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Mixtape Mondays: B.o.B, Jitta On The Track, Action Bronson

A few weeks have passed and now it’s time once again to take a look at the mixture market. Huge releases have been arriving nearly every day, and a lot of big names are still planning to drop records before the year comes to an end. I think Chief Keef may have proven he has a classic on his hands with the Finally Rich snippets that arrived online this morning, but we still have a few weeks before we’ll find out.

In this edition of Mixtape Mondays we’ll be discussing a few notable names, as well as OurStage favorite Jitta On The Track and the impending release of Alphabet Soup. If you have a new track or mixtape you want featured in this column, email jshotwell@ourstage.com and I’ll do my best to include you in an upcoming article. Continue reading ‘Mixtape Mondays: B.o.B, Jitta On The Track, Action Bronson’

Soundtrax: Rap Royalty

Get your drinks in the air – we’re celebrating the biggest and baddest rappers in the game. This mix features some of the hottest names in hip-hop, alongside rising OurStage rappers Jitta On The Track, Will Brennan and The Niceguys. Enjoy!

Exclusive Q and A: Sublime With Rome Remember the Past, Embrace the Future

OurStage Exclusive InterviewsLike most musicians at the age of twenty, singer-songwriter Rome Ramirez was inspired by the music he listened to growing up, including influential reggae group Sublime. Little did he know, he would not only be given the opportunity to jam with Sublime, but to also become their new frontman. The band had not performed as Sublime since the death of original vocalist Bradley Nowell in 1996, but founding members Eric Wilson and Bud Gaugh knew that Ramirez would be the right choice to sing for the newly reunited band. Sublime with Rome released their debut album, Yours Truly, in July 2011 and have been touring nonstop since. We had the opportunity to speak with Rome himself about fronting this legendary band, what it’s like to write with Bud and Eric and his future plans for a solo record.

OS: What is your musical background and how did it lead you to connecting with the members of Sublime?

RR: I started playing guitar when I was eleven years and I wanted to learn Sublime songs. I played other instruments too, but I was mainly a guitar player. I didn’t start singing until way, way later. I was in a studio in Orange County, and the studio owner was good friends with Eric, the bass player of the band. Eric would come by and hang out and shit, and over the course of time we started to jam. My soon-to-be-manager caught wave that a kid who kind of sounded like Brad was playing Sublime songs once in a while with Eric. She thought of the idea and talked to Eric, and Eric was like, “I was thinking the same thing!” Next thing was going up to Tahoe and seeing Bud…

OS: That’s crazy!

RR: Dude, it’s nuts. It happened so fast!

OS: What is like to be so young, but performing with a band that has a twenty year legacy?

RR: I grew up listening to that music, in particular, so to be able to pick up a phone and call them is just fucking weird [laughs], let alone being on stage and playing their songs!

Continue reading ‘Exclusive Q and A: Sublime With Rome Remember the Past, Embrace the Future’

Taylor Swift Will Sing With Anybody

Taylor Swift has been keeping herself very busy since the release of her triple platinum album Speak Now. The singer-songwriter just wrapped up a nearly six month, cross country tour in support of the record this past Tuesday in New York with a two-night residency at Madison Square Garden. While we understand that Swift needs a break—between the constant touring, the songs Swift has been putting together for her next album and the tweets of her too-cute-to-handle new kitty, Meredith—we hope that she can make it back onto the road soon.

Seriously, this cat is too much to handle.

Why do we want Swift back on tour? Well, in addition to the fact that we haven’t seen her in concert yet, Swift was providing a very special treat to fans coming out to her live show: surprise guests! In case you haven’t been out to one of her shows yourself, Swift has been bringing on a performer each night to do a little ditty with. And for those that have no interest in country music, fret not—most of these stars are some of Swift’s fellow Top 40 alumnus.

Continue reading ‘Taylor Swift Will Sing With Anybody’

Soundcheck: When Hip-Hop Goes Pop

Mash-ups are a mainstay on the hip hop scene with rappers constantly collaborating to deliver fresh material.  Even the most vicious emcee paired up with the current R&B diva has a natural charm, and we’ve come to expect Rihanna, Beyoncé or Kelly Rowland backing up big verses from big rappers.  Now, it seems that hip hop has crossed over into the pop star realm, blurring the lines between the sugary sweet stylings of pop icons like Britney, Katy and Bieber with the hard-hitting sound of the streets.

We got our biggest dose of the crossover craze when Nicki Minaj announced she would join Britney Spears on her Femme Fatale Tour this year. In a groundbreaking move, fans of pop music’s reigning queen would be shoulder to shoulder with fans of the hottest thing to hit hip hop in years.  What resulted was one hell of a party!

