Video Playback Error

The Adobe Flash Player is required to watch videos on this page

Tag: "barry gibb"

home buzz rock pop urban country

Barry Gibb Sings Everly Brothers With Jimmy Fallon

barry_gibbThe Bee Gees Barry Gibb stopped by Late Night with Jimmy Fallon last night, just a few weeks after appearing with the comedian on the recurring Saturday Night Live sketch “The Barry Gibb Talk Show.” The two have a nice rapport, and Fallon is obviously a genuine fan, so it was great to see and hear them harmonize on a few refrains of Everly Brothers songs.

Gibb then performed “You Should Be Dancing” along with The Roots. He’ll be starting a 6-day tour starting May 15th. See dates below.

Barry Gibb Live:
5/15 – Boston, MA @ TD Garden
5/19 – Philadelphia, PA @ Wells Fargo Center
5/23 – Wantagh, NY @ Nikon At Jones Beach Theater
5/27 – Chicago, IL @ United Center
5/31 – Concord, CA @ Concord Pavilion
6/4 – Los Angeles, CA @ Hollywood Bowl

More like this:
Springsteen And Fallon Mock Chris Christie’s Traffic Jam Scandal
Your Country’s Right Here: Ricky Skaggs Talks Bluegrass, Gospel, and Barry Gibb at the Grand Ole Opry
If You Aren’t Following These Artists On Twitter, You Should Be

Your Country’s Right Here: Ricky Skaggs Talks Bluegrass, Gospel, and Barry Gibb at the Grand Ole Opry

It’s difficult to imagine a more poignant moment than when Ricky Skaggs and his band Kentucky Thunder played a moving rendition of “You Can’t Shake Jesus,” at the recent FloydFest in southern Virginia.

Although the 15,000-plus fans that packed each of the four days of the festival heard from a top-flight roster of artists including Emmylou Harris, Brandi Carlile, the Punch Brothers, Jackson Browne, and others, it was Skaggs’ virtuoso playing and heartfelt vocals that enticed concertgoers to stand in the searing sun and cheer, even as FloydFest wound down. Although Skaggs also teamed up with Bruce Hornsby for some power-packed songs, it’s difficult to imagine anything more lovely than the set Skaggs and his band played before meeting and greeting fans.

“It’s the most unusual gospel record I’ve ever done,” Skaggs told the crowd about Mosaic, the album from which “You Can’t Shake Jesus” was taken. “It’s not bluegrass and it’s not country, but you’ll like it. It’s good.”

Anyone wanting to sum up Skaggs’ career and appeal could likely turn to that line for reference. After making a name for himself as a major country star, he moved to bluegrass and even dabbled in other formats with special interest in gospel and Christian-themed songs. The result included 24 singles on Billboard’s Top 20, including 12 at #1 and an array of awards and honors, including 14 GRAMMY Awards, eight CMA Awards (including Entertainer of the Year), eight ACM Awards, two Dove Awards and nine ICM (Inspirational Country Music) Awards.

Continue reading ‘Your Country’s Right Here: Ricky Skaggs Talks Bluegrass, Gospel, and Barry Gibb at the Grand Ole Opry’

Discourse & Dischord

The Good

Selena Gomez delivers Fifty Shades of Grey parody

Ever since Fifty Shades of Grey hit the bookshelves there’s been an outbreak of heaving bosoms across the country. And now you can add Selena Gomez to the list of the afflicted. The “Love You Like A Love Song” singer did a parody called “Fifty Shades of Blue” for Funny or Die. Let it sweep you away.

Mick Jagger hosts SNL

Mick Jagger proved that if you start him up he’ll never stop. The Rolling Stones frontman had double duty for the season finale of Saturday Night Live—hosting the show and performing with the Foo Fighters and Arcade Fire. The only thing he backed away from was the karaoke machine, as evidenced by this sketch.

