Changes to the monthly competitions

Hi and welcome back to Amazing OurStage. We want to let you know that there will be changes to the prizes we are offering. Every month will be different.
This month we are awarding prizes of $100 to winners of the competition finals. In the future there will be prizes to help your musical career. Check back to find out.

OurStage is now part of Amazing Media

Come back to see the improvements to OurStage over the next few months.

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EditoriaList: 10 Best And Worst Super Bowl Halftime Performances

The Super Bowl Halftime Show has become an overblown spectacle of such proportions and delusionary grasping at the straws of musical-artistic relevancy that it quite simply may never be good again. Yet there have been some standout performances – mostly those that concentrate on actual performing. There were some very dark years here and there that were not focused on the artists and their music as much as the pageantry (I’m looking at you Disney), so I didn’t even count those. There were also a lot of ‘meh’ moments that are not really worth getting into.

Worst

2000: PHIL COLLINS, CHRISTINA AGUILERA, ENRIQUE IGLESIAS, TONI BRAXTON

I don’t remember this and I’m not going to watch it, but it’s awful. It’s literally the worst thing I’ve never seen.

Continue reading ‘EditoriaList: 10 Best And Worst Super Bowl Halftime Performances’

Recap: Super Bowl 2012’s Halftime Show

The Super Bowl’s iconic halftime show has certainly come a long way from the drill teams and college marching bands of its early years. Since the early ‘90s, the event has turned into a full-on showcase of the biggest names in music, featuring performances by such classics as Michael Jackson, Prince and Paul McCartney, as well as… not-so-classics like *NSYNC and the Black Eyed Peas. This year, halftime was dominated by none other than Madonna herself, featuring performances with Nicki Minaj, M.I.A., Cee Lo Green and LMFAO. So how did it compare to the halftimes of the past?

Super Bowl 2012 vs. Super Bowl 2002 (U2)
As many may remember, halftime 2002 wasn’t just a performance, it was a tribute to the victims and survivors of the 9/11 attacks. While the concept itself could have easily gone wrong in many ways, U2 gave a stunning, energetic performance, making it arguably one of the best halftime shows to date. So how did Madonna’s performance fare against the rock and roll titans? While it may not have exactly been an empowering performance, this year’s show certainly provided us with some fun, guilty-pleasure enjoyment.

Super Bowl 2012 vs. Super Bowl 2007 (Prince)
An undeniable superstar, Prince certainly delivered at Super Bowl 2007 with covers of the Foo Fighters, Bob Dylan and Creedence Clearwater Revival, finishing off with his song “Purple Rain.” Madonna is pop icon of the same caliber, but could she match Prince’s powerful voice and gripping stage presence? Personally, we feel that the slack-lining cupid and Cee Lo Green’s bedazzled choir get-up stole this show.

Super Bowl 2012 vs. Super Bowl 2011 (Black Eyed Peas feat. Slash and Usher)
While U2’s performance for halftime 2002 was arguably one of the best shows to date, it could be said that the Black Eyed Peas’ performance was one of the worst. With their mediocre musicianship and Fergie’s aimless belting to “Where is the Love” and “Sweet Child of Mine,” the group could only leave the crowd hanging. Say what you will about Madonna’s performance; it doesn’t get any worse than this.

When it comes to half time, it seems we’ve learned that classic is the way to go.  The Super Bowl XLVI stuck to a proven formula – whether or not the decision was a good one is up to you to decide. As for us, we’re just grateful that this performance didn’t involve another Madge-Brit-Xtina lip-locking episode, circa the 2003 MTV Video Music Awards.

Tuesday, December 20th, 2011

  • If only apl.de.ap’s name could make as much sense as this charity.
  • Way to ruin Christmas, Lady Gaga impersonators.
  • Florence proves she’s quite the singer, even without her machine.
  • Boy George should know that it’s hard to find any fault with royalty.

Live Wired [Review]: iHeartRadio Festival

iHeartRadio is all about well…radio, and taking it to the next level. Not only does the site allow you to live stream talk and music radio stations locally and nationally, it also enables you to create your own custom stations based on your musical tastes. This past weekend, iHeartRadio went all out to promote their new and improved Web site, along with the launch of the iHeartRadio mobile app that grants users listening access from their phones. For the launch, they put on a giant, star-studded festival in Las Vegas, which sold out about ten minutes after tickets were made available. The theme of the night was very much focused on the diversity and popularity of the festival’s artists.

For the majority of fans who weren’t able to get a ticket or make their way to Vegas, iHeartRadio streamed the entire two-night event on their Web site. Here at Live Wired, we were part of that majority, and since we’ve been talking so much about streaming festivals online, we’re here to tell you what it was like. The evening kicked off with a half-hour “pre-show” hosted by two personalities from NYC’s popular radio station z100, followed by the first performance of the night. The Black Eyed Peas, who apparently are not on their hiatus yet, took the stage first and were pretty underwhelming. Not that they’re exactly known for their live shows (See: this year’s Super Bowl performance), but the audience didn’t seem too entertained either.

Continue reading ‘Live Wired [Review]: iHeartRadio Festival’

The EditoriaList: Best And Worst #1 Singles 2000-2010

This was a brutal exercise, listening to at least large chunks of every Number 1 single on the Billboard Hot 100 for the years between 2000 and 2010 (I should have stopped at 2009, but I’m a glutton for punishment). Anyway, in order to avoid repetition, if a song was a Number 1 in more than one year (carried over from a previous year), I only considered it for the first year in which it hit the top spot. I thought I might see some kind of trend in quality of pop music, but no such luck—highs and lows abound throughout.