Now, other singers are following suit, and pairing up with some unlikely collaborators. Justin Bieber will throw a little hip hop into the holidays when he releases Under The Mistletoe, on November 1.  The fifteen-track holiday album features a version of “The Little Drummer Boy” with none other than Busta Rhymes. We can’t imagine Rhymes’ grimy, gruff voice singing about the birth of Christ, but we’re all ears.  Other guests on the album will include Usher, Boyz II Men and Mariah Carey.

Continue reading ‘Soundcheck: When Hip-Hop Goes Pop’

Vocal Points: Lead Singer Syndrome Strikes Again?

Hayley Williams, lead singer of the band Paramore, possesses an incredible voice. Not only is she naturally talented, she’s worked hard on her voice with coach Brett Manning since she was  thirteen years old. It is clear that these lessons have taught her control, and have strengthened her vocals. But while the kind of strength, passion and personality which Hayley portrays onstage have aided her music career, they’ve also resulted in negative effects offstage.

Hayley has consistently stressed to the public that she wants people to care about the band as a whole, but she still comes across as the band’s shining star. With her spunky attitude, ever-changing hair color and her powerhouse voice, fans cannot ignore her. The band’s songs are often composed of pretty standard rock progressions, but the way that she attacks every note with precision sets them apart from other acts. Additionally, her strong voice allows her opportunities which the other band members cannot take part in—a recording contract with Atlantic Records and the guest spot on B.o.B‘s hit song “Airplanes” for example.

Back in December 2010, rumors of her overbearing voice surfaced after original members Josh and Zac Farro left the band and issued an exit statement which alleged that the band had become all about Hayley. The brothers said that they could no longer put up with what they called a “manufactured band” and made it clear that they felt their own voices could not be heard while in Paramore. And while the Farro brothers had always seemed like crucial ingredients in the band’s success, Hayley and remaining members Taylor York and Jeremy Davis decided to proceed without Josh and Zac. Nothing could stop Hayley from moving forward and continuing to show what a sensation she is. And the successful release of their first single without the Farro brothers, “Monster” proves the point.

Continue reading ‘Vocal Points: Lead Singer Syndrome Strikes Again?’

Soundcheck: Hot Summer Collabos

As the end of summer approaches, so does the last of the hot summer music from hip hop’s finest.  The latest batch of all-male mash-ups are comprised of some surprising pair-ups and lots of old school favorites. Here’s what we’ll be bumping ‘til the weather cools off.

Chris Brown ft. Kevin McCall: “Strip”:  The first single from Breezy’s hip hop mixtape, Boy In Detention (due out this week) features a fantasy world starring Chris and a stripper, with McCall providing the rap over Brown’s sexy crooning “Take it off / I want to love ya / Everybody, want to touch ya / Your movin’ right / I want to see what’s up under / You can back it up / Beep, Beep / Like a trucker”.  The up-tempo track was produced by Tha Bizness.

Game ft. Wiz Khalifa & B.o.B: “Standin’ On A Corner”: This trio was a bit unexpected, but managed to deliver a delicious dose of Cali swagger.  More melodic than most Game records, this single gives each of emcee equal time to shine over the unique beat.

Gucci Mane ft. Waka Flocka Flame & Rocko: “In My Business” The second Rocko-tinged single from Ferrari Boyz features Waka Flocka in full effect over the heart-pounding, hard-hitting beat of this street style track that can’t help but make you feel ballsy.

Wale ft. J. Cole: “Bad Girls Club”: The duo dropped this track in July sending the ladies into a frenzy with their sexy ode to their ideal “perfect 10”.  In his signature style, Wale kicks off the track by commanding “Bad bit*hes get low right now” followed by Cole’s sensual delivery of loving lyrics.

Timbaland ft. Pitbull and David Guetta: “Pass At Me”: This sexy single took a second to grow on me, but now that it has, I can’t get the sassy song out of my head.  While the sound is a twist for Timbaland’s usual club-banging style, Pitbull’s command of the latin sound shines through; resulting in a unique ditty you can’t help but salsa to.

Pusha T ft. Tyler The Creator: “Trouble On My Mind”: Pusha goes hard in this mash up with Odd Future’s Tyler the Creator, who delivers a particularly appealing verse, proving his ability to stand out from the Wolfpack.  He and Virginia-bred T (who took the opportunity to congratulate Obama on off-ing Bin Laden) served up a big budget video starring the do as a pair of comical criminals.

Continue reading ‘Soundcheck: Hot Summer Collabos’

Sound And Vision: Songs Of Summer 2011

Sonny and Cher. Britney and Justin. Meg and Jack White. Nothing lasts forever. Well, almost. There’s one inseparable pair that’s likely to survive until the end of time: sunny summer weather and pop music. What would these dog days be without the perfect soundtrack? Possibly, over and done with. Hello, autumn!

