Changes to the monthly competitions

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This month we are awarding prizes of $100 to winners of the competition finals. In the future there will be prizes to help your musical career. Check back to find out.

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Tasty Tracks And Tasty Treats

Here at OurStage there are few things that we enjoy as much as music, but one of our obsessions that comes pretty damn close is our love of food. So imagine our delight when several musicians announced new, culinary side projects. Train released a Petite Sirah wine that will finally let fans know what “Drops of Jupiter” taste like, AC/DC announced a line of fine wines named after their hits—including “Highway to Hell” and “You Shook Me All Night Long”—and former Blur bassist Alex James is now selling his cheeses in the UK.

We did a little digging and as it turns out, the relationship between musicians and foodies is very strong. Yes, plenty of artists offer ways to get your drink on like a rock star (Sammy Hagar has his own brand of tequila), but many are restaurant owners, chefs and even critics! From giants like KISS Coffeehouses and Jimmy Buffet‘s Margaritaville Cafes to smaller, quainter cafes like Moby‘s adorable Teany in New York City, artist-owned eateries have been popping up all over the place. Even J. Lo got into the restaurant game a few years ago; unfortunately, the Mexican eatery “Madre’s” closed its doors in 2008 after six years. (Still better than Britney‘s joint “Nyla,” which lasted less than a year.)

Continue reading ‘Tasty Tracks And Tasty Treats’

Sarah Lee Guthrie and Johnny Irion Going Country in the New Year

Thanksgiving came a bit late this year to the home of Sarah Lee Guthrie and Johnny Irion.

That’s because the husband-wife duo, who are ready to release their first alt country-rock album in February, spent the holiday in New York. The occasion was the famous Macy’s Day Parade where the duo and their 8-year-old daughter Olivia joined Sarah Lee’s dad, Arlo Guthrie, on a float. Crowds screamed and cheered as some of the folk legend’s well-known songs—including “Alice’s Restaurant,”—played.

“It was a little crazy and very exciting,” said Sarah Lee Guthrie who noted Olivia was the toast of her school because of the event. “We saw a lot of familiar faces in the crowd, people who have been coming to our concerts for years. It was a fun way…to celebrate family and share it with other people.”

Chances are good that there will be plenty more celebrations ahead especially after February 22nd when Sarah Lee and Johnny release their second full-length album Bright Examples.

Written primarily by Johnny with two songs by Sarah and another the result of a collaboration, the February 22nd release is a musical step away from the more folk-tinged sound fans have come to know. Although Sarah Lee is obviously the product of folk and honors her heritage, she grew up on rock, as did Johnny whose past musical groups include Queen Sarah Saturday.

“Neither of us came from folk background influences,” said Sarah Lee, whose grandfather was the legendary Woody Guthrie. “As a kid I loved rock ‘n’ roll and I love pop music. Johnny has always had a pop sense. We embraced a lot of folk….but that was to spring off like a diving board. We are entering a new realm of exciting music.”

And then some.

The album, produced by Vetiver’s Andy Cabic and Thom Monahan, known for his work with Vetiver, Devendra Banhart and Chris Robinson of the Black Crowes (who introduced Guthrie and Irion), are filled with an electric country rock sound that’s part psych-rock thanks to plenty of guitars, part alt country as evidenced by pedal steel guitar, part folk and pop—especially in the lyrics— and indie rock.

“I’m very rooted in the indie rock world,” said Irion. “This was definitely a move to create a sound scape for Sarah Lee’s and my vocals.”

Although U2′s The Edge was originally interested in producing the album, Irion thinks that Cabic and Monahan brought out points in the song that wouldn’t have come out with other producers.

“It’s a culmination of folk, indie rock, classic pop, alt country, all the worlds coming together,” he said. Some producers aren’t players and have a hard time and just stay on the knobs. With Sarah Lee and I, we need to sit down with guitars and play. It’s all very organic. I’m glad [it didn't work out with] The Edge. Tom Monahan has the best ears in business right now and made all kinds of great stuff.”

What really impressed Irion was that Tom didn’t back down on the sound he wanted from each song.

“I called him Captain Monahan because trying to change his mind, well, it wasn’t going to happen,” said Irion. “If I said, ‘I thought this one would rock,’ he’d say ‘No, you have to lay back. Then it will be better.’ [The music came about because of] a solid team that just all pulled together.”

That’s also obvious on Sarah Lee’s song “Butterflies” that the duo originally worked up as a bluegrass-flavored song. The producers changed elements of the song so it’s not what Irion describes as “ethereal and floating.”

“When we started doing it [his way] we really liked it,” said Irion. “It works and it makes the record come together. It makes the record a piece of art.”

For more about Sarah Lee and Johnny, check their site.