2000

Best: “Smooth” by Santana featuring Rob Thomas. Rob Thomas tries really hard to wreck this song with his awful singing, but it’s still really catchy. Sorry Rob, but I’ve come from the future to tell you that you’ll have more success offending listeners with your solo record.

Worst: The epic and universal terribleness of “Arms Wide Open” by Creed beats out such dreck as “Everything You Want” by Vertical Horizon and a song called “I Knew I Loved You” by a band that wrote the name “Savage Garden” on a piece of paper, looked at it and said, “Yes. Let’s name our band that. That’s not totally stupid at all.”

Dishonorable mention: “Independent Women Part 1” by Destiny’s Child, for opening the song with a shout out to Charlie’s Angels, the movie in which it is featured, and for kicking off the verse with the lyric, “Question: Tell me what you think about me.” Yeah, that’s not a question, that’s a command. What do I think about you? I think that you’re too pushy and have a tenuous grasp on parts of speech.

Continue reading ‘The EditoriaList: Best And Worst #1 Singles 2000-2010′

The Beat Generation: Which Country Does Dance Best?

Dance music is to the world music scene as soccer—or football, depending on your preference —is to world sports. Both have global followers and feature spectacular, grand annual exhibitions (soccer has Champions League and Europa Cup among others and Dance music has Ibiza Rocks and Ultra Music Festival). And, let’s face it, Americans aren’t the best at either. We can’t win ‘em all, guys.

The other parallel between soccer and dance? A lot of countries would lay claim to being the best at either. While trying to pick a definitive winner in either subject would result in a lot of bickering and hurt feelings, we’ll avoid making any definitive statements. And since we’re a music site, we’ll refrain from talking about sports for the time being. That said, there are a few obvious front runners on the dance scene. We want to give a nod to OurStage’s international community and see what different countries have to offer. So, let’s take a look at who might be best at getting the world to dance, and check out what the OurStagers can bring to the table.

The Candidates:

France

Two words. French. House. Parisians have worked in years past to give us sexy, groovy music. Daft Punk, Busy P, SebastiAn, Justice, and everyone at Ed Banger Records, Fred Falke and Alan Braxe. The list goes on and on. France’s own David Guetta is on top of the world right now, producing mega hits for the Black Eyed Peas. OurStage’s Marty Lake borrows somewhat from the electro heritage of his home country his with the heavy beats, housey rave ups and the guitar sounding synth lines that make up his track “Let’s Have Some Wolves” which you can check out below.

The UK

Over here at The Beat Generation, we’re unabashed fans of dubstep. We’ve covered it a few times in the past and made our love known for England’s dirtiest musical exports like Benga and Skream. They also don’t slack when it comes to beautiful, slick dance pop—acts like Katy B and La Roux coming to mind. The Beat Generation also featured an OurStage Brit when Dan Gravelle graced the column. Temple Scene is another act killing it with their own sound. The band crafts deft synthpop with a definite rock edge. You can check out their song “What’s Done is Done” below.

The Netherlands

What country has seven of the Top 20 DJs and the Number 1 ranked DJ (Armin Van Buuren) from DJ Mag’s Top 100 DJs of 2010? The Netherlands (obviously). The tiny country may have the highest amount of rump shaking per capita of any nation in the world. However, after the rave, after the after party and after the hangover after the after party, you need something a little gentler to come down to. That’s where Indojin come in. The 26-year-old Rotterdam-based producer claims R&B and world music as influences of equal measure on his sound. His song “Just Pop It” is currently charting in the Electronica Channel and you check out the beat heavy, melodic “Serene” below.

Honorable Mentions

Spain gets an obvious nod for being the dance party epicenter of the universe thanks to Ibiza. Israel needs to have some recognition for their contributions to electronic music in the past and their slowly rising profile in today’s scene thanks to bands like Infected Mushroom and Teflon Tel Aviv. Germany nearly made the cut thanks to current heavyweights like ATB and Paul Van Dyk, and because they gave us Kraftwerk. Finally, Australia was this close to getting on the list with their ascendant rising electro-rock cadre of bands like Cut Copy, Miami Horror and Bag Raiders. However, will.i.am once stated that it was a trip to Australia that led to his discovery of electro and influenced the Peas sound so much. Australia, you get points off for that.

360-Degrees Of The Black Eyed Peas

So your friends cut you off from your “I Am T-Pain” app after they got sick of your excessive autotuning? Don’t worry! On January 24, Black Eyed Peas frontman will.i.am introduced the latest iPhone app designed to help fans get involved in their music.

The app, BEP360, is the first release from will.i.am’s newly-established company will.i.apps, and is available for $2.99 on the iPad, iPhone and iPod touch. It was developed by will.i.apps and Metaio, a company that develops augmented reality software. The first app of its kind, BEP360 gives fans the ability to control a 360° music video for the Peas’ “The Time (Dirty Bit).” It allows users to fully immerse themselves in video by swinging their phone around an axis. The app also gives users a chance to direct a virtual photo shoot with will.i.am and bandmates Fergie, apl.de.ap and Taboo. Other features include a Black Eyed Peas-inspired puzzle game and the ability to view and share comments with other BEP360 users.

According to a January 24 press release, the new Black Eyed Peas app will allow artists to connect with their fans on another level. “Will.i.apps and the BEP360 app have been established to help artists tap into the potential of our hyper-connected mobile world and bring fans deeper inside the music far beyond a four minute audio recording,” will.i.am explains. The release also states that BEP360 is only the first of several upcoming applications from will.i.apps that will “converge the worlds of creativity, music and advanced digital technologies.” Of course, we’d expect nothing less from a guy who recently signed on as Intel’s new Director of Creative Innovation. And hey – maybe the app will distract people from the Peas’ underwhelming Super Bowl performance.

For more information about will.i.apps and BEP360, check out the company’s Web site.

 


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