The Bad

Robin Gibb dies

This week Robin Gibb of the Bee Gees passed away after a battle with colon cancer, leaving his older brother Barry as the only remaining member of the group. Gibb, along with Barry and twin brother Maurice, penned perennial hits like “Stayin’ Alive,” “How Deep Is Your Love” and “More Than A Woman.” Their airtight, three-part harmonies became one of the most defining sounds of the ‘70s. Barry created the video tribute below for his brother. R.I.P.

“Call Me Maybe” says everyone, ever

Carly Rae Jepson’s bubbly hit, “Call Me Maybe,” has inspired THE ENTIRE UNIVERSE to cover it. Yes, even a guy in a gimp mask. Watch the parade of the untalented yet unflaggingly enthusiastic masses below.

The Ugly

Team Breezy gets sleazy

Not everyone was thrilled with Chris Brown’s performance at the Billboard Music Awards on Sunday. Pink and her husband Carey Hart pinged the singer for lip-syncing and ripping off his motocross-inspired performance from one of hers. But when John Legend’s fiancée, model Chrissy Tiegen, dared to opine that Brown should stick to dancing all hell broke loose. Team Breezy barraged the model with so many death threats that Brown himself had to step in. Read all about it here.

Usher tears up at custody hearing

Usher and his ex-wife Tameka Foster are embroiled in an ugly custody dispute over their two sons, and this week the singer broke down in tears on the stand as he was questioned about his ability to parent. Oh, and his ability to bang bridesmaids. Read about it here.

Miscellany

Sound And Vision: Where Is the Love? — The Disappearing Power-Ballad Duet

Back in the day, every major female pop star had one: a male pop star (or two, or three or more) who loved her—at least on the record and on the charts. Over the years, Barbra Streisand had Neil Diamond, Barry Gibb and Bryan Adams. Diana Ross had Marvin Gaye, Lionel Richie and Julio Iglesias. Olivia Newton-John, Linda Ronstadt and Stevie Nicks had their pick of men (Andy Gibb, Don Henley, Aaron Neville, Tom Petty and John Travolta, among them.) Whitney Houston had Teddy Pendergrass, Bobby Brown, Enrique Iglesias and George Michael. Madonna had Prince. Celine Dion had Peabo Bryson and R. Kelly. Mariah Carey had Luther Vandross, and so did Janet Jackson.
But where did the love go? Though there have been scattered duet hits in recent years (Jordin Sparks and Chris Brown‘s “No Air,” Ciara and Justin Timberlake‘s “Love Sex Magic”), they are fewer and much farther between. On the Billboard Hot 100 dated March 19, 2011, “Don’t You Wanna Stay,” Jason Aldean and Kelly Clarkson‘s country chart topper, was the only traditional male-female duet, way down at No. 34.
I’d say that part of the blame lies with the faltering power ballad, which isn’t the chart force that it was in the days when Celine Dion ruled the airwaves. Consider pop’s leading single males: Both of Usher‘s and Enrique Iglesias’s two recent Top 10 Hot 100 singles have been not ballads but dance-oriented collaborations with rappers and, in the case of Usher’s “OMG,” Will.i.am. Chris Brown’s comeback-in-progress also has been harder-edged and boosted by male guest stars like Lil Wayne and Busta Rhymes, and of Justin Bieber‘s two Top 10s to date, neither has been a ballad, both were with rappers.
But it’s not just about what the public seems to want— it seems to be what the artists want, too. Why play the conventional good girl, duetting with Usher or Iglesias, when it’s so much more fun being bad? In the past year or so, both Rihanna and Katy Perry have gone Top 10 with rappers (Eminem and Drake, and Snoop Dogg and Kanye West, respectively). Meanwhile, Ke$ha went there with electronica hipsters 3OH!3 (after scoring her first hit riding shotgun with Flo Rida), and Beyoncé and Lady Gaga got there together.
As for the guys, boy-on-boy (or boys) rule: Bruno Mars with B.o.B and Travie McCoy, Jeremih with 50 Cent, Usher and Iglesias with Pitbull, Iglesias and Bieber with Ludacris. If it were 2001, Iglesias, or Ricky Martin, probably already would have zipped up the charts with Katy Perry and/or Rihanna on his arm. But it’s 2011, and just as every good girl wants a bad-boy rapper by her side, it seems the hit-making males would rather roll with the rough boys than mush it up with the ladies.
Will the power ballad survive the current disinterest in them? Can singing couples make a comeback? I’d be surprised if they didn’t. Pop music is cyclical, and if Jennifer Lopez can rise again, so can love (which, incidentally happens to be the title of J. Lo’s upcoming album, minus a question mark). All it needs is the right tag team to deliver it back into the public’s good graces and up the charts. I’d pay money to hear Pink and Adam Lambert together, but would the masses buy it? I’m not so sure, but wouldn’t it be just like them both to try and find out?

