Beyoncé is having a rough 2011. I don’t know how she felt about turning thirty on September 4, but if she’s as career-obsessed as I suspect she is, it was probably the least of her concerns. Yes, 2011 has not been without a few triumphs: She rocked the Glastonbury Festival in June, and she set a Twitter record for “most tweets per second recorded for a single event” (8,868) when she announced at the August 28 MTV Video Music Awards that she is expecting her first child with husband Jay-Z.
But by October, even that bright spot was mired in controversy when Beyoncé’s baby bump seemed to collapse as she sat down for a couch chat during an Australian TV appearance. A faked pregnancy? Stranger things have happened—like an underperforming Beyoncé album. Despite debuting at No. 1 with 310,000 copies sold its first week in June, Beyoncé’s fourth solo album, 4, has sold below expectations while failing to launch a major hit single.
But collapsing baby bumps and album sales might be small-time woes compared to the accusations of theft and copyright infringement that continue to dog the singer.
In the past, she’s been accused of contributing minimally to the creation of some of the songs for which she receives songwriting credit, and in 2005, she was sued (albeit unsuccessfully) for copyright infringement for her 2003 No. 1 hit “Baby Boy.” Then in 2006, Destiny’s Child‘s “Cater 2 U,” for which Beyoncé and her group mates were listed as co-writers, was at the center of another copyright infringement suit, which was settled out of court.