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Gays and lesbians have come a long way in entertainment since the days when George Michael had to have faith and pretend to want a woman in the “Father Figure” video to sell millions of albums. Although there’s no telling whether Queen would have been as successful in the ’70s and early ’80s had Freddie Mercury definitively outed himself as a lower-case queen, for the most part, today’s closeted male superstars don’t have to wait until they are about to succumb to an AIDS-related illness to publicly acknowledge their sexuality (like Rock Hudson did)—or not (like Liberace and, well, Mercury).
That doesn’t mean coming out of the closet still won’t have a negative effect on the bankability of gay music stars. This is why most of them still choose to wait until they don’t have too much to lose. Elton John, Ricky Martin, Clay Aiken, Savage Garden’s Darren Hayes and Michael all did it after their blockbuster days were over.

Though Hayes continues to release solo records that earn critical raves, it’s been years since he was A-list on the charts. John is a superstar for life, but his most notable post-coming out success (the 33 million-selling worldwide No. 1 single “Candle in the Wind ’97″) was with a song he sang to a dearly departed princess. How gay! Rufus Wainwright, despite critical plaudits, has never had gold album in the US.
Then there is Adam Lambert, the perfect example of how to be an out and gay pop star. He has a vociferous fan base, but his commercial performance isn’t commensurate with his level of fan devotion. He should be selling as many singles as Justin Bieber, but his last one, “Better Than I Know Myself,” was a chart dud (No. 76 on Billboard’s Hot 100), resulting in Trespassing, his sophomore album, being pushed back from March to a May 15 release date. Do we blame it on a weak single, or a pop constituency that’s still skittish about fully embracing a proudly out singer? Continue reading ‘Sound and Vision: Wanted: An Out and Proud Gay Or Lesbian Chart Phenomenon!’
On second thought, don’t.
That might have been what Justin Bieber was thinking in March when he found out he might be facing legal action for tweeting a fake phone number minus one digit to his 19 million Twitter followers, resulting in more than 1,000 phone calls being made to a man and a woman in Texas who threatened to take him to court. (The potential plaintiffs’ requests: an apology, concert tickets, free publicity and financial compensation for out-of-pocket expenses.)

It was a harmless enough prank, yes, but the next time Bieber tweets something, he might want to consider doing what so many pop stars are doing and tweeting it to someone who’s also famous—like his new BFF Carly Rae Jepsen, the recipient of several recent Bieber tweets, including one wishing a “happy easter” to his fellow Canadian and fellow Top 10 resident on Billboard’s Hot 100 (Bieber with “Boyfriend,” Jepsen with “Call Me Maybe”).
Who else is connecting on Twitter? “I love you, you cray,” Katy Perry tweeted on March 31 to Rihanna, who made news when she began “following” her ex Chris Brown on Twitter. Rihanna’s sometime collaborator Nicki Minaj had a brief war of words with Cher last November on Twitter over a third party’s misinterpretation of Minaj’s lyrics: “@cher did you know that b***h @NICKIMINAJ dissed you in her song DID IT ON EM.” Cher flipped. Minaj fans flipped, too, explaining that it was a “rap metaphor,” not a jab. Cher conceded defeat. Minaj offered, simply, “@Cher #stopit5.” Case closed.
Continue reading ‘Sound and Vision: The Pop-Star Chatroom: Collision and Communion on Twitter’