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Metal Monday: Ten Great Uses of Unusual Instruments In Metal

Your average music listener might assume that metal bands are all the same in the instrument department—guitar, drums, bass, maybe piano or keyboards—but what about the flute, didgeridoo, saxophone, trumpet, lute, bagpipes, fiddle, berimbau, Whamola, or hurdy gurdy? As unlikely as it seems, there are metal bands that incorporate less mainstream instruments into their sound. Apocalyptica, for example, is comprised of four cellists and a drummer. Among folk, progressive, avant garde, and experimental metal subgenres (and even some mainstream acts), listeners can find all sorts of neat uses of unusual instrumentation. We’re going to share ten of our favorite “nontraditional” metal songs with you—see if you can guess what the instruments are!

Metal Monday: Brutal Truth Q&A

Once grindcore titans, Brutal Truth seem to have risen to prominence once again after a decade-long hiatus to become one of the most monster and forceful grind bands around today. The band’s last two records, End Time and Evolution Through Revolution (released through Relapse Records) are some of their most ravenous work to date. We had some questions for the band regarding things like the new album, and Dan Lilker (the band’s bassist and backing vocalist) was kind enough to answer them all for us.
OS: End Time is the second album since the your nearly decade-long hiatus. How different did it feel with End Time than Evolution Through Revolution now that you’ve had a bigger chance to gain momentum?
BT: We were a little more relaxed because the pressure was off to show the world that we were back. With Evolution, I think there was an unconscious need to make a really hammering record since it was the first BT release in twelve years, and we knew expectations were going to be high. Once that was accomplished, we decided to mix it up a little more on End Time. Sure, there’s still totally chaotic, hi-speed grind all over it, but we threw in some mid-paced and dirgy stuff too, just to keep it interesting for ourselves. This was not a conscious decision, it just happened that way.

Metal Monday: Metalcore, Grindcore, Deathcore – What’s the Difference?

Metal as a community—made up of bands and their fans— is a tight-knit population, but that does not mean this happy family is without its schisms. With the somewhat recent rise of deathcore into the mainstream, many death metal and grindcore acts have drawn a line in the sand to separate themselves from this sub genre of metal. The same can be said for metalcore, which at one point in the early 2000s had a major surge within mainstream music and was ostracized by many metal sub genres. You see, if someone isn’t raised in the metal scene, then they may not be able to tell the minor differences between these sub genres. Add to this the large number of bands  spilling over and changing sides between sub genres, and you’ve got a recipe for a giant mess.

Grindcore, metalcore, deathcore—they all came from very distinct roots: death metal and hardcore (scenes ultimately born from punk). Death metal is known for its heavy and constant nature, taken to an extreme level. Lots of bands fit this bill and have had the “death metal” label slapped onto them, but the essence of death metal lies in bands like Death, Cannibal Corpse, Obituary, Suffocation and Decapitated. Change anything the classic death metal  formula and you’ve probably found yourself wandering into sub genre land—bands like Necrophagist are known as “technical death metal” but to the inexperienced listener are really not much different. For a good example of death metal, you can check out this video for Cannibal Corpse’s “Death Walking Terror”:

Early in the death metal days, grindcore was born—taking the heaviness of death metal bands of the time along with the avant-garde nature of post-rock, the frenetic rhythms and breakdowns of hardcore punk and an extra splash of craziness to create a totally new sub genre of music. The more famous grindcore acts include Napalm Death, Pig Destroyer, Brutal Truth and Agoraphobic Nosebleed. Check out this music video for Brutal Truth’s “Sugar Daddy” to hear a good example of  grindcore:

The late 1990s witnessed the next offshoot: metalcore. Though its beginngs lie in early 90s bands like Converge and Zao, its current style was brought about by bands such as Unearth, God Forbid and Shadows Fall. Taking a lot of influence from trash, the metalcore tag may be a bit misleading, as the only real element taken from hardcore is the style of breakdown used. Most of the stylistic choices lie in heavy thrash, and the vocals often feature big melodic lines evident in heavy metal bands like Armored Saint. The most famous example of more modern metalcore is All That Remains‘ “This Calling”:

Soon after metalcore’s rise, deathcore began to brew. Take out the melodic vocals, make the sound a bit heavier and use more extreme breakdowns and you’ve transformed regular metalcore into deathcore. Bands such as The Acacia Strain, Caliban, The Red Chord, Animosity and Job For a Cowboy are known as some of the first true deathcore bands. To get a taste of an archetypal deathcore song, check out The Acacia Strain’s “Angry Mob Justice”:

Nowadays, though, bands are breaking these boundaries. Act such as The Tony Danza Tapdance Extravaganza, Cephalic Carnage, Job For a Cowboy and Brain Drill have completely shattered the mold for these genres. This has been a much needed change for the metal scene since many separate sub-genres began drawing lines in the sand because, really, many of these bands aren’t that different at their core—they’re all just looking to have a good time by making extreme music people want to move to.