Discourse & Dischord

OSBlog02_Discourse_Dec09_Week1

Introducing “Discourse & Dischord” a new column wrapping up the week in music and delivering it to you with a big, fat bow every Friday. This week: The Strokes, Adam Lambert, Chris Brown, Susan Boyle and more.




The Good

The Strokes announce first gig since October 2006

the strokes julian casablancas phrazes for the young

Photo Credit: Marcos Hermes

It’s been three years since the Strokes’ last live show, and the interim has been filled with band members’ solo projects (Albert Hammond Jr.’s “Yours To Keep,” Fabrizio Moretti’s work with Little Joy and Julian Casablanca’s latest, “Phrazes For The Young”). So you wouldn’t have to be much of a gambler to wager that a Strokes breakup might be imminent.

This week the band laid any such fears to rest by announcing a headlining gig at England’s Isle of Wight festival on June 11-13. The Strokes will join the likes of Jay-Z, Blondie and Orbital. Jittery mod rock, shaggy hair and monochromatic croons —it’s been too long.

Susan Boyle beats Gaga and Rihanna (not literally)

Susan Boyle's "I Dreamed A Dream"

Susan Boyle

Our Lady of Blackburn emerged at the top of the Billboard charts this week with her Sony debut, I Dreamed A Dream.

The Scottish singer edged out pop front runners including Rihanna, Adam Lambert and Lady Gaga with her album of covers. As you may recall, Boyle’s performance of the title track on the TV show “Britain’s Got Talent” made her an internet sensation.  And she didn’t even have to simulate fellatio on her guitar player (note to self, Lambert).

The Bad

Adam Lambert, Chris Brown and ABC: A Tale in Three Parts

Photo Credit: Djansezian/Getty

Photo Credit: Djansezian/Getty

Speaking of Lambertkins, you may have heard a little bit about his recent AMA performance. In short, he did some naughty things on stage, and subsequently got booted from his upcoming gig on Good Morning America. Network executives claimed Lambert wasn’t wholesome enough for a morning audience, then, in a brain fart heard ‘round the world, replaced him with convicted girlfriend-abuser Chris Brown. Cries of outrage ensued. This week ABC announced that Brown will not be performing on GMA after all, and instead will be interviewed on 20/20 on December 4. Brown’s replacement on GMA will be wholesome Al Qaeda terrorist Syed Hashmi. (Not really, but you never know with these guys.)

The Ugly

Pete Doherty booed off stage for singing Nazi national anthem in Munich. That headline says it all.

Bits and Pieces

•    Phish cover TV On The Radio’s “Golden Age” in Albany

•    Spoon releases album art for upcoming “Transference”

•    New Gorillaz record to feature Lou Reed, Snoop Dogg, Barry Gibb, says Damon Albarn

•    Lady Gaga wipes out

signatures_kateb4

 


Exclusive Interviews
Featured Artists
OurStage Updates
News
Features
Reviews and Playlists
Editors Pick

 

 




 

iAnEAqqqq