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Most Pirated Artists of 2013: Rihanna, Bruno Mars, Daft Punk

rihanna-2013I imagine that there’s a certain feeling of flattery in being named one of the most illegally downloaded artists of the year. Musicmetric, which analyzes data from Bit Torrent, has revealed that at over five million downloads each, Bruno Mars and Rihanna earned the top spots in this category, while Justin Timberlake, Daft Punk, and Flo Rida rounded out the top five. Also in the top 10 were Kanye West, Jay Z, Eminem, Drake, and Pitbull. 

Gregory Mead of Musicmetric reminds readers that the analytics “don’t condone piracy,” but rather help artists plan around where their fans are, in order to optimize tours — similar to what Iron Maiden has started doing. Musicmetric also measures social media success, and found Taylor Swift to be the winner, with an added 29.5 million new followers in 2013, with Katy Perry close behind at an added 29.2 million new followers.

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Flo Rida Debuts “Can’t Believe It” Featuring Pitbull

The work week may just be beginning, but that doesn’t mean the good vibes from the weekend need to be put away just yet.

Hitting the net just after midnight on July 28, “Can’t Believe It” is a club-ready jam from pop heavyweight Flo Rida. The song features Pitbull and focuses on the unbelievable beauty of girls found on the dance floor and beyond. It’s not as much about storytelling as it is setting a mood for good times, and after hearing “Can’t Believe It” three times this morning, it’s hard to imagine anyone making it through with a straight face. Kick back, turn it up, and click through the link below to stream “Can’t Believe It” in full.

Flo Rida has reportedly been working on a new album, but at this time no details regarding its release have been confirmed. “Can’t Believe It” is sure to make the cut though, so comment below and let us know your thoughts on the track. Continue reading ‘Flo Rida Debuts “Can’t Believe It” Featuring Pitbull’

Black Veil Brides Featured On ‘Now That’s What I Call Music 45′

Everyone’s favorite radio friendly compilation is back, and in a surprising twist of events the makers of Now That’s What I Call Music have featured Black Veil Brides‘ ”In The End” on their 45th installment. Appearing as a “Now What’s Next” bonus track, Black Veil Brides finds a home among other bonus artists, Born Cages, Walk The Moon, and Capital Cities.

Although it’s a shocker to see the band included on a track list that also features acts like Taylor Swift, Ke$ha, One Direction, and Ne-Yo, it’s refreshing to see Now That’s What I Call Music delving a bit more into the unknown. At least, the unknown of many regular Now listeners.

Check out the full track list after the jump, and keep an eye out for our upcoming interview with Black Veil Brides by following us on Twitter!

Continue reading ‘Black Veil Brides Featured On ‘Now That’s What I Call Music 45′’

Sound And Vision: The Diminishing Returns of the No. 1 Single

No. 1 with a bullet: Ah, that once-relatively elusive and exclusive room at the top. The holy grail for the pop single, it used to be as high an honor and as highly desirable as gold and platinum albums. But what does it mean when a star as marginally talented as Katy Perry can hit No. 1 five times on Billboard’s Hot 100 in the space of one album (six times in one and a half albums, if you count Teenage Dream: The Complete Confection)? Or when Rihanna, who still hasn’t scored a chart-topping album in six tries, can do in less than six years what took Madonna a dozen (hit No. 1 on the Hot 100 one time short of a dozen)?

Does Teenage Dream have, well, a dream of ever being as iconic as Michael Jackson’s Bad (which spawned five No. 1 hits and thus shares the record for most No. 1 singles from one album with Teenage Dream), George Michael’s Faith (which produced four) or even Adele’s 21 (a contemporary that launched three), none of which had to be re-released as a special expanded edition in order to pad its hit list and sales tally? For all her No. 1 singles, will any Rihanna album thus far ever be considered as landmark as Madonna’s 1983 self-titled debut through 1989′s Like a Prayer, which covered a comparable career time frame? Rihanna’s yet to even break through the double-platinum glass ceiling.

Then there’s Carly Rae Jepsen’s “Call Me Maybe,” which just spent nine weeks atop Billboard’s Hot 100 singles chart, making it the biggest song of the summer, if not 2012. It also makes her a surefire nominee for Best New Artist at the 2013 GRAMMY Awards ceremony. She’ll face stiff-ish competition from Gotye and fun., who spent eight and six weeks at No. 1, respectively, with their respective singles, “Somebody That I Used to Know” and “We Are Young.” Continue reading ‘Sound And Vision: The Diminishing Returns of the No. 1 Single’

Chart Catfight!: Look Who’s Hot on Carly Rae Jepsen’s Tail in the Battle of the Pop Divas!

Carly Rae Jepsen is in luck. It looks like she won’t have to ensure the continuation of her celebrity run after “Call Me Maybe” falls from its current summit by relying on the hoopla generated by her own Nipplegate—nude photos that ended up being someone else’s.

Thanks to a call from Adam Young, the one-man band behind Owl City, Jepsen is about to relight the fire under her rising star the old-fashioned way: with a new hit. “Good Time,” her duet with Owl City, just debuted at No. 18 on Billboard’s Hot 100, which means that her breakout No. 1 single won’t forever be alone on her hit list.

