Women in metal–a subject that often starts heated arguments filled with strong opinions and misconceptions. Many stigmas exist about female metal musicians, especially metal vocalists: they’re inferior and can’t bring it as hard as the men can. This article will debunk that ideology. Just because the genre’s more famous leading ladies include Amy Lee of Evanescence and Christina Scabbia of Lacuna Coil doesn’t mean that every other female follows in their footsteps. This ideology has existed for quite some time now, even classic bands like Girlschool saw a strong amount of prejudice throughout their career. In an interview with Lemmy of Mötorhead from Metal: A Headbanger’s Ball he recounted someone who said, after a Girlschool performance “She was pretty good, for a girl” and he responded “Well, f*** you, she’s better than you are!”
Women are infiltrating the metal world. They’re not all singers who only have angelic voices and fit into the “pretty girl” role. More and more, they’re taking on the “badass” persona, and are even playing other instruments in bands, as opposed to just being vocalists. Jeanne Sagan of All That Remains, Marta Peterson or Bleeding Through and Karin Axelsson of Sonic Syndicate have all been holding it down on bass for their bands for years now. Liz Buckingham has been rocking the guitar in Electric Wizard since 2003 and Laura Christine has been playing guitar in a bunch of metal bands lately though she’s best known for her work with Warface. You even have some bands that are primarily women, like Zeenon, who are known for playing really great death metal insted of being “hot metal chicks”.
Now comes the problem of image. As routinely acknowledged by women metal musicians, being good isn’t always enough—you’ve also got to be really good looking (strongly expressed by the band Kittie in an interview for Metal: A Headbanger’s Journey). For a while the expected role of any woman in metal was to either be a groupie or be attractive and little else (not to say there weren’t people who broke free of that, Doro Pesch being a famous example). As more women entered the metal scene, many that were on par with their male peers, the stigma of women being less talented than men slowly and surely phased out almost completely. Though it’s still a pretty lopsided ration of men to women, it’s certainly not as skewed as it once was, and the public eye looks at women a bit differently than it used to. Unfortunately, certain metal publications still focus heavily on women’s looks, such as Revolver‘s annual “Hottest Chicks In Metal” feature.
Today, there are more bands fronted by women who put on the tough guise and bring it just as hard as any man around, and this is likely due to the influx of women into metal and the shifting of mindsets. In Metal: A Headbanger’s Journey, Angela Gossow of Arch Enemy talks about adopting a tougher style and persona in order to feel powerful on stage. She also speaks about how young girls come up to her after shows to talk about how her performance inspire them. Most metalheads know Angela, who happens to have one of the best guttural screams live in the whole metal genre, but there are a lot of other bands out there that don’t get quite the same press. OurStage’s own Abnormality (whose song “Visions” was featured in a Rock Band game) is one of these bands. While listening to Mallika’s vocals, it’s nearly impossible to tell she’s a woman, and it’s refreshing to hear a female fronting a brutal death metal band. Other women who rock the guttural vocals and the tough guise include (and is certainly not limited to): Otep Shamaya of Otep, Krysta Cameron of Iwrestledabearonce, Candace Kucsulain of Walls of Jericho, Mel Mongeon of Fuck The Facts and Alissa White-Gluz of The Agonist.
Still think that all bands with women are like Evanescence, Lacuna Coil, Epica, Nightwish, In This Moment and the like? I can’t really see how you could. If you still need convincing, check out this video of Angela Gossow and Arch Enemy commanding a crowd in Japan to the tune of their song “Tyrants of the Rising Sun”
When Jerzy Jung sings “I’m going down,” on her song “The Anchor,” you might be inclined to go with—nevermind where “down” might be. Seduction’s a powerful thing, and Jung – a pop songstress from Hellertown, PA – knows how to wield it. “The Anchor” is haunting trip-pop consisting of quavering guitars, shadowy drum machines and Jung’s muscular voice. Think Evanescence’s Amy Lee meets Sara McLachlan. It’s sexy, heady stuff, but lest you think Jung is just a torch singer, lend your ears to “Black Dress White Dress,” a urgent little pop melody, or the graceful ballad “I Hope.” On the latter, an elegiac piano, twinkling xylophone and soft, marching drums each reveal themselves in fleeting glimpses. What’s more provocative – the hint of something or its full reveal? If your vote goes for Option A, you’ll enjoy the Jungian art of seduction.