By Nancy Dunham

Nancy Dunham writes about music for Country Weekly, AOL Music’s site The Boot, The Washington Post, Relix and other publications.

Discourse & Dischord

The Good

Cirque du Soleil to produce Michael Jackson-inspired show

Michael Jackson

Acrobats as zombies? Clowns as dancing gangsters? Neverland under the big top? OK, we’ll get to the point. Michael Jackson’s estate has teamed with Cirque du Soleil to produce a new show based on the King of Pop’s canon. Described as “concert-like,” the tour is slated to start late next year in New York, and wrap up in 2012 with a permanent production in Las Vegas. Want tickets? Get your tent and start camping now!

The Bad

Carrie Underwood gets phone call in middle of acceptance speech

Carrie Underwood

Somebody forgot to turn their cell phone off during this year’ ACM Awards, and that someone happens to be ACM Entertainer of the Year Carrie Underwood. The country singer’s phone started buzzing during her acceptance speech on Sunday. Who was the mysterious caller? Well, Underwood didn’t answer, but our money is on Papa John’s.

The Ugly

Rihanna injures ribcage, carries on show

Rihanna

Rihanna was taken to a small clinic on Monday after injuring her rib during a concert in Zurich, Switzerland. Doctors didn’t find any issues, and to prove it, they let Ri-Ri climb back on stage on Tuesday and Wednesday night for two concerts in France. Which leads us to believe that it’s wasn’t an injured rib so much as a really tight corset. Bam!

Miscellany

Discourse & Dischord

The Good

Erykah Badu in "Window Seat"

Erykah Badu bares all for “Window Seat” video

Nudity and social commentary are familiar bedfellows — just ask John and Yoko. So what’s surprising about Erykah Badu’s video for “Window Seat” isn’t the fact that she slowly disrobes till she’s stark naked; it’s the fact that she does it while walking around the grassy knoll in downtown Dallas where JFK was assassinated. The video ends with a shot ringing out and Badu collapsing on the ground. It’s supposed to be a statement about “character assassination,” but you don’t care about that. We had you at “naked.” Check out the video here.

The Bad

Hayley Williams covers Gaga

Gaga has birthday, covers ensue

Happy 24th birthday, Lady Gaga. Here’s your present: Two covers of “Bad Romance,” one from Paramore singer Hayley Williams (on piano to boot!) and the other from Jared Leto. Earnest, emo, melancholy, Catalano-esque … listen to both versions to figure out which is which.

The Ugly

MGMT in "Flash Delirium"

MGMT’s “Flash Delirium” video is weird

First there’s this mansion full of old people. Then there’s dancing … and puppets. And THEN, there’s a talking neck wound, an eel, an iron lung and an earthquake. In that order. Check out the video on the band’s Web site. Oh yeah … spoiler alert.

Folkin’ Around: Freak Folk

In the early 2000s, folk music started to make its way back into the indie scene, but it wasn’t quite folk.  The sound — drawing from ’60s and ’70s acts such as The Fugs and the Holy Modal Rounders — was more eclectic, pairing acoustic instrumentation with rock and psychedelic sensibilities.  Like other contemporary folk musicians, freak folk artists don’t necessarily stick to acoustic instruments.  Often they employ thick harmonies with percussion, exotic instruments or electronic keyboards. While classic folk is an influence,  avant garde is a more accurate way to brand the sound — a fusing of the different genres represented.  So the sounds of the past are melding together in the present.

Continue reading ‘Folkin’ Around: Freak Folk’

FROM THE CMJ RELAY ARCHIVES: OURSTAGE PICKS VOL. 14

cmjdotcom_webWelcome to our fourteenth installment featuring CMJ’s OurStage Staff Picks from the CMJ Relay Blog. CMJ is well known for their industry leading New Music Report magazine, which contains music reviews, artist news and interviews with the best artists being played on college radio.

Or, the Whale

“Call and Response”
Alt Country Channel
Four-part harmonies and pulsing bass put the heart in this up-tempo tribute to the victims of Hurricane Katrina, eliciting strong sympathy with its driving melody and lush vocals.
RIYL: Jayhawks, Old 97s, Fleetwood Mac

Lady Maverick

“Reminiscin’”
Alternative Hip-Hop Channel
Acoustic guitars paired with funky beats keep Lady Maverick’s solid rhymes about her African roots and old-school hip-hop fresh and emotional, while still allowing the girl some serious street cred.
RIYL: Lauryn Hill, Erykah Badu, Bacci

Einar Lunga

“It is going to be your darkest day”
Folk Channel
Lunga has a talent for the subtle and offbeat whispers of somber darkness that feel introspective without toeing the “woe is me” line. This is tender, dark folk done right.
RIYL: Devendra Banhart, She And Him, Joni Mitchell

 


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