Metal Monday: OurStage Metal Awards ’09

OSBlog02_MetalMondays_MASTERAt the end of the year, when all is said and done, 10 top albums is simply not enough to give credit where it’s due. As a supplement to last week’s  Top 10 of Metal, I’m giving props to all the other bands who did something right this year. Think of the following lists as the “superlatives” section of your yearbook—but for metal albums.

See who the winners (and losers) are in metal for 2009 after the jump

METAL MONDAY: SUMMER FESTIVAL OVERVIEW

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Everyone knows that summertime is festival season, and whenever people think of music festivals, they think of events like SXSW and Bonnaroo. Unless they are metalheads. For hardcore rockers, popular summer festivals include Wacken and Hellfest. But, most of the time when music journalists or bloggers write about the summer touring and festival season, metal does not get its due. Sure, metal bands are in on some of these festivals, like Bonnaroo, but they certainly are not the focal point of the events. So, here is a nice summer festival overview for all you metal junkies out there:

Wacken Open Air – Wacken, Germany

Arguably the most famous and premier event in the history of metal festivals, this past Wacken Open Air celebrated its 20th birthday. Mötorhead reportedly put on one of the best shows in recent memory, and all the other old school metal rockers followed suit. Among these great performances were the band formerly known as Black Sabbath (Heaven & Hell) as well as Saxon. Beyond the seasoned veteran bands, word is that doom metal troop Cathedral really won the crowd over (unsurprising, since the band is led by ex-Napalm Death vocalist Lee Dorrian).

Hellfest Open Air – Clisson, France

The second-most famous metal festival on the globe, Hellfest shared only a couple acts with Wacken this year—notably Heaven & Hell who again “wowed” the crowd. The fest’s the buzz bands seemed to be Brutal Truth and “the loudest band on Earth” Manowar, with Manowar having a slight edge (despite reports that Brutal Truth could be heard over Manowar’s set at times). Strangely, little was said about hometown giants Gojira, though there were sparse mentions of a solid set.

Bloodstock Open Air – Catton, UK

Rounding out the big three for metal festivals, this year’s Bloodstock was fodder for great stories. None more awesome than the hilarious/horrible bottling of Cradle of Filth in which the band stopped their set and left the stage without finishing the set. Blind Guardian, Carcass, Amon Amarth and the thrash bands garnered the most props for absolutely bringing it on stage.

MetalCamp – Tolmin, Slovenia

As usual, the bands who headlined this festival are the same bands that headlined the other big festivals. That’s just the way these things work. After scouring the ‘net for any opinions or reports of the festival, I only came to the conclusion that there was no real standout performances, though people were largely unenthusiastic about the lineup as a whole (Mind-boggling, really, since Amon Amarth, Blind Guardian, Dimmu Borgir, Satyricon and more were on the bill). The disappointment might have been due to the lack of great underground bands (beyond the huge names), as well as the completely unknown acts from the second stage—except Warbringer, who played before a band with only 1,000 MySpace friends. For shame.

Download Festival – Donington Park, UK

Download Festival, the “least metal” of all the summer metal festivals, was filled with the “nu metal” acts of yesteryear and all the things the kids dig today. So there was a huge variety of musical styles on this bill. No band got as much credit as Faith No More, who put on a performance referred to as “brilliant” by most attendees. Mötley Crüe, Slipknot and Steel Panther also received favorable reviews. On the opposite side of things, a lot of festival goers hated Marilyn Manson, Limp Bizkit, Attack! Attack!, Pendulum and Parkway Drive. Unsurprisingly there was little said about the more “extreme” bands there like Suicide Silence, Meshuggah and God Forbid—the bill did not exactly cater to those fans. What is surprising is that I have found nothing about Opeth and Dream Theater’s sets.

In case you did not make it out to any festivals this summer, or just want to know what is coming up for metal festivals in the near future, here are two of the bigger events on the list:

New England Deathfest – Providence, RI

While not the biggest metal festival, New England Deathfest is having some of the most legendary Death Metal bands headline this year: Neuraxis, Cephalic Carnage and Quo Vadis. Also on the bill is Revocation, touted by many as “the next big thing” in metal and recently signed to Relapse Records. If you’re in the New England area, $50 for this weekend filled with death is well worth it.

Ilha Do Ermal Festival – Viera do Hinho, Portugal

Because I don’t speak Portuguese, it is hard to say much about this festival other than the fact that Blind Guardian is headlining it, which is almost enough reason to go regardless of who else is playing. The fact that Sepultura, Obituary, Firewind, Textures and Hatesphere are also on the bill certainly does not hurt. At 60€ ($85.35), that is a great price for three days of pure metal goodness.

 


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