Black Eyed Peas chipped in on some US and Canada dates.) Here’s a platinum-level UK band whose slow and steady trajectory in the US has been thrust further upward by key slots on the soundtracks to the Twilight films and frontman Matthew Bellamy’s romance with Kate Hudson, with whom he’s expecting a baby. Muse could sell out big venues on its own (and did, even before U2, Hudson or Twilight entered the picture), but with the group playing warm-up act for U2, it seems almost inevitable that major records would be broken.
Two superstar acts for the price of one ticket: It’s a brilliant idea that’s spreading fast. With the international economy in shambles, and so much competition on the road, the biggest stars need to offer fans more than just the greatest show on earth to guarantee blockbuster box-office business. That’s where A-list opening acts come in. U2 could sell out stadiums and arenas solo, but why not hedge its bets by bringing in big-name support to pull some of the weight?
In previous decades, most big stars wouldn’t have been caught dead with an opening act that could possibly upstage them. They usually hit the road with bubbling-under, up-and-comers, safeguarding their own star billing while, by default, helping the upstarts bring their music to the masses. But with ticket sales skyrocketing closer to four-digit figures (U2′s $250 top-tier ticket price is practically a bargain), sometimes you need more than a name and a collection of hits to lure fans. Simply put, on their own, few superstars have the drawing power of Charlie Sheen anymore. It takes two (bankable draws) to make a gig go right.
These days the relationship between headliners and opening acts (or co-headliners) is far more symbiotic. Rod Stewart and Stevie Nicks co-headlined—and sold out—the thirteen-city Heart & Soul North American tour in March and April, though she who goes on first (sorry, Stevie) is technically the opening act. Eighties teen queens Debbie Gibson and Tiffany just announced their own co-headlining summer tour (at press time, there wasn’t any word on who’d be opening), and Sade will bring fellow platinum-level GRAMMY winner John Legend along for the ride when her world tour arrives in North America on June 16 in Baltimore, Maryland. Though there is some fan overlap in all three cases, Nicks and Legend will be contributing to the financial potential of their tickets in a much larger way than your traditional opening act.
Meanwhile in the world of pop, Britney Spears and Nicki Minaj just signed a pact for Minaj to open dates on Spears’s upcoming Femme Fatale North American tour, which also launches on June 16, but in Sacramento, California. The unlikely alliance between a superstar and an up-and-comer who, at the moment, is probably just as hot, will benefit the headliner as much as the opening act. It will expose Minaj to pop fans who might otherwise know her only from her cameos on other people’s records, and it will give Spears a little bit of something that has eluded her for her entire career: street cred. It’s probably an even more winning combination than Spears and Enrique Iglesias, who had been in talks to open the tour before Minaj got onboard.
Over in the UK, Take That snagged Pet Shop Boys as the opening act on the Progress Live 2011 Tour, set to hit the road in May, despite the fact that the two acts ruled in different decades. (Fun fact: Newly returned Take That member Robbie Williams and PSB collaborated on “She’s Madonna” and “We’re the Pet Shop Boys,” two tracks from the former’s 2006 Rudebox album, and Pet Shop Boy Neil Tennant sang on Williams’ early solo hit “No Regrets.”) Once again, though, the effect will be reciprocal. Pet Shop Boys will attract gays and the ’80s-obsessed, while Take That will pull in gays and children of the ’90s.
Combine and conquer! It’s a concept that for years has worked for annual multi-artist tours like Ozzfest and Lollapalooza, yearly one-off festivals like Coachella and Glastonbury that touch down in the US and UK as well as the ones that regularly land in places like Argentina and Australia, and double-bills featuring reuinted ’80s icons. Fans will hand over the cash if you give them hours of entertainment featuring a smorgasbord of talent. This, however, might be the first time we’ve seen so many superstar acts settling for the opening slot, and it’s likely just the beginning. Can Ke$ha as the appetizer for Spears’s main course in Europe and beyond be far behind?

Discourse & Dischord

The Good

OK Go video debut video for “End Love”

One wonders how long the members of OK Go can keep one-upping themselves. First there was the choreographed backyard dance, then the treadmill choreographed dance, then the enormous Rube Goldberg machine and now this. Feast your eyes on the incredible, painstaking, stop-motion glory that is “End Love.” The video was filmed over a weekend (one very long weekend we suspect) in Echo Park. We don’t know what these hipster imps have up their sleeve for the next video, but it will be infinitely more delightful than semi-nude dancers with bowl cuts.

The Bad

Scientists to determine why Ozzy Osbourne is still alive

Ozzy Osbourne

If we cut open the Prince of Darkness, what would we find inside? A thousand headless bats? A couple gallons of whiskey and a kilo of cocaine? Soon we’ll have the answers to all these questions and more. Scientists at Knome, a genome sequencing company in Massachusetts, will begin testing Ozzy Osbourne’s DNA to determine how one person can survive so many years of drug abuse, while others cannot. The process will take three months, but afterwards we may know the secret to the 61-year-old’s extreme tolerance. And then we can bottle it. And then we can all go out and eat some bats.

The Ugly

ShamWow guy endorses Eminem’s “Recovery”

Vince Shlomi, pitchman for such venerated products as ShamWow and Slap Chop, has a new product to hock—Eminem’s forthcoming album Recovery. “You’re gonna be clapping when you hear Eminem rapping,” he tells viewers. Shlomi’s an interesting pick for spokesperson, considering that he was arrested in March 2009 for punching a prostitute, and Eminem’s got a duet with Rihanna on his album about domestic violence called “Love The Way You Lie.” Maybe the rapper needs to Chop the Slap out of his album promotion? Just a suggestion.

Miscellany

 


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