“California Gurls” by Katy Perry featuring Snoop Dogg ruled both the airwaves and the charts last Memorial Day to Labor Day, refusing to go down until the temperature did. This year’s girl of summer: Adele, thanks to her No. 1 hit “Rolling in the Deep.” But even if Adele isn’t quite your thing (nor Lady Gaga, nor Perry, who’s once again making heat waves in 2011), ’tis the season for musical memories that will last a lifetime—or at least until next year when beach weather once again rolls around.

What are the biggest summer of ’11 pop trends? Keep reading…

Sisters are doing it for themselves—again. Last year’s Top 10 list in Billboard magazine’s Songs of the Summer 1985-2010 featured only three female artists, and each one, Katy Perry, Rihanna and Hayley Williams, had a boy on the side (Snoop Dogg, Eminem and B.o.B., respectively). Though so many of pop’s leading ladies recently had been standing by their men or whatever last-minute remix cohort could get them a shot at No. 1, this season, the most successful ones are going it alone. Rihanna and Beyoncé may be struggling with their latest pair of solo efforts, but Lady Gaga already has had three Top 10 solo hits from the Born This Way album, including the summer-anthem contender “The Edge of Glory,” and Adele didn’t need any guest rappers to keep “Rolling in the Deep” at No. 1 for seven weeks (as of Billboard’s Hot 100 dated July 2).

Meanwhile, Nicki Minaj, who apparently has never met an artist with whom she wouldn’t collaborate, finally has scored a Top 10 single of her own with “Your Love.” And after enlisting Kanye West to help lift “E.T.” all the way to the top, Perry is carrying the weight of “Last Friday Night (T.G.I.F.),” hit No. 5 from the Teenage Dream album, all on her slender shoulders. Deborah Gibson, Corey Feldman, Kenny G, Hanson, Rebecca Black and two guys from Glee all pop up in the video, but the song itself is a one-woman show.

It takes two (or three or four) to make a hit go right. The women on top may be spending the summer alone (at least on record), but they are pretty much the only ones. Last year, more than half of Billboard’s top summer songs paired singers with rappers. This year, if two’s company, three and four is, too. Pitbull is getting by with a little help from three friends (Ne-Yo, Afrojack and Nayer) on his current hit, “Give Me Everything.” The duo LMFAO’s “Party Rock Anthem” has Lauren Bennett and GoonRock on the guest list. Jennifer Lopez had Pitbull and Katy Perry had Kanye West on their respective spring holdovers, “On the Floor” and the already mentioned “E.T.”, while the Black Eyed Peas have each other on “Just Can’t Get Enough.”

If you want to be a boy of summer, learn how to rap. Bruno Mars might get by on hit after hit by swinging sweetly (which he does once again on “Lazy Song,” his latest Top 5 single), but Chris Brown, one of contemporary R&B’s strongest male singers, spent all of his recent Top 10 comeback single, “Look at Me Now,” rapping alongside Busta Rhymes and Lil Wayne. And even before he performed with Ludacris on the CMT Awards, Jason Aldean already had a hit with “Dirt Road Anthem,” on which he performed the rap himself. Now the remix featuring Ludacris doing the rap is in danger of becoming the first country-rap collaboration to top Billboard’s Hot 100. Maybe Coldplay’s “Every Teardrop Is a Waterfall” would have had more staying power if Chris Martin had broken into a rap. It’s not too late for the currently ubiquitous Lil Wayne to give a brother a helping hand.

Groove is in the heart (and all over the charts). So you think you can dance? Then you’re in luck. Nearly every song in the Top 20 of the Hot 100 works just as well under the strobe lights as on the radio. The aformentioned LMFAO has a huge international hit with “Party Rock Anthem,” a track whose video features shuffling, a dance that originated in, of all places, Melbourne, Australia. Meanwhile, after escorting Jennifer Lopez into the Top 10 with “On the Floor,” rapper Pitbull, still on the floor, has gone even higher with “Give Me Everything.” This time his dance partners are Afrojack, Nayer and Ne-Yo, an artist previously best known for silky soul singing, but if you can’t beat ‘em, get down with ‘em.

Teenage dreams are still coming true. Last year when “California Gurls” was topping the charts, who would have guessed that Perry still would be putting out the hits from Teenage Dream one year later? As party rock anthems go, “Last Friday Night (T.G.I.F.)” is my pick for the summer of 2011, but musical hangovers can be just as brutal as alcohol-related ones. Will we remember “Last Friday Night” in the morning? Definitely. But come autumn, “Last Friday Night” already might be a distant non-memory, Perry will be on to the sixth hit single from Teenage Dream (Peacock?), and we’ll probably all still be “Rolling in the Deep.”

 


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