Ever wondered what it would be like to have an endorsement deal with a major music brand? Well you’re in luck, because Ernie Ball is extending this incredible opportunity to one lucky OurStage artist. They’re partnering with OurStage to host three competitions – one each for Rock, Pop and Country artists. The winner from each genre will win a year’s supply of strings and accessories.
At the end of the year, judges at Ernie Ball will select one Grand Prize winner from amongst the three genre winners to take home an endorsement deal and music man guitars for each axe slinger in the band. First up – pop. If you’re a pop artist with the knack for serious hooks, ENTER your best track in the Ernie Ball “Save Your Strings” Competition by April 22, 2013. Good luck!


Following her stunning win on the most recent season of The Voice, Cassadee Pope has wasted no time in capitalizing on her success, signing with Universal Republic Nashville. “I am so excited to be joining the very talented Republic Nashville family. I am so passionate about my music and I couldn’t be more excited to have this amazing team to back me as I embark on this next chapter in my career,” reads Pope’s statement. While fans might be saddened by the impact that Pope’s burgeoning solo career has had on her band Hey Monday, who are currently on hiatus, they needn’t worry about missing the singer herself in 2013. She will reportedly be working on a project that is supposedly a “edgier, less country” version of Taylor Swift.


When describing Christmas in the Sand, Colbie Caillat expressed the desire to make an album for those who don’t live in cold areas and can’t relate to songs about classic wintertime clichés like snow, chilly weather, and huddling around the fireplace. While the album does maintain a generally sunny disposition, it can’t help but feature standards like “Baby It’s Cold Outside” and original lyrics in Caillat’s contributions such as “It’s not Christmas / If the snow don’t fall.” Even though Christmas in the Sand is meant to be a Christmas album for those who spend most of their time in the sun or on the beach, it still seems obligated to retread the same ground as past holiday releases. Of course, listeners instinctively understand this, but it is worth noting how Caillat’s motivation for recording the album and the way in which that motivation plays out, at times, incongruously with the original intent, highlights the difficulty inherent in recording a type of album that in its very nature defies innovation. 