It’s pop symbiosis at its most effective: He saves her from that pop purgatory known as one-hit wonderdom, where he had been languishing since 2009, when the Owl City single “Fireflies” hit No. 1 on the Hot 100, and she helps get him out of it. Sure Katy Perry could have accomplished the same thing in the middle of a dead sleep, but that hardly would have been a meeting of near-equals.

Continue reading ‘Chart Catfight!: Look Who’s Hot on Carly Rae Jepsen’s Tail in the Battle of the Pop Divas!’

Sound and Vision: Is Dating Kim Kardashian Bad for Kanye West’s Street Cred?

“Kim Kardashian Fighting With Kanye West Over Money & Pregnant With His Baby”

“Kim Kardashian, Kanye West Dating: New Couple’s Playlist”

“Bruce Jenner On Kim Kardashian And Kanye West’s Romance: ‘I’m Not That Excited’”

They say the only bad publicity is no publicity, but nothing has got to be better than the barrage of headlines about Kanye West and Kim Kardashian’s current celebrity coupling that popped up online over a recent forty-eight-hour period. The good news is that by the time you read this, the union may already have gone the way of Kanye’s recently reported dalliance with Katy Perry, or Kardashian’s seventy-two-day marriage to basketball player Kris Humphries.

At least Kanye + Katy would have been a love connection that  made sense—if not from a romantic standpoint (Perry is probably too mouthy and headstrong to tolerate West’s diva antics), at least from a business one. It could have been the low-rent version of his pal and sometime collaborator Jay-Z’s marriage to Beyonce, with Kanye and Kim being the Mertzes to Jay-Z and Beyonce’s Ricardos.

While an ongoing romantic relationship would guarantee Kim + Kanye (= Kimye) lifetime Us Weekly coverage, at what cost? Kim, who says she was friends with Kanye for years before they made their love connection, has everything to gain by dating Kanye. The seventh season of her E! reality series Keeping Up with the Kardashians begins on May 20, and the Kanye episodes should prove to be a ratings goldmine. Should Kimye make it all the way to the altar, a televised wedding would probably be the biggest thing since Prince Charles and Lady Diana Spencer at London’s St. Paul’s Cathedral, or Luke and Laura on General Hospital.
Continue reading ‘Sound and Vision: Is Dating Kim Kardashian Bad for Kanye West’s Street Cred?’

Sound and Vision: The Fall of R&B: How Pop Is Selling Its Soul for a Dance Beat

Remember the days when R&B and hip hop was the sound of pop? From the ‘90s to the mid ‘00s, music’s most dependable hitmakersMariah Carey, Whitney Houston, Toni Braxton, Boyz II Men, R. Kelly, Usher, Brandy, Monica, Alicia Keys, Destiny’s Child and Beyoncé, among themspecialized in “crossover” soul, climbing both the R&B charts and the Hot 100 in tandem.

But lately, something strange has been happening on Billboard’s R&B /Hip-Hop Songs chart: A hit is no longer necessarily a hit. Just because a song is big in the R&B sphere doesn’t mean it’s big anywhere else. For the week ending April 7, 2012, only one song in the R&B/Hip-Hop Top 10Tyga’s “Rack City”had managed a comparable placing on the Hot 100.

The song at No. 1, Beyoncé’s “Love on Top,” which had been there for multiple weeks, was way down at No. 54 on the Hot 100. (It briefly entered the Top 40 last September, debuting and peaking at No. 20 after Beyoncé performed it at the MTV Video Music Awards.) Meanwhile, there wasn’t a single R&B diva in the Top 40 aside from Janelle Monae, who got there by guest-singing on rock band fun.’s No. 1 hit “We Are Young.”

What happened to pop’s soul? There’s a disconnect between the pop and R&B charts that hasn’t been so pronounced since the days when Michael Jackson’s label, CBS Records, threatened to pull all of its artists from MTV if the then-fledgling network didn’t play Jackson’s “Billie Jean” video.

Continue reading ‘Sound and Vision: The Fall of R&B: How Pop Is Selling Its Soul for a Dance Beat’

Sound and Vision: Pop’s Singles Scene — the Scores and Strikes of 2012 (So Far)

During the early weeks of the year, 2012 sounded a lot like 2011, as Adele continued to rule Billboard’s Top 200 album and Hot 100 singles charts with 21, one year into the album’s life span. For all of her ongoing success, by February, the tops of the pops finally began to welcome some much-needed counterprogramming to The Adele Show, featuring rotating regular guest stars Katy Perry, Rihanna and Bruno Mars.

For several weeks, the late Whitney Houston became the chart force in death that she hadn’t been in life for more than a decade (“I Will Always Love You,” her signature No. 1 hit, re-charted and rose to No. 3, and one week, she had three albums in the Top 10), while a number of vets and newcomers arrived on the singles scene looking for a hit. They all came out swinging, but not everyone scored. Although the night—er, the year—is still young, look who’s winning (and losing) now.

Continue reading ‘Sound and Vision: Pop’s Singles Scene — the Scores and Strikes of 2012 (So Far)’

 


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